{"id":5224,"date":"2024-12-02T12:50:53","date_gmt":"2024-12-02T11:50:53","guid":{"rendered":"https:\/\/www.artinbox.cz\/?p=5224"},"modified":"2025-03-15T19:37:42","modified_gmt":"2025-03-15T18:37:42","slug":"jan-svankmajer-90-prezit-svuj-zivot","status":"publish","type":"post","link":"https:\/\/www.artinbox.cz\/?p=5224","title":{"rendered":"JAN \u0160VANKMAJER &#8217;90 \/ P\u0158E\u017d\u00cdT SV\u016eJ \u017dIVOT"},"content":{"rendered":"\n<p><strong>JAN \u0160VANKMAJER &#8217;90 \/ P\u0158E\u017d\u00cdT SV\u016eJ \u017dIVOT<\/strong><\/p>\n\n\n\n<p>\/30. 11. 2024 &#8211; 28. 2. 2025\/<\/p>\n\n\n\n<p><strong>kur\u00e1torky: Nadia Rovderov\u00e1, Radana Ulverov\u00e1<\/strong><\/p>\n\n\n\n<p><em>\u201eMezi snem a realitou je jen jeden nepatrn\u00fd fyzick\u00fd \u00fakon: zvednut\u00ed nebo zav\u0159en\u00ed v\u00ed\u010dek. U denn\u00edho sn\u011bn\u00ed pak odpad\u00e1 i ten.\u201c<\/em><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"810\" height=\"744\" src=\"https:\/\/www.artinbox.cz\/wp-content\/uploads\/2024\/12\/lightbox-js.jpg\" alt=\"\" class=\"wp-image-5225\" srcset=\"https:\/\/www.artinbox.cz\/wp-content\/uploads\/2024\/12\/lightbox-js.jpg 810w, https:\/\/www.artinbox.cz\/wp-content\/uploads\/2024\/12\/lightbox-js-600x551.jpg 600w, https:\/\/www.artinbox.cz\/wp-content\/uploads\/2024\/12\/lightbox-js-768x705.jpg 768w, https:\/\/www.artinbox.cz\/wp-content\/uploads\/2024\/12\/lightbox-js-305x280.jpg 305w\" sizes=\"(max-width: 810px) 100vw, 810px\" \/><\/figure>\n\n\n\n<p>P\u0159edstavitel \u010desk\u00e9ho pozdn\u00edho surrealismu Jan \u0160vankmajer (1934) je autorem renesan\u010dn\u011b plodn\u00fdm. Sv\u00fdmi um\u011bleck\u00fdmi po\u010diny ve sf\u00e9\u0159e filmov\u00e9 i v\u00fdtvarn\u00e9 vzbuzuje ji\u017e desetilet\u00ed celosv\u011btovou pozornost. V\u00fdstavou si p\u0159ipom\u00edn\u00e1me jeho devades\u00e1t\u00e9 narozeniny a z\u00e1rove\u0148 \u010dtrn\u00e1ct\u00e9 v\u00fdro\u010d\u00ed vzniku Artinbox Gallery, jej\u00ed\u017e \u010dinnost byla zah\u00e1jena 30. listopadu 2010 pr\u00e1v\u011b v\u00fdstavou jeho fotokol\u00e1\u017e\u00ed z cyklu <em>P\u0159e\u017e\u00edt sv\u016fj \u017eivot<\/em>, k n\u00ed\u017e se nyn\u00ed vrac\u00edme.<\/p>\n\n\n\n<p>Expozici tvo\u0159\u00ed \u010d\u00e1st p\u016fvodn\u00edch d\u011bl z roku 2009 dopln\u011bn\u00e1 p\u0159ev\u00e1\u017en\u011b nov\u00fdmi kol\u00e1\u017eemi, vytvo\u0159en\u00fdmi v leto\u0161n\u00edm roce. Vznikaj\u00ed z materi\u00e1lu zbyl\u00e9ho po nat\u00e1\u010den\u00ed stejnojmenn\u00e9ho filmu, psychoanalytick\u00e9 komedie \u201eo snech a sn\u011bn\u00ed jednoho mu\u017ee ve st\u0159edn\u00edch letech\u201c, uveden\u00e9 do kin v roce 2010. Film je surre\u00e1lnou kombinac\u00ed hran\u00fdch sc\u00e9n s animovan\u00fdmi fotografiemi herc\u016f, a stejn\u00fd obrazov\u00fd princip se objevuje i ve vystaven\u00fdch \u0160vankmajerov\u00fdch d\u00edlech. Fotografie nejsou lepeny k&nbsp;podkladu celou plochou, jak je to u kol\u00e1\u017e\u00ed obvykl\u00e9, ale jen body, jako kdy\u017e se tyto obr\u00e1zky animuj\u00ed.<\/p>\n\n\n\n<p>\u201e<em>Z&nbsp;ka\u017ed\u00e9ho sv\u00e9ho filmu se sna\u017e\u00edm uchovat pou\u017eit\u00e9 rekvizity, kost\u00fdmy\u2026&nbsp; V&nbsp;tomhle filmu v\u0161ak \u017e\u00e1dn\u00e9 loutky nejsou a je v&nbsp;n\u011bm jen minimum rekvizit. Ale zbyly n\u00e1m po n\u011bm f\u00e1ze z&nbsp;animovan\u00fdch \u010d\u00e1st\u00ed filmu. Byly to desetitis\u00edce f\u00e1z\u00ed, a mn\u011b bylo l\u00edto je vyhodit, tak jsem je za\u010dal zpracov\u00e1vat. Ten materi\u00e1l jsem pou\u017e\u00edval velice voln\u011b.&nbsp; Nejsou to jen sc\u00e9ny z&nbsp;filmu, jsou to sp\u00ed\u0161 voln\u00e9 variace na dan\u00e9 t\u00e9ma.\u201c<\/em><\/p>\n\n\n\n<p>Ev\u017een, st\u00e1rnouc\u00ed mu\u017e, \u017eije dvoj\u00ed \u017eivot. Jeden v realit\u011b a druh\u00fd ve sv\u00fdch snech. Chod\u00ed za psychoanalyti\u010dkou, kter\u00e1 se mu pokou\u0161\u00ed vykl\u00e1dat, co jeho sny znamenaj\u00ed. Ev\u017een p\u0159ijde na ur\u010dit\u00fd ritu\u00e1l, kter\u00fd mu umo\u017e\u0148uje kdykoliv nav\u0161t\u011bvovat sv\u00e9 sny. Z nich se dozv\u00edd\u00e1 o sv\u00e9m ran\u00e9m d\u011btstv\u00ed, o vztahu k otci a matce. Kdy\u017e je pak svoj\u00ed man\u017eelkou postaven p\u0159ed rozhodnut\u00ed mezi realitou a snem, odch\u00e1z\u00ed definitivn\u011b do sv\u00e9ho snu, uv\u00e1d\u00ed popis filmu.<\/p>\n\n\n\n<p><em>\u201eNab\u00edz\u00ed se tu spojitost a inspirace teoriemi Sigmunda Freuda a Carla Gustava Junga. Ve filmu vystupuj\u00ed oba p\u00e1nov\u00e9, tedy jejich animovan\u00e9 obr\u00e1zky na zdi v ordinaci psychoanalyti\u010dky. Freudova psychoanal\u00fdza je pro mne p\u0159edev\u0161\u00edm \u00fa\u017easn\u00fd v\u00fdkladov\u00fd syst\u00e9m sv\u011bta a \u017eivota podobn\u011b jako alchymie, kter\u00e1 byla bl\u00edzk\u00e1 tak\u00e9 Jungovi\u201c.<\/em><\/p>\n\n\n\n<p>Vernis\u00e1\u017e: 30. listopadu 2024<\/p>\n\n\n\n<p>Komentovan\u00e1 prohl\u00eddka v\u00fdstavy 21. prosince 2024<\/p>\n\n\n\n<p>Kur\u00e1torky: Nadia Rovderov\u00e1, Radana Ulverov\u00e1<\/p>\n\n\n\n<p><strong>\u201eHommage J. \u0160.\u201c<\/strong><\/p>\n\n\n\n<p>V r\u00e1mci t\u00e9to v\u00fdstavy budou 21. 12. 2024 v doln\u00edm s\u00e1lu galerie instalov\u00e1na d\u00edla autor\u016f, kte\u0159\u00ed byli Janem \u0160vankmajerem ve sv\u00e9 tvorb\u011b inspirov\u00e1ni.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p>Ob\u011b v\u00fdstavy jsou prodlou\u017eeny do 28. 2. 2025<\/p>\n\n\n\n<p>Expozice jsou v\u00fdstavn\u00ed i prodejn\u00ed. V p\u0159\u00edpad\u011b z\u00e1jmu o n\u00e1kup d\u011bl Jana \u0160vankmajera, nebo jin\u00fdch autor\u016f, n\u00e1s kontaktujte na tel., p\u0159\u00edp. whatsup: +420 777 748 433, mail: nadia@seznam.cz. V nab\u00eddce m\u00e1me rovn\u011b\u017e autorsk\u00e9 publikace a pohledy s reprodukcemi Jana \u0160vankmajera.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"570\" height=\"762\" src=\"https:\/\/www.artinbox.cz\/wp-content\/uploads\/2024\/12\/plakat-js-90.jpg\" alt=\"\" class=\"wp-image-5226\" srcset=\"https:\/\/www.artinbox.cz\/wp-content\/uploads\/2024\/12\/plakat-js-90.jpg 570w, https:\/\/www.artinbox.cz\/wp-content\/uploads\/2024\/12\/plakat-js-90-305x408.jpg 305w\" sizes=\"(max-width: 570px) 100vw, 570px\" \/><\/figure>\n","protected":false},"excerpt":{"rendered":"<p> [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":5225,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"_links":{"self":[{"href":"https:\/\/www.artinbox.cz\/index.php?rest_route=\/wp\/v2\/posts\/5224"}],"collection":[{"href":"https:\/\/www.artinbox.cz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artinbox.cz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artinbox.cz\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artinbox.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5224"}],"version-history":[{"count":5,"href":"https:\/\/www.artinbox.cz\/index.php?rest_route=\/wp\/v2\/posts\/5224\/revisions"}],"predecessor-version":[{"id":5232,"href":"https:\/\/www.artinbox.cz\/index.php?rest_route=\/wp\/v2\/posts\/5224\/revisions\/5232"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artinbox.cz\/index.php?rest_route=\/wp\/v2\/media\/5225"}],"wp:attachment":[{"href":"https:\/\/www.artinbox.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5224"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artinbox.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=5224"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artinbox.cz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=5224"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}