{"id":5156,"date":"2023-11-17T15:43:45","date_gmt":"2023-11-17T14:43:45","guid":{"rendered":"https:\/\/www.artinbox.cz\/?p=5156"},"modified":"2023-11-17T15:43:45","modified_gmt":"2023-11-17T14:43:45","slug":"vitr-v-plachtach","status":"publish","type":"post","link":"https:\/\/www.artinbox.cz\/?p=5156","title":{"rendered":"V\u00cdTR V\u00a0PLACHT\u00c1CH"},"content":{"rendered":"\n

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\u201e\u017dijte ve slune\u010dn\u00edm svitu, koupejte se v\u00a0mo\u0159i\u00a0a d\u00fdchejte divok\u00fd vzduch!\u201c<\/em><\/p>\n\n\n\n

Ralph Waldo Emerson[1]<\/a><\/p>\n\n\n\n

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V\u00cdTR V PLACHT\u00c1CH<\/strong><\/p>\n\n\n\n

Kur\u00e1torky : Nadia Rovderov\u00e1 a Terezie Zem\u00e1nkov\u00e1, <\/strong>odborn\u00e1 spolupr\u00e1ce: Ane\u017eka \u0160imkov\u00e1<\/p>\n\n\n\n

auto\u0159i: Curt Raoul Brkovic, Dagmar Havl\u00ed\u010dkov\u00e1, V\u00edt Kosinka, Daniela Mikul\u00e1\u0161kov\u00e1, Ota Prouza, Jarom\u00edr \u0160imk\u016fj, Veronika Zapletalov\u00e1<\/strong><\/p>\n\n\n\n

technick\u00e1 spolupr\u00e1ce: Anton\u00edn Vr\u0148\u00e1k, Milo\u0161 Marek produkce: Elis Unique<\/p>\n\n\n\n

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V\u00fdstava V\u00edtr v\u00a0placht\u00e1ch<\/em><\/strong> vznikla jako homage V\u00edtu Kosinkovi, autorovi, jeho\u017e d\u00edla jsme v\u00a0Artinbox gallery vystavili ji\u017e roku 2011\/2012 v\u00a0r\u00e1mci projektu Ment\u00e1ln\u00ed vrstevnice<\/em>. Pot\u00e9, co V\u00edtek roku 2018 zem\u0159el, p\u0159ekazil jeho v\u00fdstavu nejprve covid a n\u00e1sledn\u011b tak\u00e9 p\u0159ed\u010dasn\u00fd odchod kur\u00e1torky jeho prvn\u00ed v\u00fdstavy, na\u0161\u00ed drah\u00e9 kolegyn\u011b Ivany Br\u00e1dkov\u00e9. Tento projekt je tedy z\u00e1rove\u0148 poctou jej\u00ed osobnosti a pr\u00e1ci.<\/p>\n\n\n\n

V\u00edt Kosinka <\/strong>(1976\u2013 2018) se narodil \u010desk\u00fdm rodi\u010d\u016fm v italsk\u00e9 emigraci. V\u011bt\u0161inu sv\u00e9ho dosp\u011bl\u00e9ho \u017eivota pro\u017eil v kr\u00e1sn\u00e9m prost\u0159ed\u00ed centra Casa Loic \u2013 chr\u00e1n\u011bn\u00e9ho domova pro osoby s ment\u00e1ln\u00edm hendikepem, zalo\u017een\u00e9ho na principech antroposofie Rudolfa Steinera, erv obci Capena pobl\u00ed\u017e \u0158\u00edma. Vedle pr\u00e1ce v truhl\u00e1\u0159sk\u00e9 d\u00edln\u011b se zde v\u011bnoval kreslen\u00ed a malov\u00e1n\u00ed. Nevy\u010derpateln\u00fdm t\u00e9matem jeho d\u011bl a snad i inicia\u010dn\u00edm momentem jeho tvorby se staly intenzivn\u00ed z\u00e1\u017eitky z plavby na plachetnici, kter\u00e9 s p\u0159\u00e1teli z Casa Loic podnikal. Zd\u00e1 se, \u017ee V\u00edtkovy kresby barevn\u00fdmi fixami a pastelkami, ale i jeho kol\u00e1\u017ee z barevn\u00fdch pap\u00edr\u016f a akrylov\u00e9 malby zachycuj\u00ed jeho nad\u0161en\u00ed z placht\u011bn\u00ed, okouzlen\u00ed z nebe mihotaj\u00edc\u00edho se na hladin\u011b mo\u0159e, z v\u016fn\u011b okurky, melounu a ryb, z k\u0159iku rack\u016f vzn\u00e1\u0161ej\u00edc\u00edch se nad obzorem, ze \u0161um\u011bn\u00ed vln a jejich hedv\u00e1bn\u00e9 hebkosti i z pohlazen\u00ed vlah\u00e9ho v\u00e1nku. V\u00edtek Kosinka dok\u00e1zal v\u00fdtvarn\u00fdmi prost\u0159edky spont\u00e1nn\u011b uchopit tyto neopakovateln\u00e9 momenty, kter\u00e9 intenzivn\u011b sn\u00edmal v\u0161emi smysly, a zprost\u0159edkovat je ostatn\u00edm.<\/p>\n\n\n\n

Schopnost zafixovat p\u0159edstavy \/ touhy \/ vzpom\u00ednky v\u00fdtvarn\u00fdm jazykem je vlastn\u00ed i ostatn\u00edm um\u011blc\u016fm, kter\u00e9 jsme k v\u00fdstav\u011b V\u00edtr v placht\u00e1ch<\/em><\/strong> p\u0159izvali. P\u0159i jejich v\u00fdb\u011bru jsme postupovali intuitivn\u011b, bez ohledu na to, zda se jedn\u00e1 o autodidakty spadaj\u00ed do kolonky \u201eart brut\u201c, nebo o v\u00fdjime\u010dn\u011b senzitivn\u00ed sou\u010dasn\u00e9 profesion\u00e1ln\u00ed um\u011blce a um\u011blkyn\u011b. Vznikla tak platforma pro mnohohlas\u00fd chor\u00e1l nap\u0159\u00ed\u010d \u017e\u00e1nry a kategoriemi, kter\u00fd chce b\u00fdt poctou zd\u00e1nliv\u011b ban\u00e1ln\u00edm kr\u00e1s\u00e1m p\u0159\u00edrody, v\u016fni d\u00e1lek a nevy\u010derpateln\u00e9 touze po jej\u00edm nas\u00e1v\u00e1n\u00ed.<\/p>\n\n\n\n

Po dvan\u00e1ctilet\u00e9 odmlce se zde znovu objevuj\u00ed vibruj\u00edc\u00ed abstrahovan\u00e9 krajiny  Curta-Raoula Brkovice, Karla-Herze Hirmera a Klause Zelmera<\/strong> z n\u011bmeck\u00e9ho ateli\u00e9ru Augustinum, autor\u016f, kte\u0159\u00ed se p\u0159edstavili ji\u017e na v\u00fdstav\u011b Ment\u00e1ln\u00ed vrstevnice.<\/em><\/p>\n\n\n\n

Podobn\u00fd osud jako tito tv\u016frci s ment\u00e1ln\u00edm hendikepem sd\u00edl\u00ed tak\u00e9 \u010desk\u00fd autor Ota Prouza<\/strong> (1959), kter\u00fd pro\u017eil cel\u00fd \u017eivot v Domov\u011b pro osoby se zdravotn\u00edm posti\u017een\u00edm v Brtn\u00edk\u00e1ch. P\u0159esto (nebo mo\u017en\u00e1 pr\u00e1v\u011b proto), \u017ee oblast \u010cesk\u00e9 \u0160v\u00fdcarsko prakticky neopou\u0161t\u00ed, ve sv\u00e9 tvorb\u011b se vyd\u00e1v\u00e1 na dalek\u00e9 v\u00fdpravy do pulsuj\u00edc\u00edch sv\u011btov\u00fdch megpol\u00ed, kter\u00e9 nahl\u00ed\u017e\u00ed z pta\u010d\u00ed perspektivy. Jeho mnohametrov\u00e9 kresby poslepovan\u00e9 z kus\u016f pap\u00edr\u016f zobrazuj\u00ed dopravn\u00ed uzle, \u017eelezni\u010dn\u00ed trat\u011b, tunely a silnice, nad kter\u00fdmi \u010dn\u00ed obrysy mrakodrap\u016f \u2013 symbol\u016f \u201evelk\u00e9ho sv\u011bta za velkou lou\u017e\u00ed.\u201c  <\/p>\n\n\n\n

Tak\u00e9 Jarom\u00edr \u0160imk\u016fj<\/strong> (1955) je st\u00e1le \u201eon the road\u201c. Pravideln\u011b doj\u00ed\u017ed\u00ed z Boskovic do Brna, kde u\u010d\u00ed na St\u0159edn\u00ed um\u011bleck\u00e9 \u0161kole. B\u011bhem ka\u017edodenn\u00ed cesty vlakem si do vlastnoru\u010dn\u011b poslepovan\u00fdch se\u0161itk\u016f pod\u00e9ln\u00e9ho form\u00e1tu zaznamen\u00e1v\u00e1 siluety krajiny ub\u00edhaj\u00edc\u00ed za ok\u00e9nky vag\u00f3n\u016f \u2013vertik\u00e1ly sto\u017e\u00e1r\u016f a horizont\u00e1ly kolejnic, spletence dr\u00e1t\u016f elektrick\u00e9ho veden\u00ed a obliny kopc\u016f. Tyto rychlokresby pak v dom\u00e1c\u00ed d\u00edln\u011b cizeluje a p\u0159ev\u00e1d\u00ed do materi\u00e1lu: modeluje je z dr\u00e1t\u016f a kov\u00e1 z plech\u016f a vytv\u00e1\u0159\u00ed tak unik\u00e1tn\u00ed prostorov\u00e9 kresby, kter\u00e9 v\u017edy funguj\u00ed ve vz\u00e1jemn\u00fdch (poka\u017ed\u00e9 jin\u00fdch) konstelac\u00edch a tak\u00e9 v korelaci s prost\u0159ed\u00edm, do kter\u00e9ho jsou zasazeny. <\/p>\n\n\n\n

Kl\u00ed\u010dovou technikou brunt\u00e1lsk\u00e9 roda\u010dky Daniely Mikul\u00e1\u0161kov\u00e9<\/strong> (1974) je v\u00fd\u0161ivka, kter\u00e1 se stala tak\u00e9 t\u00e9matem jej\u00ed diserta\u010dn\u00ed pr\u00e1ce na Filosofick\u00e9 a pedagogick\u00e9 fakult\u011b univerzity Palack\u00e9ho v Olomouci. Materialita nit\u00ed, bavlnek a surov\u00fdch pl\u00e1ten snad dok\u00e1\u017e\u00ed l\u00e9pe ne\u017e \u201epouh\u00e1 kresba\u201c zakonzervovat opojn\u00e9 a krut\u011b pom\u00edjiv\u00e9 kr\u00e1sy \u2013 t\u0159eba mo\u0159skou hladinu vibruj\u00edc\u00ed a\u017e do V\u011b\u010dnosti<\/em>.   <\/p>\n\n\n\n

Chv\u011bj\u00edc\u00ed se vodn\u00ed hladinu evokuj\u00ed tak\u00e9 skriptur\u00e1ln\u00ed kresby olomouck\u00e9 autorky Dagmar Havl\u00ed\u010dkov\u00e9<\/strong> (1967). Tato kustodka v Muzeu um\u011bn\u00ed Olomouc a z\u00e1rove\u0148 absolventka Teologick\u00e9 fakulty tamt\u00e9\u017e, kter\u00e1 ned\u00e1vno konvertovala k pravoslav\u00ed, za\u010dala po smrti sv\u00e9ho man\u017eela ps\u00e1t obsedantn\u011b st\u00e1le tut\u00e9\u017e modlitbu \u2013 a \u010din\u00ed tak dodnes. P\u00ed\u0161e r\u016fzn\u00fdmi abecedami, v r\u016fzn\u00fdch jazyc\u00edch, r\u016fzn\u00fdch barv\u00e1ch a tak\u00e9 r\u016fzn\u00fdmi sm\u011bry na mal\u00e9 form\u00e1ty i na dlouh\u00e9 role pap\u00edru. Pravideln\u00e1 repetice p\u00edsmen, slov a v\u011bt, jejich rytmus a dynamika funguj\u00ed nejen jako grafick\u00fd prvek, ale tak\u00e9 jako uklid\u0148uj\u00edc\u00ed mantra, kter\u00e1 autorku p\u0159iv\u00e1d\u00ed do stavu kontemplace.<\/p>\n\n\n\n

Veronika Zapletalov\u00e1<\/strong> (1971) se systematicky zab\u00fdv\u00e1 krajinou a architekturou v n\u00ed zasazenou. P\u0159esto\u017ee jej\u00ed p\u0159\u00edstup je v souhrnu de facto konceptu\u00e1ln\u00ed, podstatnou kapitolou jej\u00ed tvorby je kresba a malba. Zapetalov\u00e1 sv\u00e1 krajinn\u00e1 panoramata a \u201eportr\u00e9ty mrak\u016f\u201c maluje z\u00e1sadn\u011b v plen\u00e9ru a nech\u00e1v\u00e1 p\u0159\u00edrodn\u00ed jevy zasahovat do tv\u016fr\u010d\u00edho procesu \u2013 neut\u00edk\u00e1 p\u0159ed mrholen\u00edm,  nech\u00e1v\u00e1 rozp\u00edjet kapkami de\u0161t\u011b, rozfoukat ji v\u011btrem a vytv\u00e1\u0159\u00ed tak jak\u00e9si ment\u00e1ln\u00ed vrstevnice<\/em> krajiny.<\/p>\n\n\n\n

 P\u0159esto\u017ee ka\u017ed\u00fd ze zde zastoupen\u00fdch autor\u016f s sebou nese jin\u00fd osobn\u00ed i profesn\u00ed p\u0159\u00edb\u011bh, ka\u017ed\u00fd z nich pracuje v jin\u00fdch podm\u00ednk\u00e1ch, v jin\u00e9m kulturn\u00edm kontextu a s jin\u00fdm ohlasem, v\u0161ichni maj\u00ed cosi spole\u010dn\u00e9ho: Tvorba je pro n\u011b v\u011btrem, kter\u00fd poh\u00e1n\u00ed jejich plachty, je energi\u00ed, kter\u00e1 syt\u00ed jejich \u017eivoty \u2013 a prost\u0159ednictv\u00edm jejich d\u011bl i ty na\u0161e. Ostatn\u011b, jak prav\u00ed americk\u00e1 autorka kni\u017en\u00edch bestseller\u016f Kristy Brombergov\u00e1\u201e\u2026 V \u017eivot\u011b nejde o to, jak p\u0159e\u017e\u00edt bou\u0159i, ale jak tan\u010dit v de\u0161ti\u201c. <\/em><\/p>\n\n\n\n

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Projekt podpo\u0159il St\u00e1tn\u00ed fond kultury \u010cR, celoro\u010dn\u00ed v\u00fdstavn\u00ed program Artinbox Gallery podpo\u0159il grant M\u010c Praha 1. Otev\u0159eno \u00fater\u00fd – \u010dtvrtek: 16 – 18 h., anebo po p\u0159edchoz\u00ed domluv\u011b.<\/p>\n\n\n\n

\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.<\/p>\n\n\n\n

Artinbox Gallery, Perlov\u00e1 3, Praha 1<\/p>\n\n\n\n

www.artinbox.cz<\/a>, nadia@artinbox.cz<\/a>, tel. +420 777 748 433<\/p>\n\n\n\n

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[1]<\/a> Ralph Waldo Emerson byl americk\u00fd unit\u00e1\u0159sk\u00fd duchovn\u00ed, esejista, b\u00e1sn\u00edk a filosof. Byl v\u016fd\u010d\u00ed postavou hnut\u00ed transcendentalist\u016f, americk\u00e9 verze romantismu se zvl\u00e1\u0161t\u011b bl\u00edzk\u00fdm vztahem k\u00a0p\u0159\u00edrod\u011b.<\/p>\n\n\n\n

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V\u00fdstava V\u00edtr v\u00a0placht\u00e1ch<\/em><\/strong> vznikla jako homage V\u00edtu Kosinkovi (na fotografii vlevo), autorovi, jeho\u017e d\u00edla jsme v\u00a0Artinbox gallery vystavili ji\u017e roku 2011\/2012 v\u00a0r\u00e1mci projektu Ment\u00e1ln\u00ed vrstevnice<\/em>. Pot\u00e9, co V\u00edtek roku 2018 zem\u0159el, p\u0159ekazil jeho v\u00fdstavu nejprve covid a n\u00e1sledn\u011b tak\u00e9 p\u0159ed\u010dasn\u00fd odchod kur\u00e1torky jeho prvn\u00ed v\u00fdstavy, na\u0161\u00ed drah\u00e9 kolegyn\u011b Ivany Br\u00e1dkov\u00e9. Tento projekt je tedy z\u00e1rove\u0148 poctou jej\u00ed osobnosti a pr\u00e1ci.<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"

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