{"id":3910,"date":"2017-09-12T11:35:17","date_gmt":"2017-09-12T11:35:17","guid":{"rendered":"http:\/\/www.artinbox.cz\/?p=3910"},"modified":"2018-02-23T22:24:03","modified_gmt":"2018-02-23T22:24:03","slug":"jaroslav-rossler-od-symbolismu-k-psychedelii-from-symbolism-to-psychedelia-12-9-20-10-17","status":"publish","type":"post","link":"https:\/\/www.artinbox.cz\/?p=3910","title":{"rendered":"Jaroslav R\u00f6ssler"},"content":{"rendered":"

Jaroslav R\u00f6ssler:<\/strong>
\n<\/strong>Od symbolismu k psychedelii<\/strong> <\/strong>
\n<\/strong>(fotografie, kresby, malby)<\/strong>
\n<\/strong>
\n(12. 9. – 20. 10. 2017)<\/strong><\/p>\n

<\/strong><\/p>\n

kur\u00e1torky: Suzanne Pastor, Nadia Rovderov\u00e1<\/strong><\/p>\n

technick\u00e1 spolupr\u00e1ce: Daniela Havr\u00e1nkov\u00e1, Jaroslav V\u00edt, Anton\u00edn Vr\u0148\u00e1k, Philippe Joseph<\/strong><\/p>\n

Ud\u00e1lost na facebooku m\u016f\u017eete sledovat a \u00fa\u010dast potvrdit zde:\u00a0https:\/\/www.facebook.com\/events\/400143410383937\/<\/a><\/p>\n

Postupn\u011b dopl\u0148ov\u00e1no album fotografi\u00ed z\u00a0akce zde:\u00a0https:\/\/www.facebook.com\/pg\/ArtinboxGallery\/photos\/?tab=album&album_id=1587790917960257<\/a><\/p>\n


\nLetos uplynulo 115 let od narozen\u00ed Jaroslava R\u00f6sslera \/1902 – 1990\/, jednoho z nejv\u00fdrazn\u011bj\u0161\u00edch tv\u016frc\u016f \u010desk\u00e9 a sv\u011btov\u00e9 fotografie, nejtalentovan\u011bj\u0161\u00edho \u017e\u00e1ka Franti\u0161ka Drtikola. V\u00fdstava v\u00a0Artinbox Gallery v\u00a0Praze p\u0159edstavuje sedmdes\u00e1t v\u00fdznamn\u00fdch prac\u00ed z rodinn\u00e9ho archivu a soukrom\u00fdch sb\u00edrek od r. 1923 a\u017e do po\u010d\u00e1tku 70. let minul\u00e9ho stolet\u00ed.<\/strong><\/p>\n

Jaroslav R\u00f6ssler byl jedn\u00edm z nejv\u00fdznamn\u011bj\u0161\u00edch tv\u016frc\u016f \u010desk\u00fdch a sv\u011btov\u00fdch d\u011bjin um\u011bn\u00ed 20. stolet\u00ed.\u00a0 Narodil se ve Smilov\u011b v roce 1902, zem\u0159el v Praze ve v\u011bku 87 let, pot\u00e9, co \u017eil a tvo\u0159il v r\u00e1mci t\u00e9m\u011b\u0159 v\u0161ech d\u016fle\u017eit\u00fdch um\u011bleck\u00fdch obdob\u00ed 20. stolet\u00ed ve st\u0159edn\u00ed Evrop\u011b \u00a0– od pozdn\u00edho rozkv\u011btu symbolismu a\u017e po po\u010d\u00e1tky psychedelick\u00e9 vize \u0161edes\u00e1t\u00fdch a sedmdes\u00e1t\u00fdch let. V\u00fdstava v\u00a0Artinbox Gallery p\u0159edstavuje R\u0151sslerovy fotografie, kresby a malby, z obdob\u00ed od roku 1923 \u00a0a\u017e po za\u010d\u00e1tek 70. let 20. stolet\u00ed.<\/p>\n

R\u00f6sslerovi bylo\u00a0patn\u00e1ct let, kdy\u017e se stal \u017e\u00e1kem v ateli\u00e9ru Franti\u0161ka Drtikola – excentrick\u00e9ho mistra fotografa, kter\u00fd u\u017e v t\u00e9 dob\u011b po\u017e\u00edval zna\u010dn\u00e9 sl\u00e1vy. Byla to \u00e9ra nepokoj\u016f a zm\u011bn v um\u011bleck\u00e9m sv\u011bt\u011b. Velk\u00e9 mno\u017estv\u00ed nov\u00fdch vjem\u016f a informac\u00ed – \u00a0\u010dasopisy, knihy, v\u00fdstavy, divadla, m\u011bly velk\u00fd vliv na mlad\u00e9ho mu\u017ee, kter\u00fd p\u0159i\u0161el z mal\u00e9ho \u010desk\u00e9ho m\u011bsta Smilov do \u00fa\u017easn\u00e9 st\u0159edoevropsk\u00e9 metropole, jakou tehdy Praha byla. V roce 1917, ve vzru\u0161uj\u00edc\u00ed atmosf\u00e9\u0159e modernistick\u00e9 sc\u00e9ny pra\u017esk\u00fdch um\u011blc\u016f, za\u010dal pronikat do taj\u016f fotografick\u00e9ho \u0159emesla. Tak\u00e9 si za\u010dal pro sebe kreslit, malovat a fotografovat – u\u017e tehdy dosahoval kompozic nejvy\u0161\u0161\u00edho vkusu a kvality. Jako 21let\u00fd, pot\u00e9 co d\u016fkladn\u011b vst\u0159ebal filozofick\u00e1 a ideologick\u00e1 t\u00e9mata t\u00e9 doby, vytv\u00e1\u0159el kubisticko-futuristick\u00e9 obrazy a fotografie. Abstrakce v mnoha form\u00e1ch pak z\u016fstala v\u00a0centru estetick\u00e9ho z\u00e1jmu po cel\u00fd jeho \u017eivot.<\/p>\n

R\u00f6ssler ve sv\u00e9 tvorb\u011b absorboval kl\u00ed\u010dov\u00e9 prvky avantgardy: n\u011bmeck\u00fd expresionismus, dadaismus, italsk\u00fd futurismus, kubismus, rusk\u00fd konstruktivismus a francouzsk\u00fd surrealismus. V roce 1920 vznikla v\u00a0Praze um\u011bleck\u00e1 skupina Dev\u011btsil. Zakladateli byli b\u00e1sn\u00edk V\u00edt\u011bzslav Nezval a spisovatel Karel Teige. Dev\u011btsil p\u0159in\u00e1\u0161el do um\u011bn\u00ed modernitu ve v\u0161ech form\u00e1ch, spojil se s t\u00edm, co bylo pozd\u011bji naz\u00fdv\u00e1no poetismus. Filozofick\u00e9 a ideologick\u00e9 z\u00e1klady tohoto hnut\u00ed m\u011bly hlubok\u00fd vliv na v\u0161echny aspekty designu, typografie, um\u011bn\u00ed, architektury a fotografie – zejm\u00e9na v kol\u00e1\u017e\u00edch, b\u00e1sn\u00edch a fotomont\u00e1\u017e\u00edch. Jaroslav R\u00f6ssler byl Teigem v roce 1923 p\u0159izv\u00e1n, aby se stal jedn\u00edm z nejmlad\u0161\u00edch \u010dlen\u016f a z\u00e1rove\u0148 jedin\u00fdm fotografem Dev\u011btsilu. V roce 1933 byla jeho tvorba sou\u010d\u00e1st\u00ed v\u00fdstavy Dev\u011btsilu v Rudolfinu, jednalo se o v\u00fdb\u011br experiment\u00e1ln\u00edch a abstraktn\u00edch prac\u00ed, s kompozicemi charakterizovan\u00fdmi ploch\u00fdmi geometrick\u00fdmi povrchy a konstrukcemi sv\u011btla a st\u00ednu. Byla to vysoce n\u00e1ro\u010dn\u00e1 d\u00edla, kter\u00e1 formovala poetick\u00fd konstruktivismus.<\/p>\n

V Drtikolov\u011b ateli\u00e9ru se R\u00f6ssler sezn\u00e1mil se svou budouc\u00ed \u017eenou Gertrudou. V\u00a0roce 1926 se jim narodila jedin\u00e1 dcera Sylva. V letech 1927-1935 R\u00f6ssler s\u00a0rodinou p\u0159es\u00eddlil do Pa\u0159\u00ed\u017ee, rodinu \u017eivil pracemi pro reklamn\u00ed ateli\u00e9ry Manuel Freres, Studio Piaz a Lorelle. Jeho reklamn\u00ed fotografie z\u00a0t\u00e9 doby jsou nyn\u00ed pova\u017eov\u00e1ny za um\u011bleck\u00e1 d\u00edla.<\/p>\n

R\u00f6sslerovo nep\u0159etr\u017eit\u00e9 tv\u016fr\u010d\u00ed experimentov\u00e1n\u00ed od konce v\u00e1lky a\u017e do jeho smrti v roce 1990, vytv\u00e1\u0159\u00ed fascinuj\u00edc\u00ed d\u00edlo: imagin\u00e1rn\u00ed krajiny, abstraktn\u00ed sv\u011bteln\u00e9 kompozice, negativn\u00ed a v\u00edcen\u00e1sobn\u00e9 expozice, solarizace, fotografov\u00e1n\u00ed skrz k\u0159i\u0161\u0165\u00e1lov\u00fd hranol… Ka\u017ed\u00e1 kompozice obsahuje jistou podobu pravdy – lidskou pravdu, filozofickou pravdu, intelektu\u00e1ln\u00ed pravdu, estetickou pravdu, univerz\u00e1ln\u00ed pravdu. Ve v\u0161ech t\u011bchto pravd\u00e1ch je ukryto nesm\u00edrn\u00e9 mno\u017estv\u00ed kr\u00e1sy – hlubok\u00e9 a p\u0159esv\u011bd\u010div\u00e9.<\/p>\n

Suzanne Pastor, Praha, z\u00e1\u0159\u00ed 2017<\/p>\n

…………………………………………………………………………………………………………………………………………..\"\"<\/a><\/em><\/p>\n

Jaroslav R\u00f6ssler:<\/strong>
\n<\/strong>From Symbolism to Psychedelia<\/strong>
\n(photographs, drawings, paintings)<\/strong><\/em><\/p>\n


\n<\/strong>(12. 9. – 20. 10. 2017)<\/strong>
\ncurated by: Suzanne Pastor, Nadia Rovderov\u00e1<\/strong><\/em><\/p>\n

technical cooperation: Daniela Havr\u00e1nkov\u00e1, Jaroslav V\u00edt, Anton\u00edn Vr\u0148\u00e1k, Philippe Joseph<\/strong> <\/strong><\/em><\/p>\n

<\/strong><\/em><\/p>\n

This year 115 years have passed since the birth of Jaroslav R\u00f6ssler \/1902 – 1990\/, one of the most eminent artists of Czech and world photography, the most talented pupil of Franti\u0161ek Drtikol. The exhibition presents 70 major works selected from the family archives and private collections, dating from 1923 to the early \u201870s.<\/strong><\/p>\n

Jaroslav R\u00f6ssler, now recognized as one of the preeminent historic figures in Czech and world art history of the 20th C., was born in Smilov in 1902. He died in Prague at the age of 87 years, having lived \u2014 and created \u2014 throughout almost every important art movement from the late flourishing of Symbolism in Central Europe to the emergence of psychedelic vision in the late 60\u2019s and \u201970s. The exhibition at Artinbox Gallery presents 70 major works, comprising Rossler\u2019s photographs, drawings and paintings, dating from 1923 to the late \u201860s and early \u201870s.<\/p>\n

Rossler was fifteen years old when he became an apprentice in the atelier of Frantisek Drtikol, an excentric master photographer already famous in his own time and one of his early mentors. It was a era of turmoil and change in the art world. A great deal of information in the form of magazines and books in the Drtikol studio, as well as exhibitions and theatre, all had a great influence on this young person full of new impressions, who had come from the small Bohemian town of Smilov to the great Central European capital of Prague. In 1917, in the exciting atmosphere of the modernist Prague artists‘ scene, he began to learn the techniques of lighting and printing. He also began drawing, painting and photographing for himself, compositions of the highest taste and insight. Already at the age of 21, having thoroughly absorbed the philosophical and ideological concerns of his time, he created Cubo-Futuristic gouaches and photographs. Abstraction, in its many forms, remained for Rossler the central aesthetic concern throughout his life.<\/p>\n

Rossler absorbed key elements from the avant-garde: German Expressionism, Dada, Italian Futurism, Cubism, Russian Constructivism and from France \u2014 Surrealism. In Prague, the unique Czech artist group Devetsil (nine forces) was founded in 1920 by the poet Viteslav Nezval and the artist-writer Karel Teige. Devetsil brought modernity in all its forms to fuse into what was called Poetism. The philosophical and ideological presuppositions of this movement were profoundly influential for all aspects of design, typography, art, architecture, and photography \u2014 especially in collages, poems and photomontage. Jaroslav Rossler was invited by Teige in 1923 to be one of the youngest artist members of Devetsil, the only photographer. In 1933 his works were included in the Devetsil exhibition at the Rudolfinum, with a selection of experimental and abstract works, compositions characterized by flat geometrical surfaces and constructions of light and shadow, highly demanding works which formed a form of poetic constructivism.<\/p>\n

From 1927 to 1935, Rossler established himself in Paris with his wife Gertruda, whom he had met at Drtikol\u2019s atelier, and his only daughter Sylva (born in Prague in 1926); he supported them by work at the advertising studios of Manuel Freres, Studio Piaz and Lorelle. His advertising photographs are now regarded as works of art.<\/em><\/p>\n

Rossler’s private \u2014 and continuous \u2014 creative experimentation after the end of the war, until his death in 1990, form a fascinating oeuvre of imaginary landscapes, abstract light compositions, negative and multiple prints, solarizations and images made through a crystal prism. In every composition is expressed a kind of truth \u2014 a human truth, philosophical truth, intellectual truth, aesthetic truth, a universal truth. In all this truth, there is an immense amount of beauty – profound and compelling.<\/em><\/p>\n


\nSuzanne Pastor, Prague, September 2017<\/em><\/p>\n

Artinbox Gallery
\nPerlov\u00e1 370\/3, D\u016fm v Kisn\u011b
\n110 00 Praha 1 – Star\u00e9 M\u011bsto
\nCzech Republic<\/p>\n

otev\u0159eno: \u00fater\u00fd, \u010dtvrtek: 16.30 \u2013 18.30 hod., nebo na vy\u017e\u00e1d\u00e1n\u00ed: +420 777 748 433 \u00a0\/ open: tuesday, thursday: 4.30-6.30 p.m., or by request: +420 777 748 433<\/p>\n

tel.: +420 777 748 433
\nnadia@artinbox.cz<\/a>
\nwww.artinbox.cz<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

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