{"id":5234,"date":"2025-03-15T21:51:22","date_gmt":"2025-03-15T20:51:22","guid":{"rendered":"https:\/\/www.artinbox.cz\/?p=5234"},"modified":"2025-03-26T18:07:58","modified_gmt":"2025-03-26T17:07:58","slug":"o-fortuna-delphine-prokesova-daniel-pesta","status":"publish","type":"post","link":"https:\/\/www.artinbox.cz\/?p=5234","title":{"rendered":"\u00d3 Fortuna! \/ Delphine Proke\u0161ov\u00e1 &#038; Daniel Pe\u0161ta"},"content":{"rendered":"\n<p>Artinbox Gallery uv\u00e1d\u00ed:<\/p>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img decoding=\"async\" loading=\"lazy\" width=\"721\" height=\"740\" src=\"https:\/\/www.artinbox.cz\/wp-content\/uploads\/2025\/03\/Snimek-obrazovky-2025-03-26-180348-1.jpg\" alt=\"\" class=\"wp-image-5245\" style=\"aspect-ratio:0.75;width:840px;height:auto\" srcset=\"https:\/\/www.artinbox.cz\/wp-content\/uploads\/2025\/03\/Snimek-obrazovky-2025-03-26-180348-1.jpg 721w, https:\/\/www.artinbox.cz\/wp-content\/uploads\/2025\/03\/Snimek-obrazovky-2025-03-26-180348-1-600x616.jpg 600w, https:\/\/www.artinbox.cz\/wp-content\/uploads\/2025\/03\/Snimek-obrazovky-2025-03-26-180348-1-305x313.jpg 305w\" sizes=\"(max-width: 721px) 100vw, 721px\" \/><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>Delphine Proke\u0161ov\u00e1 &amp; Daniel Pe\u0161ta: \u00d3 FORTUNA<\/strong><\/p>\n\n\n\n<p>Artinbox Gallery, (21. 3. \u2013 30. 5. 2025)<\/p>\n\n\n\n<p><strong>Kur\u00e1torky: Nadia Rovderov\u00e1, Radana Ulverov\u00e1 a Terezie Zem\u00e1nkov\u00e1<\/strong><\/p>\n\n\n\n<p><strong>Vizu\u00e1ln\u00ed ponor do t\u00e9mat \u0161t\u011bst\u00ed, osudu, predestinace, transformace z hlediska mu\u017ee, \u017eeny, jednotlivce, komunity, spole\u010dnosti\u2026 v dne\u0161n\u00edm globalizovan\u00e9m a m\u011bn\u00edc\u00edm se sv\u011bt\u011b.<\/strong><\/p>\n\n\n\n<p><strong>P\u0159\u00edchod jara slav\u00edme v Artinbox Gallery v\u00fdstavou, kter\u00e1 zkoum\u00e1 zd\u00e1nliv\u011b ban\u00e1ln\u00ed, p\u0159itom v\u0161ak ta nejz\u00e1sadn\u011bj\u0161\u00ed \u017eivotn\u00ed t\u00e9mata. Prost\u0159ednictv\u00edm magick\u00fdch objekt\u016f a kol\u00e1\u017e\u00ed francouzsk\u00e9 um\u011blkyn\u011b Delphine Proke\u0161ov\u00e9 a fantaskn\u00edch obraz\u016f a objekt\u016f \u010desk\u00e9ho vizu\u00e1ln\u00edho um\u011blce Daniela Pe\u0161ty hled\u00e1me odpov\u011b\u010f na ot\u00e1zky: Co je \u0161t\u011bst\u00ed? P\u0159eje odv\u00e1\u017en\u00fdm? P\u0159eje p\u0159ipraven\u00fdm? Je ka\u017ed\u00fd sv\u00e9ho \u0161t\u011bst\u00ed str\u016fjcem? Nebo jsou cesty osudu nevyzpytateln\u00e9? A co nad\u011bje? Um\u00edr\u00e1 posledn\u00ed? A l\u00e1ska? V\u00edt\u011bz\u00ed? V\u00edt\u011bz\u00ed pravda?<\/strong><\/p>\n\n\n\n<p>Multimedi\u00e1ln\u00ed vizu\u00e1ln\u00ed um\u011blec <strong>Daniel Pe\u0161ta<\/strong> (narozen 1. kv\u011btna 1959 v Praze)<br>se vyjad\u0159uje \u0161irokou \u0161k\u00e1lou v\u00fdtvarn\u00fdch technik od klasick\u00e9 malby p\u0159es tvorbu asambl\u00e1\u017e\u00ed, objekt\u016f a fotografi\u00ed a\u017e po site-specific instalace, videoart a performance. Tento rozmanit\u00fd a inven\u010dn\u00ed projev mu zdaleka neslou\u017e\u00ed jen k estetizaci zvolen\u00e9ho t\u00e9matu. Jeho tvorba je synkretick\u00fdm, neust\u00e1le se vyv\u00edjej\u00edc\u00edm celkem, jeho\u017e jednotliv\u00e9 kapitoly s sebou nesou origin\u00e1ln\u00ed symboliku i ikonografii, kter\u00e9 si \u017e\u00e1daj\u00ed jedine\u010dn\u00e9 v\u00fdtvarn\u00e9 pojet\u00ed.<br><br>V tematicky kompaktn\u00edch cyklech Pe\u0161ta reflektuje sou\u010dasnou i historickou roli Homo sapiens, kter\u00fd je jako jedin\u00fd z \u017eivo\u010di\u0161n\u00fdch druh\u016f nositelem genu zla, a ve sv\u00fdch d\u00edlech zkoum\u00e1 jeho projevy. Jeho \u00fast\u0159edn\u00edm t\u00e9matem je dlouhodob\u011b p\u0159edur\u010den\u00ed lidsk\u00e9ho osudu genetick\u00fdm, rasov\u00fdm, soci\u00e1ln\u00edm \u010di genderov\u00fdm p\u016fvodem, politick\u00fdm re\u017eimem, ale i vzorci chov\u00e1n\u00ed v prim\u00e1rn\u00edch rodin\u00e1ch, z nich\u017e b\u00fdv\u00e1 nad lidsk\u00e9 s\u00edly se vymanit. S nemilosrdn\u00fdm sarkasmem glosuje lidsk\u00e9 malichernosti a vysm\u00edv\u00e1 se patologick\u00fdm mocensk\u00fdm cht\u00ed\u010d\u016fm. Do kontrastu s nimi klade existenci univerz\u00e1ln\u00edho \u0159\u00e1du, kter\u00fd pozemsk\u00e1 dramata stav\u00ed do jin\u00e9 perspektivy a lidsk\u00e9mu \u017eivotu nab\u00edz\u00ed hlub\u0161\u00ed smysl a spiritu\u00e1ln\u00ed p\u0159esah.<\/p>\n\n\n\n<p>Daniel Pe\u0161ta se \u00fa\u010dastnil dlouh\u00e9 \u0159ady v\u00fdznamn\u00fdch mezin\u00e1rodn\u00edch expozic v \u010cech\u00e1ch i zahrani\u010d\u00ed. Zat\u00edm posledn\u00ed z jeho samostatn\u00fdch v\u00fdstav byl projekt <em>Something is wrong<\/em>, kter\u00fd se konal v r\u00e1mci bien\u00e1le sou\u010dasn\u00e9ho um\u011bn\u00ed v Ben\u00e1tk\u00e1ch roku 2024. Doposud nejv\u011bt\u0161\u00ed samostatnou v\u00fdstavu pod n\u00e1zvem <em>De-termination<\/em> mu roku 2018 uspo\u0159\u00e1dalo Centrum sou\u010dasn\u00e9ho um\u011bn\u00ed DOX v Praze.<\/p>\n\n\n\n<p>V galerii Artinbox byla Pe\u0161tova d\u00edla zastoupena ji\u017e v mnoha r\u016fzn\u00fdch kontextech. Jeho dialog s Delphine Proke\u0161ovou v projektu <em>\u00d3 Fortuna<\/em> nab\u00edz\u00ed konfrontaci dvou zcela odli\u0161n\u00fdch um\u011bleck\u00fdch p\u0159\u00edstup\u016f k ot\u00e1zk\u00e1m p\u0159edur\u010den\u00ed osudu \u010dlov\u011bka i lidstva a mo\u017enost\u00ed jej ovlivnit.<\/p>\n\n\n\n<p><strong>Delphine Proke\u0161ov\u00e1<\/strong> (1975) je francouzsk\u00e1 um\u011blkyn\u011b \u017eij\u00edc\u00ed v Praze. Studovala&nbsp; d\u011bjiny um\u011bn\u00ed na Institutu D&#8217;etudes Sup\u00e9rieures des Arts v Pa\u0159\u00ed\u017ei a v\u00fdstava <em>\u00d3 Fortuna<\/em> v Artinbox Gallery \u2013 v tandemu s Danielem Pe\u0161tou na mezin\u00e1rodn\u00ed v\u00fdtvarn\u00e9 sc\u00e9n\u011b ji\u017e etablovan\u00fdm \u2013 je prvn\u00edm ve\u0159ejn\u00fdm p\u0159edstaven\u00edm jej\u00edho d\u00edla, kter\u00e9 ona sama vn\u00edm\u00e1 jako \u201ezdroj neust\u00e1l\u00e9ho pozn\u00e1v\u00e1n\u00ed a zkoum\u00e1n\u00ed prost\u0159ednictv\u00edm mnoha materi\u00e1l\u016f, technik a forem\u201c.<\/p>\n\n\n\n<p>Na v\u00fdstav\u011b na t\u00e9ma osudu a \u0161t\u011bst\u00ed je zastoupena sv\u00fdmi kol\u00e1\u017eemi, 3D s\u00e9ri\u00ed o tarotu (<em>Tarot<\/em>), autorsk\u00fdmi tarotov\u00fdmi kartami, objekty, v\u00fd\u0161ivkami (s\u00e9rie <em>Folklore <\/em>a<em> Maps of coexistency <\/em>z roku 2021) a zem\u011bpisn\u00fdmi mapami, jejich\u017e prost\u0159ednictv\u00edm n\u00e1padit\u011b \u0159e\u0161\u00ed v projektu <em>Mo\u0159e pro v\u0161echny<\/em> nejen to, co v \u010cesku chyb\u00ed, ale i sou\u010dasn\u00e9 politick\u00e9 konflikty.<\/p>\n\n\n\n<p>Soubor imaginativn\u00edch kol\u00e1\u017e\u00ed nazvan\u00fd <em>Will I meet success?<\/em> realizovala na z\u00e1klad\u011b katalogu absolvent\u016f DAMU ro\u010dn\u00edku 2022\/23, kdy vytvo\u0159ila jejich portr\u00e9ty inspirovan\u00e9 divadlem. V t\u00e9to s\u00e9rii se zam\u00fd\u0161l\u00ed nad pojmem \u00fasp\u011bch a klade si ot\u00e1zky: \u201eCo n\u00e1s d\u011bl\u00e1 \u00fasp\u011b\u0161n\u00fdmi? Je \u00fasp\u011bch spojen se sl\u00e1vou? Co jsme ochotni ob\u011btovat, abychom usp\u011bli?\u201c Za pou\u017eit\u00ed karet vytvo\u0159ila ka\u017ed\u00e9mu z nich p\u0159edpov\u011b\u010f, aby za desetlet bylo odhaleno, jestli se naplnila. Ale mo\u017en\u00e1 tak\u00e9, \u017ee z\u016fstane nav\u017edy skryta&#8230;<\/p>\n\n\n\n<p>Trojrozm\u011brn\u00e9 objekty Delphine Proke\u0161ov\u00e9, vystaven\u00e9 v hlavn\u00edm s\u00e1le, se \u0159ad\u00ed k tarotov\u00e9mu um\u011bn\u00ed datovan\u00e9mu v Evrop\u011b ji\u017e od 14. stolet\u00ed. Jeho modern\u00ed podoba p\u0159edstavuje expresivn\u00ed m\u00e9dium zahrnuj\u00edc\u00ed nejen n\u00e1stroje pro v\u011b\u0161t\u011bn\u00ed, ale i rozmanit\u00e9 formy um\u011bleck\u00e9ho vyj\u00e1d\u0159en\u00ed. Inspira\u010dn\u00edm zdrojem k t\u00e9to s\u00e9rii byla <em>Tarotov\u00e1 zahrada<\/em> od Niki de Saint Phalle s monument\u00e1ln\u00edmi sochami a tak\u00e9 kultovn\u00ed film <em>Svat\u00e1 hora<\/em> \u201eproklet\u00e9ho\u201c Alejandra Jodorowsk\u00e9ho. Z\u00e1m\u011brem autorky bylo, abychom si p\u0159edstavili sami sebe v prost\u0159ed\u00edch, kter\u00e9 vytvo\u0159ila, a t\u00edm intuitivn\u011b pochopili symboliku a v\u00fdznam karet Velk\u00e9 ark\u00e1ny.<\/p>\n","protected":false},"excerpt":{"rendered":"<p> [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":5245,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[10],"tags":[],"_links":{"self":[{"href":"https:\/\/www.artinbox.cz\/index.php?rest_route=\/wp\/v2\/posts\/5234"}],"collection":[{"href":"https:\/\/www.artinbox.cz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artinbox.cz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artinbox.cz\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artinbox.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5234"}],"version-history":[{"count":5,"href":"https:\/\/www.artinbox.cz\/index.php?rest_route=\/wp\/v2\/posts\/5234\/revisions"}],"predecessor-version":[{"id":5246,"href":"https:\/\/www.artinbox.cz\/index.php?rest_route=\/wp\/v2\/posts\/5234\/revisions\/5246"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artinbox.cz\/index.php?rest_route=\/wp\/v2\/media\/5245"}],"wp:attachment":[{"href":"https:\/\/www.artinbox.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5234"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artinbox.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=5234"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artinbox.cz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=5234"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}