{"id":3944,"date":"2017-12-18T11:22:30","date_gmt":"2017-12-18T11:22:30","guid":{"rendered":"http:\/\/www.artinbox.cz\/?p=3944"},"modified":"2018-03-28T22:05:29","modified_gmt":"2018-03-28T22:05:29","slug":"alexandr-hackenschmied","status":"publish","type":"post","link":"https:\/\/www.artinbox.cz\/?p=3944","title":{"rendered":"Alexandr Hackenschmied"},"content":{"rendered":"

Alexandr Hackenschmied: Skromn\u00fd prorok nov\u00fdch viz\u00ed<\/strong>
\n<\/strong>v\u00fdstava k 110. v\u00fdro\u010d\u00ed narozen\u00ed autora<\/strong> <\/strong><\/p>\n

18. 12. 2017 – 3. 4. 2018<\/strong><\/p>\n

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kur\u00e1torky: Petra K. Hammid, Nadia Rovderov\u00e1<\/strong><\/p>\n

pod\u011bkov\u00e1n\u00ed: Julia Hammid, Suzanne Pastor, Pavel Dias, Pavel Van\u010d\u00e1t, Zden\u011bk Mach\u00e1\u010dek, Clifford Pastor, Philippe Joseph, Eugen Kukla a dal\u0161\u00ed.<\/p>\n

technick\u00e1 spolupr\u00e1ce: Lucie \u010cern\u00e1, Anton\u00edn Vr\u0148\u00e1k, Dana Michlov\u00e1 \u2013 r\u00e1mov\u00e1n\u00ed<\/p>\n

v\u00fdstavu podpo\u0159ili: Hlavn\u00ed m\u011bsto Praha, M\u011bstsk\u00e1 \u010d\u00e1st Praha 1, Zl\u00edn film festival<\/p>\n

ud\u00e1lost m\u016f\u017eete sledovat a \u00fa\u010dast potvrdit zde:\u00a0https:\/\/www.facebook.com\/events\/162037397879224\/<\/a><\/p>\n

Postupn\u011b dopl\u0148ov\u00e1no album fotografi\u00ed z\u00a0akce zde:\u00a0https:\/\/www.facebook.com\/pg\/ArtinboxGallery\/photos\/?tab=album&album_id=1695005843905430<\/a><\/p>\n

…………………………………………………………
\nAlexander Hammid:\u00a0A Modest Prophet of New Visions
\nAn exhibition commemorating the 110th anniversary of the artist\u2019s birth<\/strong><\/p>\n

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curated by: Petra K. Hammid, Nadia Rovderova\u200b <\/strong><\/div>\n

thanks to: Julia Hammid, Suzanne Pastor, Pavel Dias, Pavel Van\u010d\u00e1t, Zden\u011bk Mach\u00e1\u010dek, Clifford Pastor, Philippe Joseph, Eugen Kukla a dal\u0161\u00ed.
\ntechnical cooperation: Lucie \u010cern\u00e1, Anton\u00edn Vr\u0148\u00e1k, Dana Michlov\u00e1 \u2013 r\u00e1mov\u00e1n\u00ed
\nexhibition is supported by: Hlavn\u00ed m\u011bsto Praha, M\u011bstsk\u00e1 \u010d\u00e1st Praha 1, Zl\u00edn film festival<\/strong><\/p>\n

<\/strong>
\nAlexander Hackenschmied (later Alexander Hammid),a Czech and American photographer, publicist,cinematographer and director, was born 110 years ago. He belonged among the most important\u00a0personalities of Czech film and photographic avant-garde and became one of the few Czech AcademyAward winners, receiving an Oscar for the film Live! The exhibition in Artinbox Gallery will present his\u00a0interest not only in the artistic and experimental\u00a0aspects of photography but also in social document.\u00a0We will present pictures from the time that he lived and worked in Czechoslovakia, from his travels\u00a0accompanying Jan Anton\u00edn Ba\u0165a around the world, and then his work from the period after emigrating to the USA in the late 1930s.<\/p>\n

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photo: Alexander Hammid: Maya (Odpoledn\u00ed osidla \/ Meshes of the Afternoon), 1943<\/p><\/div>\n<\/dt>\n

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P\u0159ed 110 lety se narodil Alexandr Hackenschmied (pozd\u011bji Alexander Hammid), \u010desk\u00fd a americk\u00fd fotograf, publicista, kameraman a re\u017eis\u00e9r. Pat\u0159il k nejv\u00fdznamn\u011bj\u0161\u00edm osobnostem \u010desk\u00e9 filmov\u00e9 a fotografick\u00e9 avantgardy a stal se jedn\u00edm z m\u00e1la \u010desk\u00fdch dr\u017eitel\u016f ceny americk\u00e9 filmov\u00e9 akademie Oscar za film \u017d\u00edt!<\/strong><\/p>\n

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Alexandr Hackenschmied \/ Hammid (1907\u20132004) <\/strong>se fotografii intenzivn\u011b v\u011bnoval jen n\u011bkolik let a jeho fotografick\u00e1 tvorba t\u011bsn\u011b p\u0159il\u00e9h\u00e1 k jeho tvorb\u011b filmov\u00e9, od n\u00ed\u017e ji nikdy nelze zcela odd\u011blit. Vizualita jeho fotografi\u00ed a film\u016f v\u00a0sob\u011b p\u0159edj\u00edm\u00e1 v\u00fdvoj kultury podstatn\u00e9 \u010d\u00e1sti minul\u00e9ho stolet\u00ed, zalo\u017een\u00e9ho pr\u00e1v\u011b na obrazech, a to v m\u00ed\u0159e do t\u00e9 doby nev\u00eddan\u00e9. V\u00fdstava v\u00a0Artinbox Gallery p\u0159edstavuje jeho fotografickou tvorbu od ran\u00fdch za\u010d\u00e1tk\u016f v\u00a0\u010cech\u00e1ch koncem dvac\u00e1t\u00fdch a za\u010d\u00e1tkem t\u0159ic\u00e1t\u00fdch let minul\u00e9ho stolet\u00ed, kdy mj. jako fotograf spolupracoval s \u010dasopisem Pestr\u00fd t\u00fdden, pot\u00e9 fotografie z\u00a0roku 1936, kdy doprov\u00e1zel Jana Anton\u00edna Ba\u0165u na jeho \u201ecest\u011b kolem sv\u011bta\u201c, konkr\u00e9tn\u011b sn\u00edmky z USA a Francie, dale fotografie z\u00a0Prahy, Lond\u00fdna a Pa\u0159\u00ed\u017ee v roce 1939, a n\u00e1sledn\u011b jeho tvorbu pot\u00e9, co koncem roku 1939 emigroval do USA. Samostatnou kapitolou jsou fotografie z\u00a0nat\u00e1\u010den\u00ed experiment\u00e1ln\u00edch film\u016f s\u00a0Mayou Deren: Odpoledn\u00ed osidla a Na sou\u0161i z\u00a0let 1944 a 1945 a rovn\u011b\u017e portr\u00e9ty a akty, kter\u00e9 spole\u010dn\u011b vytvo\u0159ili, a kter\u00e9 pat\u0159\u00ed k\u00a0jeho nejzn\u00e1m\u011bj\u0161\u00edm a\u017e ikonick\u00fdm sn\u00edmk\u016fm. Nakonec p\u0159edstav\u00edme n\u011bkolik fotografi\u00ed z cest do Mexika v roce 1940, a rovn\u011b\u017e posledn\u00ed Hackenschmiedovu fotografickou tvorbu z cesty do Kambod\u017ee v roce 1959. Pot\u00e9 se autor pln\u011b soust\u0159edil u\u017e jenom na tvorbu filmovou a fotografii se t\u00e9m\u011b\u0159 nev\u011bnoval.<\/p>\n

Alexandr Hackenschmied (narozen v r. 1907 v Linci jako Alexander Siegfried Georg \u0160mahel, po s\u0148atku sv\u00fdch rodi\u010d\u016f p\u0159ejmenov\u00e1n na Alexandra Hackenschmieda, od roku 1947 jako americk\u00fd ob\u010dan vystupuje pod jm\u00e9nem Alexander \/ Sascha Hammid) pat\u0159\u00ed k zakladatelsk\u00fdm tv\u016fr\u010d\u00edm i organiz\u00e1torsk\u00fdm osobnostem modern\u00ed \u010desk\u00e9 fotografie i filmu.<\/p>\n

Od konce dvac\u00e1t\u00fdch let publikoval v tehdej\u0161\u00edch \u010dasopisech fotografie ve stylu \u201enov\u00e9 v\u011bcnosti\u201c a z\u00e1rove\u0148 se postupn\u011b uplat\u0148oval ve filmov\u00e9 profesi. V pr\u016fb\u011bhu t\u0159ic\u00e1t\u00fdch let se pak stal jedn\u00edm z nejv\u00fdznamn\u011bj\u0161\u00edch \u010desk\u00fdch filma\u0159\u016f, od \u010dty\u0159ic\u00e1t\u00fdch let se prosadil v USA jako autor dokument\u00e1rn\u00edch a experiment\u00e1ln\u00edch film\u016f. O fotografii i film se Hackenschmied zaj\u00edmal u\u017e v pr\u016fb\u011bhu sv\u00fdch st\u0159edo\u0161kolsk\u00fdch studi\u00ed, oba z\u00e1jmy za\u010dal d\u016frazn\u011bji rozv\u00edjet ji\u017e koncem dvac\u00e1t\u00fdch let ovlivn\u011bn mat\u010dinou prac\u00ed redaktorky v redakci magaz\u00ednu Pestr\u00fd t\u00fdden, pro kter\u00fd pozd\u011bji taky pracoval a uve\u0159ej\u0148oval zde sv\u00e9 fotografie.<\/p>\n

Na p\u0159elomu dvac\u00e1t\u00fdch a t\u0159ic\u00e1t\u00fdch let se A.H. v\u011bnoval fotografii s velk\u00fdm nad\u0161en\u00edm. V\u00fdznamn\u00fdm impulsem pro n\u011bj byla n\u00e1v\u0161t\u011bva v\u00fdstavy Film und Foto ve Stuttgartu v roce 1929. Sv\u00e9 fotografie vystavoval na v\u00fdstav\u00e1ch a rovn\u011b\u017e publikoval v mnoha \u010dasopisech, p\u0159edev\u0161\u00edm v domovsk\u00e9m Pestr\u00e9m t\u00fddnu. Ji\u017e roku 1928 spolupracuje Hackenschmied jako pomocn\u00fd architekt s Gustavem Machat\u00fdm na filmu Erotikon a postupn\u011b se dost\u00e1v\u00e1 mezi filmov\u00e9 profesion\u00e1ly.<\/p>\n

V roce 1930 tak\u00e9 nato\u010dil sv\u016fj prvn\u00ed autorsk\u00fd film Bez\u00fa\u010deln\u00e1 proch\u00e1zka, kter\u00fd uvedl na prvn\u00edm ze \u010dty\u0159 j\u00edm organizovan\u00fdch t\u00fddn\u016f nez\u00e1visl\u00e9ho filmu v kin\u011b Kotva. V prvn\u00ed polovin\u011b t\u0159ic\u00e1t\u00fdch let se pod\u00edlel na n\u011bkolika dal\u0161\u00edch vlastn\u00edch i ciz\u00edch filmech, mimo jin\u00e9 p\u0159isp\u011bl radik\u00e1ln\u00edm st\u0159ihov\u00fdm \u0159e\u0161en\u00edm k filmu Zem spieva K. Plicky, ocen\u011bn\u00e9m v roce 1934 Zlat\u00fdm poh\u00e1rem na festivalu v Ben\u00e1tk\u00e1ch. V kv\u011btnu 1930 uspo\u0159\u00e1dal A.H.\u00a0 p\u0159elomovou v\u00fdstavu Nov\u00e1 \u010desk\u00e1 fotografie, kter\u00e1 znamenala prvn\u00ed spole\u010dn\u00e9 vystoupen\u00ed nejv\u00fdznamn\u011bj\u0161\u00edch z\u00e1stupc\u016f \u010desk\u00e9 fotografick\u00e9 avantgardy, mezi nimi\u017e byli krom\u011b n\u011bj a jeho p\u0159\u00e1tel L. E. Berky a J. Lehovce zastoupeni tak\u00e9 J. Sudek, J. Funke, J. R\u00f6ssler a dal\u0161\u00ed.<\/p>\n

Pat\u0159il jak k p\u0159edn\u00edm pr\u016fkopn\u00edk\u016fm \u201enov\u00e9 fotografie\u201c, tak i k p\u0159edn\u00edm autor\u016fm u\u017eit\u00e9 fotografie. Sn\u00edmky z jeho nejran\u011bj\u0161\u00edho a nejintenzivn\u011bj\u0161\u00edho fotografick\u00e9ho obdob\u00ed v\u0161ak bohu\u017eel zn\u00e1me p\u0159ev\u00e1\u017en\u011b jen z \u010dasopisecky publikovan\u00fdch prac\u00ed, negativy ani origin\u00e1ly fotografi\u00ed se nedochovaly.<\/p>\n

V letech 1935-39 se spole\u010dn\u011b s E. Klosem, L. Koldou F. Pil\u00e1tem, P. Hrdli\u010dkou a J. Lukasem pod\u00edl\u00ed na za\u010d\u00e1tc\u00edch Ba\u0165ova zl\u00ednsk\u00e9ho filmov\u00e9ho studia a vytv\u00e1\u0159\u00ed zde mno\u017estv\u00ed dodnes cen\u011bn\u00fdch reklamn\u00edch a propaga\u010dn\u00edch sn\u00edmk\u016f. Reklamn\u00ed film Silnice zp\u00edv\u00e1, byl v roce 1937 ocen\u011bn na Sv\u011btov\u00e9 v\u00fdstav\u011b v Pa\u0159\u00ed\u017ei. Unik\u00e1tn\u00ed negativy z cesty \u010dlen\u016f Ba\u0165ova filmov\u00e9ho studia do Spojen\u00fdch st\u00e1t\u016f v roce 1936 byly objeveny ve Zl\u00edn\u011b a\u017e v roce 1999. V r\u00e1mci zl\u00ednsk\u00e9ho anga\u017em\u00e1 prov\u00e1z\u00ed tak\u00e9 Hackenschmied v roce 1937 J. Ba\u0165u na zahrani\u010dn\u00ed cesty do It\u00e1lie a Indie, odkud p\u0159iv\u00e1\u017e\u00ed rozs\u00e1hlou filmovou i fotografickou dokumentaci (pozd\u011bji zpracovanou E. Klosem do t\u0159\u00ed film\u016f). Unik\u00e1tn\u00ed negativy z cesty \u010dlen\u016f Ba\u0165ova filmov\u00e9ho studia do Spojen\u00fdch st\u00e1t\u016f v r. 1936 byly objeveny ve Zl\u00edn\u011b a\u017e v roce 1999. Ukazuj\u00ed jak okouzlen\u00ed americk\u00fdm \u017eivotn\u00edm stylem, tak i odstup Evropana v\u016f\u010di mohutn\u00e9 americk\u00e9 kultu\u0159e.<\/p>\n

Po spolupr\u00e1ci na filmu Krize re\u017eis\u00e9ra Herberta Klinea, pojedn\u00e1vaj\u00edc\u00edm o n\u011bmeck\u00e9 anexi pohrani\u010d\u00ed, pob\u00fdv\u00e1 na \u00fat\u011bku p\u0159ed fa\u0161ismem od \u00fanora do \u010dervna 1939 v Pa\u0159\u00ed\u017ei. Jako n\u00e1hl\u00fd b\u011b\u017eenec se v okam\u017eiku propukaj\u00edc\u00edho konfliktu obrac\u00ed po letech op\u011bt k fotografii. Vznik\u00e1 v\u00fdjime\u010dn\u00fd soubor fotografi\u00ed, kter\u00e9 jako by se lou\u010dily s d\u011bdictv\u00edm fotografick\u00e9 avantgardy. Koncem roku 1939 odj\u00ed\u017ed\u00ed p\u0159es Lond\u00fdn do New Yorku, kde za\u010d\u00edn\u00e1 spolupracovat na dal\u0161\u00edch projektech s H. Klinem, mimo jin\u00e9 na filmu na libreto J. Steinbecka Zapomenut\u00e1 vesnice (Forgotten Village) v Mexiku.<\/p>\n

Roku 1942 se v Hollywoodu seznamuje s\u00a0Eleanorou Derenkovskou, pozd\u011bji Mayou Deren, rusko – americkou tane\u010dnic\u00ed a b\u00e1sn\u00ed\u0159kou. Spole\u010dn\u011b nat\u00e1\u010dej\u00ed m.j. jedno ze zakladatelsk\u00fdch d\u011bl americk\u00e9ho nez\u00e1visl\u00e9ho filmu Meshes of the Afternoon. Ze setk\u00e1n\u00ed s Mayou Deren vznikla nejen kl\u00ed\u010dov\u00e1 d\u00edla nez\u00e1visl\u00e9 kinematografie, ale i po\u010detn\u00e1 \u0159ada civiln\u00edch fotografick\u00fdch portr\u00e9t\u016f, akt\u016f i aran\u017eovan\u00fdch sn\u00edmk\u016f inspirovan\u00fdch spole\u010dnou filmovou tvorbou. V roce 1943 se Hackenschmied st\u011bhuje tentokr\u00e1t u\u017e natrvalo do New Yorku.<\/p>\n

Na prvn\u00edch t\u0159ech filmech s Alexandrem Hammidem a Mayou Deren spolupracovala fotografka a kameramanka n\u011bmeck\u00e9ho p\u016fvodu Hella Heyman. Po rozchodu s Mayou se Alexander a Hella sbl\u00ed\u017eili a v roce 1948 se stali man\u017eeli. V roce 1950 se jim narodila dcera Julia a v roce 1952 syn Tino. Hella se za\u010d\u00edn\u00e1 naplno v\u011bnovat fotografii a opou\u0161t\u00ed filmovou tvorbu, Alexander Hammid naopak upou\u0161t\u00ed fotografov\u00e1n\u00ed a naplno se v\u011bnuje filmov\u00e9 tvorb\u011b. Postupn\u011b se prosazuje samostatn\u011b jako re\u017eis\u00e9r, kameraman a st\u0159iha\u010d dokument\u00e1rn\u00edch film\u016f, v pr\u016fb\u011bhu \u0161edes\u00e1t\u00fdch a sedmdes\u00e1t\u00fdch let pak spolu s Francisem Thompsonem jako pr\u016fkopn\u00edk technicky n\u00e1ro\u010dn\u00fdch filmov\u00fdch form\u00e1t\u016f (IMAX). V roce 1965 z\u00edsk\u00e1v\u00e1 jejich film To Be Alive! \/ \u017d\u00edt! ocen\u011bn\u00ed americk\u00e9 filmov\u00e9 akademie Oskara jako nejlep\u0161\u00ed kr\u00e1tkometr\u00e1\u017en\u00ed dokument (Academy Award for Best Documentary Short Subject). P\u0159i nat\u00e1\u010den\u00ed sv\u00e9ho posledn\u00edho filmu On the Wing se v roce 1986 nadvakr\u00e1t naposledy vrac\u00ed do Prahy.<\/p>\n

Um\u00edr\u00e1 v New Yorku v roce 2004 ve v\u011bku 97 let.<\/p>\n","protected":false},"excerpt":{"rendered":"

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