oil on canvas (detail)<\/em><\/p>\nKdo je kdo?<\/p>\n
Kter\u00fd pohled je pravdiv\u00fd? Pohled \u017eeny nebo mu\u017ee?<\/p>\n
Je p\u0159\u00edpustn\u00e1 existenci t\u0159et\u00edho pohlav\u00ed?<\/p>\n
Je autorem v\u00fdstavy mu\u017e nebo \u017eena?<\/p>\n
Who is who?<\/em><\/p>\nWhich view is true? The view of a woman or a man?<\/em><\/p>\nIs the existence of the third sex permissible?<\/em><\/p>\nIs the author of the exhibition male or female?<\/em><\/p>\nV\u00fdstava potrv\u00e1 od 9. 3. do 10. 5. 2019 \/\u00a0The exhibition will run from 9 March to 10 May 2019<\/em>
\notev\u00edrac\u00ed doba\u00a0\/ opening hours<\/em>: \u00fat. – \u010dt.: 15 – 18 h. nebo po domluv\u011b\u00a0\/ opening hours: tue – thu: 3 – 6 p. m. or by request<\/em><\/p>\nHelena Anton\u00edn Pe\u0161ta: I\u2019m Your Mother<\/p>\n
9.3. – 5.4.2019<\/p>\n
kur\u00e1tor\/ ka: Xavier Otto Nadia Rovder<\/p>\n
U\u017e pot\u0159et\u00ed uv\u00e1d\u00edme autorskou v\u00fdstavu Daniela Pe\u0161ty, kter\u00fd zde tentokr\u00e1t vystupuje pod pseudonymem sv\u00e9ho femininn\u00edho a maskulinn\u00edho alter ega, jen\u017e odvodil z\u00a0k\u0159estn\u00edch jmen sv\u00fdch rodi\u010d\u016f: Helena Anton\u00edn Pe\u0161ta. P\u0159edstav\u00edme nejnov\u011bj\u0161\u00ed um\u011blcova d\u00edla: malby, fotografie, objekty, asambl\u00e1\u017ee i videoart. R\u016fzn\u00e1 m\u00e9dia, jak je pro autora typick\u00e9, sjednocuje t\u00e9ma: hled\u00e1n\u00ed identity a determinace. Nakolik se m\u016f\u017eeme vzep\u0159\u00edt tomu, co n\u00e1m \u017eivot p\u0159ichystal? T\u0159eba se narod\u00edme \u017eidovsk\u00fdm rodi\u010d\u016fm v prv\u00ed polovin\u011b 20. stolet\u00ed? Nebo se narod\u00edme jako cik\u00e1nsk\u00e1 d\u00edvenka v xenofobn\u00ed \u010cesk\u00e9 (Slovensk\u00e9, Ma\u010farsk\u00e9\u2026?) republice za\u010d\u00e1tkem 21. stolet\u00ed? Nebo se hrou osudu a okolnost\u00ed ocitneme jako cizinec v jin\u00e9 zemi? Jak\u00e9 to je narodit se jako \u017eena? Jak\u00e9 to je narodit se jako mu\u017e? Jak\u00e9 to je narodit se, a neb\u00fdt si jist\u00fd svou orientac\u00ed, sv\u00fdm pohlav\u00edm, sv\u00fdm domovem, svou n\u00e1rodnost\u00ed, svou identitou? Lze dle tvorby rozeznat, zdali je autorem mu\u017e, nebo \u017eena? Kde tkv\u00ed ten rozd\u00edl? A je to v\u016fbec d\u016fle\u017eit\u00e9?<\/em><\/p>\nKdo je kdo?<\/em><\/p>\nKter\u00fd pohled je pravdiv\u00fd? Pohled \u017eeny nebo mu\u017ee?<\/em><\/p>\nJe p\u0159\u00edpustn\u00e1 existence t\u0159et\u00edho pohlav\u00ed?<\/em><\/p>\nJe autorem v\u00fdstavy \u017eena nebo mu\u017e?<\/em><\/p>\nA co kur\u00e1tor \/ ka?<\/em><\/p>\n <\/em><\/p>\nGalerie Artinbox p\u0159edstavuje ji\u017e t\u0159et\u00ed autorskou v\u00fdstavu sv\u00e9ho kmenov\u00e9ho um\u011blce pod pseudonymem Helena Anton\u00edn Pe\u0161ta. Na jedn\u00e9 stran\u011b maskulinn\u00ed J\u00e1 autora Anton\u00edn analyzuje t\u00e9ma \u017eensk\u00e9ho \u00fad\u011blu mu\u017esk\u00fdm pohledem a vyjad\u0159uje se k motiv\u016fm jako je intimita, svatba, zrozen\u00ed, mate\u0159stv\u00ed, postaven\u00ed \u017eeny v partnersk\u00e9m \u017eivot\u011b a spole\u010dnosti, ale i mu\u017esk\u00e9 destabilizace \u017eenskou emancipac\u00ed, bezradnost a ztr\u00e1tu sebev\u011bdom\u00ed a \u201ctradi\u010dn\u00ed\u201d identity v dob\u011b, kdy \u017eeny sv\u00e9 sebev\u011bdom\u00ed nab\u00fdvaj\u00ed. Na stran\u011b druh\u00e9 se vyjad\u0159uje k podobn\u00fdm ot\u00e1zk\u00e1m autorovo femininn\u00ed J\u00e1: Helena. V tomto pohledu se v\u0161ak osud \u017eeny z\u00e1sadn\u011b komplikuje. \u010casto je nezbytn\u00e9 ob\u011btovat sv\u00e9 sny, touhy, radosti, ambice pro blaho sv\u00fdch bl\u00edzk\u00fdch. Dnes mo\u017en\u00e1 m\u00e9n\u011b ne\u017e kdysi, ale kdo stanov\u00ed tu hranici mezi vnit\u0159n\u00ed spokojenost\u00ed, nutnost\u00ed a sebeob\u011btov\u00e1n\u00edm? \u017denstv\u00ed a mate\u0159stv\u00ed d\u00e1v\u00e1 \u017eivotu novou dimenzi. Myst\u00e9rium zrozen\u00ed \u017eivota je \u017eensk\u00fdm privilegiem, kter\u00e9 si mnoz\u00ed mu\u017ei r\u00e1di odpust\u00ed. Anebo ti\u0161e z\u00e1vid\u00ed. N\u011bkte\u0159\u00ed stoj\u00ed v n\u011bm\u00e9m \u00fa\u017easu nad t\u00edm z\u00e1zrakem. Sv\u00e1tek MD\u017d, den, kdy v\u00fdstavu zahajujeme, je svou kontroverzn\u00ed pov\u011bst\u00ed pro dan\u00e9 t\u00e9ma p\u0159\u00edzna\u010dn\u00fd. Karafi\u00e1ty, chleb\u00ed\u010dky, rakvi\u010dky, v\u011bne\u010dky. Kolik mu\u017e\u016f si d\u00e1 pr\u00e1ci pokusit se vc\u00edtit do rol\u00ed \u017eeny? \u017densk\u00fd sv\u011bt b\u00fdv\u00e1 pro mu\u017ee nepochopiteln\u00fd. A naopak. Mu\u017ei a \u017eeny pou\u017e\u00edvaj\u00ed jin\u00e9 zbran\u011b. \u017deny bojuj\u00ed svou zranitelnost\u00ed. Br\u00e1n\u00ed se schopnost\u00ed regenerace. Jsou k\u0159ehk\u00e9, p\u0159esto tolik vydr\u017e\u00ed! Jak to d\u011blaj\u00ed? A co teprve ty emancipovan\u00e9 \u017eeny? Ty n\u011bkter\u00fdm mu\u017e\u016fm nah\u00e1n\u00ed p\u0159\u00edmo strach! \u017densk\u00e1 s\u00edla u nich vzbuzuje nevoli, n\u011bkdy a\u017e agresi. Vzbuzuje vztek i u mu\u017e\u016f nejbli\u017e\u0161\u00edch: u man\u017eel\u016f, otc\u016f, bratr\u016f. L\u00e1ska se jako le\u017eat\u00e1 osmi\u010dka p\u0159ekl\u00e1p\u00ed v nen\u00e1vist. P\u0159\u00edb\u011bhy kon\u010d\u00ed r\u016fzn\u011b. Ka\u017ed\u00e1 tv\u00e1\u0159 na fotografii nezn\u00e1m\u00e9 \u017eeny ukr\u00fdv\u00e1 sv\u016fj p\u0159\u00edb\u011bh. Autor se jen lehce vzn\u00e1\u0161\u00ed na vln\u011b domn\u011bnek. Bea, Anita, Helena, Julia… Anonymn\u00ed \u017eeny na nalezen\u00fdch fotografi\u00edch, zbyla jen jm\u00e9na a otisk podoby na star\u00e9 fotografii. Po \u010dem tou\u017eila? Byla \u0161\u0165astn\u00e1? Jak dlouho? Co ji osud p\u0159ichystal? Kam se vydala pot\u00e9, co odrostla sv\u00e9 nevinn\u011b b\u00edl\u00e9 d\u00edv\u010d\u00ed krajkov\u00e9 ko\u0161ilce?<\/p>\n
\u010cern\u00e1 ko\u0161ile nalezena na n\u00e1dra\u017e\u00ed Bubny. Autor ji podobn\u011b jako ty b\u00edl\u00e9, zalil do prysky\u0159ice a vytvo\u0159il objekt spolu s kusem star\u00e9ho d\u0159eva, nalezen\u00e9ho tamt\u00e9\u017e – na m\u00edst\u011b odkud odjeli tis\u00edce \u017did\u016f do sp\u00e1r\u016f \/ n\u00e1ru\u010d\u00ed sv\u00fdch osud\u016f. Determinace.<\/p>\n
V\u0161e se v\u0161\u00edm souvis\u00ed. I to zd\u00e1nliv\u011b nepodstatn\u00e9, ban\u00e1ln\u00ed, nesourod\u00e9. Archetypy a symboly. Kv\u011btiny. Krev. Krajky a nit\u011b. Krajkov\u00e9 ko\u0161ilky. Svatebn\u00ed \u0161aty. Masky. Maska matky? Dvojportr\u00e9t \u017eeny. Mu\u017e. Mu\u017e \u0161lape po kv\u011btin\u00e1ch. Mu\u017e \u2013 otec? Fotografie \u010dernob\u00edl\u00e9, fotografie barevn\u00e9. Obrazy. Asambl\u00e1\u017ee. Filmov\u00e9 sekvence. B\u00edl\u00e1 a \u010dern\u00e1 magie. B\u00edl\u00e1 smrt. \u010cern\u00e1 beznad\u011bj. B\u00edl\u00e1 nevinnost. Rud\u00e1 zranitelnost.<\/p>\n
Pro\u010d v\u00e1l\u010dit? Mu\u017e a \u017eena jedno jsou. Spolutvo\u0159\u00ed z\u00e1zrak \u017eivota. A l\u00e1ska je v\u0161e, co \u010dlov\u011bk pot\u0159ebuje. A\u0165 \u017eena, \u010di mu\u017e, nebo jak\u00e9koliv jin\u00e9 pohlav\u00ed.<\/p>\n
Xavier Otto Nadia Rovder, Praha, b\u0159ezen 2019<\/em><\/p>\n <\/em><\/p>\n………………………………………………………………………………………………………………………………………………………………………………<\/strong><\/p>\nDaniel Pe\u0161ta se narodil v roce 1959 v Praze, je absolventem V\u00fdtvarn\u00e9 \u0161koly V\u00e1clava Hollara. B\u011bhem totalitn\u00edho re\u017eimu se pohyboval mimo ofici\u00e1ln\u00ed kulturu. V\u011bnoval se p\u0159edev\u0161\u00edm kresb\u011b a pracoval v oblasti u\u017eit\u00e9 grafiky. Po roce 1989 navrhoval grafick\u00e9 cykly pro vydavatelstv\u00ed klasick\u00e9 hudby, za kni\u017en\u00ed a plak\u00e1tovou tvorbu z\u00edskal ocen\u011bn\u00ed. Postupy p\u0159i navrhov\u00e1n\u00ed plak\u00e1t\u016f, kter\u00e9 u Pe\u0161ty v\u017edy balancovaly na hranici malby, vy\u00fastily na p\u0159elomu osmdes\u00e1t\u00fdch a devades\u00e1t\u00fdch let do oblasti voln\u00e9 tvorby. Nejprve studuje figuru, ztv\u00e1r\u0148uje jej\u00ed zranitelnost, pozd\u011bji se v\u011bnuje portr\u00e9tu, ve kter\u00e9m se soust\u0159ed\u00ed p\u0159edev\u0161\u00edm na jeho expresi. Postupn\u011b se jeho pr\u00e1ce abstrahuj\u00ed, redukuje barevnost a za\u010d\u00edn\u00e1 se p\u0159ibli\u017eovat k podstat\u011b sv\u00e9ho v\u00fdrazu, pro n\u011bj typick\u00e9ho, kter\u00fd je zcela mimo tenden\u010dn\u00ed vlivy. Po roce 1998, kdy se vrac\u00ed z prvn\u00edho studijn\u00edho pobytu v New Yorku, za\u010d\u00edn\u00e1 experimentovat s r\u016fznorod\u00fdmi materi\u00e1ly, jako je pap\u00edr, vosk, k\u016f\u017ee nebo transparentn\u00ed prysky\u0159ice. Pr\u00e1v\u011b haptick\u00e9 materi\u00e1ly umo\u017enily autorovi je\u0161t\u011b v\u00edce proniknout do slo\u017eitosti lidsk\u00e9ho nitra. Tyto pr\u00e1ce balancuj\u00ed na hranici naturalistick\u00e9 syrovosti, dot\u00fdkaj\u00ed se nejcitliv\u011bj\u0161\u00edch t\u00e9mat, jako je zrod \u017eivota a jeho zmar, jdou na d\u0159e\u0148 lidsk\u00e9 podstaty. Zm\u00edn\u011bn\u00e9 atributy se prol\u00ednaj\u00ed jeho tvorbou dodnes a staly se pro autora signifikantn\u00ed. Typick\u00fd se pro Pe\u0161tu st\u00e1v\u00e1 symbol \u010derven\u00e9ho prov\u00e1zku \u2013 \u010derven\u00e9 nit\u011b v barv\u011b krve, kter\u00e1 prostupuje celou jeho tvorbou a kter\u00e1 symbolizuje nejen nevyhnutelnost osudu, ale i nekone\u010dn\u00fd p\u0159\u00edb\u011bh lidsk\u00e9ho rodu. Zamot\u00e1v\u00e1, pro\u0161\u00edv\u00e1 a perforuje k\u0159ehkou existenci jedince. Do transparentn\u00ed prysky\u0159ice zatavuje p\u0159\u00edb\u011bhy cel\u00fdch generac\u00ed, kter\u00e9 vyhled\u00e1v\u00e1 na dobov\u00fdch fotografi\u00edch. Vznikaj\u00ed rozm\u011brn\u00e9 \u201eGenetick\u00e9 k\u00f3dy\u201c a cykly \u201etemn\u00fdch asambl\u00e1\u017e\u00ed\u201c s tematikou bezpr\u00e1v\u00ed a ztr\u00e1ty d\u016fstojnosti. Do prysky\u0159ice nekompromisn\u011b zatavuje sv\u00e9 star\u0161\u00ed obrazy \u010di objekty do p\u0159\u00edsn\u00fdch blok\u016f a sloup\u016f, \u010d\u00edm\u017e relativizuje smysl tvorby samotn\u00e9, ale z\u00e1rove\u0148 t\u00edm paradoxn\u011b otev\u00edr\u00e1 dal\u0161\u00ed v\u00fdrazov\u00e9 mo\u017enosti. T\u00e9ma portr\u00e9tu Pe\u0161ta postupn\u011b transformuje do v\u00fdrazu masky, kterou vn\u00edm\u00e1 jako symbol p\u0159etv\u00e1\u0159ky a anonymity. Maska se pro n\u011bj st\u00e1v\u00e1 \u00fast\u0159edn\u00edm motivem jak v jeho konceptu\u00e1ln\u00edch projektech, tak v autorsk\u00fdch videoartech. Jeho videa hovo\u0159\u00ed jasn\u00fdm jazykem, bez pomocn\u00fdch d\u011bjov\u00fdch informac\u00ed. Obsahov\u011b se Pe\u0161tova tvorba \u010dasto dot\u00fdk\u00e1 politick\u00e9 \u010di soci\u00e1ln\u00ed tematiky, zab\u00fdv\u00e1 se t\u00e9\u017e anal\u00fdzou vlastn\u00edch sn\u016f, kter\u00e9 si systematicky zaznamen\u00e1v\u00e1, z\u016fst\u00e1v\u00e1 v\u0161ak v\u017edy v\u00fdtvarn\u011b konkr\u00e9tn\u00ed. Geneze jeho d\u011bl podl\u00e9h\u00e1 precizn\u00edm p\u0159\u00edprav\u00e1m, na jejich\u017e kone\u010dn\u00e9 podob\u011b pracuje i n\u011bkolik let. Daniel Pe\u0161ta se \u0159ad\u00ed mezi tzv. multimedi\u00e1ln\u00ed um\u011blce. Nenechav\u00e1 se omezovat jedn\u00edm m\u00e9diem, ale vytrvale experimentuje v cel\u00e9m spektru v\u00fdrazov\u00fdch prost\u0159edk\u016f, v nich\u017e se potk\u00e1vaj\u00ed v\u0161echny na\u0161e smysly.<\/span><\/p>\n ……………………………………………………………………………………………………………………………………………………………………………… <\/strong><\/p>\nSAMOSTATN\u00c9 V\u00ddSTAVY (V\u00ddB\u011aR)<\/div>\n
2018\u00a0 \u00a0 DeTermination, DOX<\/div>\n
2017\u00a0 \u00a0 GEN Y!, White Gallery, Litomy\u0161l<\/div>\n
2017\u00a0 \u00a0 \u0160kola, Artinbox<\/div>\n
2016\u00a0 \u00a0 Z\u00e1znamy no\u010dn\u00ed hlavy, White Gallery, Litomy\u0161l<\/div>\n
2015\u00a0 \u00a0 Skv\u011bl\u00fd nov\u00fd sv\u011bt, DOX<\/div>\n
2015\u00a0 \u00a0Art Biennale, Palazzo Bembo, (Personal Structures), Venice<\/div>\n
2014\u00a0 \u00a0I was born in your bed, J\u00edzd\u00e1rna Z\u00e1meck\u00e9ho n\u00e1vr\u0161\u00ed, Litomy\u0161l<\/div>\n
2013\u00a0 \u00a0I was born in your bed, Sala del Camino, Ben\u00e1tky, It\u00e1lie<\/div>\n
2013\u00a0 \u00a0Um\u011bn\u00ed uprost\u0159ed katastrofy, Deutscher Bundestag, Berl\u00edn, N\u011bmecko<\/div>\n
2012\u00a0 \u00a0Na jin\u00e9 planet\u011b (Ve jm\u00e9nu l\u00e1sky\u2026), Artinbox, Praha (se Suzanne Pastor)<\/div>\n
2012\u00a0 \u00a0Gravitation Zero, Um\u011bleck\u00e9 muzeum, Solingen, N\u011bmecko<\/div>\n
2011\u00a0 \u00a0Levitation, Kulturn\u011bhistorick\u00e9 muzeum-D\u016fm Felixe Nussbauma, Osnabr\u00fcck, N\u011bmecko<\/div>\n
2010\u00a0 \u00a0Levitace, Muzeum Montanelli, Praha<\/div>\n
2010\u00a0 \u00a0Galerie Maier-Hahn, D\u00fcsseldorf, N\u011bmecko<\/div>\n
2007\u00a0 \u00a0Sweet Home, Akropolis, Praha<\/div>\n
2005\u00a0 \u00a0Hot Doks2, Galerie Palais am Festungsgraben, Berl\u00edn, N\u011bmecko (s V\u00e1clavem Bl\u00e1hou)<\/div>\n
2005\u00a0 \u00a0Hot Doks1, Kunsthalle, Frankfurt nad Mohanem, N\u011bmecko (s V\u00e1clavem Bl\u00e1hou)<\/div>\n
2002\u00a0 \u00a0B\u00edl\u00e1 z\u00f3na, Galerie Kritik\u016f, Praha<\/div>\n
2000\u00a0 \u00a0Montserrat Gallery, New York, USA<\/div>\n
1998\u00a0 \u00a0Montserrat Gallery, New York, USA<\/div>\n
1993\u00a0 \u00a0Karolinum, Praha<\/div>\n
OCEN\u011aN\u00cd<\/div>\n
2017\u00a0 \u00a0 London Art Biennale, druh\u00e1 cena v kategorii Malba<\/div>\n
2014\u00a0 \u00a0 Now & After, Gulag Muzeum, Moscow (I was born in your bed), \u010destn\u00e9 uzn\u00e1n\u00ed<\/div>\n
2009\u00a0 \u00a0 Nejkr\u00e1sn\u011bj\u0161\u00ed kniha roku, nominace v kategorii katalog\u016f, Praha<\/div>\n
2002\u00a0 \u00a0 Nejkr\u00e1sn\u011bj\u0161\u00ed kniha roku, ud\u011blena cena v kategorii bibliofili\u00ed, Praha<\/div>\n
2001\u00a0 \u00a0 Florence Biennale 3., ud\u011blena cena v kategorii nov\u00fdch medi\u00ed<\/div>\n
1990\u00a0 \u00a0 Mexico City Biennale 1., ud\u011blena cena v kategorii Politick\u00fd plak\u00e1t<\/div>\n","protected":false},"excerpt":{"rendered":"
[…]<\/p>\n","protected":false},"author":3,"featured_media":4188,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"_links":{"self":[{"href":"https:\/\/www.artinbox.cz\/index.php?rest_route=\/wp\/v2\/posts\/4186"}],"collection":[{"href":"https:\/\/www.artinbox.cz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artinbox.cz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artinbox.cz\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artinbox.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4186"}],"version-history":[{"count":19,"href":"https:\/\/www.artinbox.cz\/index.php?rest_route=\/wp\/v2\/posts\/4186\/revisions"}],"predecessor-version":[{"id":4209,"href":"https:\/\/www.artinbox.cz\/index.php?rest_route=\/wp\/v2\/posts\/4186\/revisions\/4209"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artinbox.cz\/index.php?rest_route=\/wp\/v2\/media\/4188"}],"wp:attachment":[{"href":"https:\/\/www.artinbox.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4186"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artinbox.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4186"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artinbox.cz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4186"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
![\"\"](\"http:\/\/www.artinbox.cz\/wp-content\/uploads\/2019\/03\/Daniel-PestaI-m-your-Mother-oil-on-canvas2018-514x800.jpg\" "\\"Daniel")
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