{"id":5025,"date":"2022-12-31T14:37:39","date_gmt":"2022-12-31T13:37:39","guid":{"rendered":"https:\/\/www.artinbox.cz\/?p=5025"},"modified":"2022-12-31T15:07:07","modified_gmt":"2022-12-31T14:07:07","slug":"michael-trestik-hodne-starej-jaguar","status":"publish","type":"post","link":"https:\/\/www.artinbox.cz\/?p=5025","title":{"rendered":"Michael T\u0159e\u0161t\u00edk:\u00a0Hodn\u011b starej jagu\u00e1r\u00a0"},"content":{"rendered":"\n<p><\/p>\n\n\n\n<figure class=\"wp-block-gallery columns-1 is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img decoding=\"async\" loading=\"lazy\" width=\"571\" height=\"643\" src=\"https:\/\/www.artinbox.cz\/wp-content\/uploads\/2022\/12\/instagr-1.jpg\" alt=\"\" data-id=\"5047\" data-full-url=\"https:\/\/www.artinbox.cz\/wp-content\/uploads\/2022\/12\/instagr-1.jpg\" data-link=\"https:\/\/www.artinbox.cz\/wp-content\/uploads\/2022\/12\/instagr-1.jpg\" class=\"wp-image-5047\" srcset=\"https:\/\/www.artinbox.cz\/wp-content\/uploads\/2022\/12\/instagr-1.jpg 571w, https:\/\/www.artinbox.cz\/wp-content\/uploads\/2022\/12\/instagr-1-305x343.jpg 305w\" sizes=\"(max-width: 571px) 100vw, 571px\" \/><figcaption class=\"blocks-gallery-item__caption\"><em>foto Tom\u00e1\u0161 T\u0159e\u0161t\u00edk 12. 12. 2022<\/em><\/figcaption><\/figure><\/li><\/ul><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p class=\"has-large-font-size\"><strong>Michael T\u0159e\u0161t\u00edk:&nbsp;Hodn\u011b starej jagu\u00e1r&nbsp; <\/strong><\/p>\n\n\n\n<p>k<strong>ur\u00e1torka: Nadia Rovderov\u00e1<\/strong><\/p>\n\n\n\n<p>\/ 13. 12. 2022 \u2013 29. 01. 2023 \/<br><strong>hlavn\u00ed s\u00e1l a foyer galerie Artinbox<\/strong><br><br><strong><em>\u201eChce\u0161-li b\u00fdt um\u011blcem, mus\u00ed\u0161 se vzd\u00e1t \u00fapln\u011b v\u0161eho, v\u010detn\u011b touhy b\u00fdt dobr\u00fdm um\u011blcem.\u201c<\/em><\/strong><strong> Motto Jaspera Jonese uv\u00e1d\u00ed nejnov\u011bj\u0161\u00ed knihu Michala T\u0159e\u0161t\u00edka: Hodn\u011b starej jagu\u00e1r. Autor v n\u00ed s humorem a ironi\u00ed sob\u011b vlastn\u00ed popisuje trnitou dev\u00edtiletou cestu k vlastn\u00ed tvorb\u011b. Knihu jsme v z\u00e1\u0159\u00ed u p\u0159\u00edle\u017eitosti autorov\u00fdch narozenin pok\u0159tili, a to o \u010dem se v n\u00ed p\u00ed\u0161e, m\u016f\u017eete vid\u011bt na stejnojmenn\u00e9 v\u00fdstav\u011b v Artinbox Gallery.<\/strong><\/p>\n\n\n\n<p class=\"has-large-font-size\"><strong>Intimn\u00ed setk\u00e1v\u00e1n\u00ed avantgardn\u00edch p\u0159\u00e1tel<\/strong><\/p>\n\n\n\n<p><strong><em>V\u00e1clav H\u00e1jek, Praha, prosinec 2022<\/em><\/strong><\/p>\n\n\n\n<p>V\u00fdtvarn\u00e9 experimenty v&nbsp;oblasti tahu, skvrny, tvaru, prostoru, barev apod. mohou p\u0159edstavovat v\u011bt\u0161\u00ed \u010di men\u0161\u00ed setk\u00e1n\u00ed. Bu\u010f jde o n\u011bco jako velkolep\u00e1 demonstrace, slavnostn\u00ed proces\u00ed anebo o cosi na zp\u016fsob intimn\u011bj\u0161\u00edho setk\u00e1n\u00ed n\u011bkolika bl\u00edzk\u00fdch, sp\u00ed\u0161e p\u0159\u00e1telsky nalad\u011bn\u00fdch osob, forem, prvk\u016f.<\/p>\n\n\n\n<p>Druh\u00e1 varianta mi p\u0159ipad\u00e1 mnohem p\u0159il\u00e9hav\u011bj\u0161\u00ed v&nbsp;p\u0159\u00edpad\u011b tv\u016fr\u010d\u00ed cesty, jak\u00e9hosi kresl\u00ed\u0159sk\u00e9ho skic\u00e1\u0159e a z\u00e1znamn\u00edku stop, jim\u017e se v\u011bnuje pou\u010den\u00fd a v r\u016fzn\u00fdch m\u00e9di\u00edch se vyjad\u0159uj\u00edc\u00ed pozorovatel, interpret, milovn\u00edk a autor um\u011bleck\u00fdch d\u011bl Michael T\u0159e\u0161t\u00edk. Na nevelk\u00fdch ploch\u00e1ch p\u0159\u00e1telsk\u00e9ho setk\u00e1v\u00e1n\u00ed obrazov\u00fdch prost\u0159edk\u016f, prvk\u016f a postup\u016f se v&nbsp;T\u0159e\u0161t\u00edkov\u00fdch experimentech a skic\u00e1ch odehr\u00e1v\u00e1 n\u011bkolik kl\u00ed\u010dov\u00fdch ud\u00e1lost\u00ed. N\u011bkter\u00e9 z&nbsp;nich budeme stru\u010dn\u011b komentovat.&nbsp;&nbsp;<\/p>\n\n\n\n<p>Autor \u010dasto vyu\u017e\u00edv\u00e1 zahu\u0161\u0165uj\u00edc\u00ed se \u0161rafuru rychl\u00fdch, gestick\u00fdch tah\u016f, kter\u00e9 se teprve p\u0159i sv\u00e9m k\u0159\u00ed\u017een\u00ed a p\u0159ekr\u00fdv\u00e1n\u00ed zceluj\u00ed a z\u00edsk\u00e1vaj\u00ed povahu kompaktn\u00ed tk\u00e1n\u011b a objemu. Jejich vrstven\u00ed pak p\u0159in\u00e1\u0161\u00ed do artefaktu potenci\u00e1ln\u00ed zku\u0161enost hmoty a hmatatelnosti. D\u00e1le je pozoruhodn\u00e9, \u017ee autor mnohdy sah\u00e1 k&nbsp;r\u016fzn\u00fdm metod\u00e1m&nbsp;vymezen\u00ed obrazov\u00e9ho pole, k&nbsp;jeho r\u00e1mov\u00e1n\u00ed a ohrani\u010dov\u00e1n\u00ed, kter\u00e9 poskytuje artefaktu vnit\u0159ek, soukrom\u00ed. Takto poskytnut\u00e9 m\u00edsto z\u016fst\u00e1v\u00e1 do jist\u00e9 m\u00edry pr\u00e1zdn\u00e9, tedy otev\u0159en\u00e9 (i pro div\u00e1ka), odhmotn\u011bn\u00e9 a k\u0159ehk\u00e9.<\/p>\n\n\n\n<p>Jedn\u00edm z&nbsp;charakteristick\u00fdch rys\u016f autorova stylu je takt\u00e9\u017e to, \u017ee koncipuje prostor jako skladbu do sebe vklouben\u00fdch tvar\u016f (nejde mu tolik o perspektivn\u00ed iluzi). Vztahy t\u011bchto tvar\u016f a jejich hloubkov\u00e9 efekty potom sugeruj\u00ed mo\u017enost virtu\u00e1ln\u00edho vstupov\u00e1n\u00ed do obrazu jako do promodelovan\u00e9, strukturovan\u00e9 situace p\u0159ipom\u00ednaj\u00edc\u00ed uzliny a trajektorie ulic ve m\u011bst\u011b apod.<\/p>\n\n\n\n<p>D\u00e1le si pov\u0161imn\u011bme, \u017ee T\u0159e\u0161t\u00edkem volen\u00e1 barevnost nen\u00ed \u201eilustrativn\u00ed\u201c, nen\u00ed ve slu\u017eb\u00e1ch dan\u00e9 kompozi\u010dn\u00ed tendence, ale tvo\u0159\u00ed samostatn\u00e9 autorovo specifikum. Jeho barevn\u00e1 \u0161k\u00e1la je p\u0159\u00edjemn\u011b \u201eperifern\u00ed\u201c, jakoby opr\u0161el\u00e1, patinovan\u00e1. Zmi\u0148ovan\u00e1 k\u0159ehkost kresby (p\u0159es v\u0161echnu jej\u00ed dynamiku a energii) je pro autora tak\u00e9 p\u0159\u00edzna\u010dn\u00e1. Vn\u00edm\u00e1me d\u00edky tomu \u010dasovost, mo\u017enost eroze, d\u011bjovost tvorby.<\/p>\n\n\n\n<p>Jeden ze z\u00e1kladn\u00edch p\u0159edpoklad\u016f pro T\u0159e\u0161t\u00edkovu tvorbu p\u0159edstavuje fakt, \u017ee autor je velmi pou\u010den\u00fd v&nbsp;oblasti modern\u00edho, avantgardn\u00edho um\u011bn\u00ed. M\u00e1 v&nbsp;t\u00e9to sf\u00e9\u0159e sv\u00e9 preference, z\u00e1liby a z\u00e1zem\u00ed, co\u017e je pochopiteln\u011b zn\u00e1t i na vystaven\u00fdch kresb\u00e1ch. Nicm\u00e9n\u011b d\u00edky tomu, \u017ee T\u0159e\u0161t\u00edk transformuje tyto z\u00e1jmy a lekce z (d\u011bjin) modern\u00edho um\u011bn\u00ed do jin\u00fdch technik, form\u00e1t\u016f a proces\u016f, se tu \u201epou\u010denost\u201c nezd\u00e1 b\u00fdt ru\u0161iv\u00e1. Naopak vy\u00fas\u0165uje do plnohodnotn\u00e9ho obrazov\u011b-vizu\u00e1ln\u00edho zam\u00fd\u0161len\u00ed se nad v\u00fdtvarn\u00fdmi principy a \u201evyn\u00e1lezy\u201c, kter\u00e9 T\u0159e\u0161t\u00edkovi obl\u00edben\u00ed a inspirativn\u00ed mal\u00ed\u0159i prosazovali, t\u0159\u00edbili a testovali.<\/p>\n\n\n\n<p>Modern\u00ed, postmodern\u00ed i sou\u010dasn\u00e1 malba a kresba b\u00fdv\u00e1 n\u011bkdy ch\u00e1p\u00e1na jako\u017eto \u201elaborato\u0159 diskurz\u016f\u201c \u2013 tedy mysl\u00edme t\u00edm samoz\u0159ejm\u011b obrazov\u00e9 zp\u016fsoby vyjad\u0159ov\u00e1n\u00ed, komunikace a \u201ediskutov\u00e1n\u00ed\u201c (nikoli diskurzy ve smyslu slov, pojm\u016f a text\u016f). Tuto premisu napl\u0148uje Michael T\u0159e\u0161t\u00edk m\u011brou vrchovatou. Prozkoum\u00e1v\u00e1 ur\u010dit\u00e9 kl\u00ed\u010dov\u00e9 typy v\u00fdtvarn\u00fdch z\u00e1pletek, princip\u016f, diskurz\u016f a n\u00e1sledn\u011b p\u0159ech\u00e1z\u00ed k&nbsp;dal\u0161\u00edm, ani\u017e by p\u0159echody mezi testovan\u00fdmi principy a z\u00e1pletkami byly n\u011bjak\u00fdmi n\u00e1hl\u00fdmi skoky, zlomy. P\u0159echody a vztahy mezi zkou\u0161en\u00fdmi v\u00fdtvarn\u00fdmi kategoriemi tu se rozv\u00edjej\u00ed ve sledovateln\u00e9 posloupnosti \u2013 plynule a postupn\u011b na sebe obrazov\u00e9 \u201etesty\u201c navazuj\u00ed. To vytv\u00e1\u0159\u00ed op\u011bt dojem jak\u00e9hosi p\u0159\u00e1telsk\u00e9ho prost\u0159ed\u00ed a obrazov\u00e9ho \u201ediskutov\u00e1n\u00ed\u201c (i sm\u011brem k&nbsp;div\u00e1kovi jde o velmi vst\u0159\u00edcn\u00fd postoj). Na rozd\u00edl od ostr\u00fdch skok\u016f a \u201ec\u00e9z\u016fr\u201c \u00e1 la Marcel Duchamp, Arnold Sch\u00f6nberg, Samuel Beckett apod., kter\u00e9 evokuj\u00ed sp\u00ed\u0161e jak\u00fdsi \u201erevolu\u010dn\u00ed\u201c p\u0159emet, p\u0159ipom\u00edn\u00e1 T\u0159e\u0161t\u00edk\u016fv postupn\u00fd rozvoj vizu\u00e1ln\u00edho uva\u017eov\u00e1n\u00ed proces \u201eevolu\u010dn\u00ed\u201c.<\/p>\n\n\n\n<p>T\u0159e\u0161t\u00edk se v\u011bnuje takov\u00e9to v\u00fdtvarn\u00e9 \u201eevoluci\u201c, postupn\u00e9mu zr\u00e1n\u00ed a pr\u016fzkumu ter\u00e9nu, v&nbsp;jeho\u017e r\u00e1mci doch\u00e1z\u00ed k&nbsp;intimn\u00edmu setk\u00e1v\u00e1n\u00ed avantgardn\u00edch p\u0159\u00e1tel \u2013 tedy k&nbsp;pr\u016fzkum\u016fm, kombinac\u00edm, diskus\u00edm a postupn\u00fdm prom\u011bn\u00e1m z\u00e1sadn\u00edch obrazov\u00fdch prvk\u016f: autonomn\u00edch tah\u016f a gest, neslu\u017eebn\u00e9 barevnosti, prostorov\u00fdch n\u00e1znak\u016f bez striktn\u011b nadefinovan\u00e9 perspektivy a jemn\u00e9ho vymezov\u00e1n\u00ed obrazov\u00e9ho pole, jeho\u017e hranice v\u0161ak z\u016fst\u00e1vaj\u00ed st\u00e1le propustn\u00e9.<\/p>\n\n\n\n<p>A mimochodem, kdyby n\u011bkdo cht\u011bl v\u011bd\u011bt, jak tento soubor kreseb vznikal, tak to je naps\u00e1no v&nbsp;nov\u00e9 knize Michaela T\u0159e\u0161t\u00edka s&nbsp;n\u00e1zvem \u201eHodn\u011b starej jagu\u00e1r\u201c (vy\u0161la loni v&nbsp;nakladatelstv\u00ed Motto).&nbsp; : )&nbsp;&nbsp;&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p> [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":5047,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"_links":{"self":[{"href":"https:\/\/www.artinbox.cz\/index.php?rest_route=\/wp\/v2\/posts\/5025"}],"collection":[{"href":"https:\/\/www.artinbox.cz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artinbox.cz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artinbox.cz\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artinbox.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5025"}],"version-history":[{"count":7,"href":"https:\/\/www.artinbox.cz\/index.php?rest_route=\/wp\/v2\/posts\/5025\/revisions"}],"predecessor-version":[{"id":5050,"href":"https:\/\/www.artinbox.cz\/index.php?rest_route=\/wp\/v2\/posts\/5025\/revisions\/5050"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artinbox.cz\/index.php?rest_route=\/wp\/v2\/media\/5047"}],"wp:attachment":[{"href":"https:\/\/www.artinbox.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5025"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artinbox.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=5025"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artinbox.cz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=5025"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}