{"id":3753,"date":"2017-02-12T16:57:31","date_gmt":"2017-02-12T16:57:31","guid":{"rendered":"http:\/\/www.artinbox.cz\/?p=3753"},"modified":"2018-02-23T22:32:24","modified_gmt":"2018-02-23T22:32:24","slug":"daniel-pesta-skola-school-10-2-30-3-2017","status":"publish","type":"post","link":"https:\/\/www.artinbox.cz\/?p=3753","title":{"rendered":"Daniel Pe\u0161ta"},"content":{"rendered":"


\n<\/strong><\/p>\n

Daniel Pe\u0161ta: \u0160KOLA \/ SCHOOL <\/strong><\/p>\n

(10. 2. – 30. 3. 2017)<\/strong><\/p>\n

kur\u00e1torka \/ curated by: Nadia Rovderov\u00e1<\/span><\/p>\n


\n<\/strong><\/p>\n

Report\u00e1\u017e \u010cesk\u00e9 televize o v\u00fdstav\u011b je k\u00a0vid\u011bn\u00ed zde: http:\/\/www.ceskatelevize.cz\/ivysilani\/1097206490-udalosti-v-kulture\/217411000120211\/obsah\/522611-vystava-malire-daniela-pesty<\/a><\/p>\n

Rozhovor Karla Oujezdsk\u00e9ho s autorem a kur\u00e1torkou pro \u010cesk\u00fd rozhlas najdete zde:\u00a0http:\/\/www.rozhlas.cz\/mozaika\/vytvarne\/_zprava\/1698336<\/a><\/p>\n

Fotografie z\u00a0p\u0159\u00edprav, instalace a vernis\u00e1\u017ee najdete zde: https:\/\/www.facebook.com\/pg\/ArtinboxGallery\/photos\/?tab=album&album_id=1326747197397965<\/a><\/p>\n

Ud\u00e1lost na facebooku m\u016f\u017eete sledovat a \u00fa\u010dast potvrdit zde: https:\/\/www.facebook.com\/events\/1344470092292804\/?active_tab=about<\/a><\/p>\n

Video z vernis\u00e1\u017ee od Cyrila H\u00f6schla: Dan Pe\u0161ta \u0160kola. (V mal\u00e9m s\u00e1le mal\u00e9 a velk\u00e9 pecky od Kurt Gebauera): https:\/\/www.youtube.com\/watch?v=AK647oEWYmg&feature=youtu.be<\/a><\/p>\n

\"\"<\/a><\/strong>
\n <\/strong><\/p>\n

Jak n\u00e1s \u0161koly utv\u00e1\u0159\u00ed? Vztahy, spolu\u017e\u00e1ci, u\u010ditel\u00e9, v\u011bdomosti, pravdy i manipulace s informacemi o sv\u011bt\u011b a spole\u010dnosti. Autor se vrac\u00ed do dob ponur\u00e9ho socialismu, kdy s\u00e1m dosp\u00edval, nach\u00e1z\u00ed zde mnoho temn\u00e9ho, jen\u017e dodnes p\u0159etrv\u00e1v\u00e1, ale z\u00e1rove\u0148 laskav\u011b otev\u00edr\u00e1 i dobr\u00e9 vzpom\u00ednky. Formou malby, objekt\u016f, asambl\u00e1\u017ee i videa Daniel Pe\u0161ta rozj\u00edm\u00e1 podobn\u011b jako David Salinger v knize \u201cKdo chyt\u00e1 v \u017eit\u011b\u201d, \u010di Evan Hunter v \u201cD\u017eungli p\u0159ed tabul\u00ed\u201d. Autor m\u00e1 sv\u00fdm specifick\u00fdm zp\u016fsobem bl\u00edzko k\u00a0odkazu surrealist\u016f, pracuje se sv\u00fdmi, pota\u017emo na\u0161imi sny, vizemi, poslouch\u00e1 n\u011b\u017en\u00e9 i potemn\u011bl\u00e9 hlasy z\u00a0podv\u011bdom\u00ed\u2026 Jak\u00e9 byly a jsou na\u0161e sny o budoucnosti?<\/strong> etzhnr\u016foPUIl)<\/p>\n

Minulost, vzpom\u00ednky. Vlastn\u00ed i ciz\u00ed. Vzpom\u00ednky na d\u011btstv\u00ed – tu mil\u00e9, nostalgick\u00e9, tu s\u00a0existencion\u00e1ln\u00ed, \u010di a\u017e hororov\u00fdm n\u00e1dechem\u2026 Tv\u00e1\u0159e nezn\u00e1m\u00fdch, \u010dasto u\u017e mrtv\u00fdch anonymn\u00edch lid\u00ed z\u00a0alb, kter\u00e9 autor kupuje v antikvari\u00e1tech a zasazuje je do sv\u00fdch obraz\u016f a objekt\u016f. T\u00e9ma minulosti a vzpom\u00ednek Daniel Pe\u0161ta rozv\u00edj\u00ed u\u017e des\u00edtky let. T\u011bm nejrann\u011bj\u0161\u00edm vzpom\u00ednk\u00e1m z\u00a0d\u011btstv\u00ed, z\u00a0obdob\u00ed povinn\u00e9 \u0161koln\u00ed doch\u00e1zky, se za\u010dal v\u00edc v\u011bnovat p\u0159ibli\u017en\u011b p\u0159ed p\u011bti lety. V\u00a0roce 2011 vznikl prvn\u00ed obraz z\u00a0tohoto cyklu, na\u0161i expozici n\u00edm zahajujeme. Portr\u00e9ty konkr\u00e9tn\u00edch d\u011bt\u00ed z romsk\u00e9 \u0161koly (I was born in your bed) stoj\u00ed v kontrastu s\u00a0obrazem n\u011bmeck\u00e9 hol\u010di\u010dky Heidi s\u00a0h\u00e1kov\u00fdm k\u0159\u00ed\u017eem na \u0161ati\u010dk\u00e1ch. Obdob\u00ed, kter\u00e9 jsme si zvykli vn\u00edmat jako \u0161\u0165astn\u00e9 a bezprobl\u00e9mov\u00e9, v\u00a0sob\u011b nese po\u010d\u00e1tky v\u0161eho, co bude n\u00e1sledovat.<\/p>\n

T\u00e9ma \u201e\u0161kola\u201c se m\u016f\u017ee zpo\u010d\u00e1tku jevit jako lapid\u00e1rn\u00ed, ale m. j. i na tomto z\u00e1kladu dnes stoj\u00ed ka\u017ed\u00fd z\u00a0n\u00e1s. I tento z\u00e1klad ur\u010duje, zda stoj\u00edme, \u010di pad\u00e1me. Mnoho faktor\u016f n\u00e1s formuje: geny, talenty, rodina, \u0161kola, spole\u010dnost, p\u0159\u00e1tel\u00e9, nep\u0159\u00e1tel\u00e9, dobr\u00e9 \u010di \u0161patn\u00e9 party, politick\u00fd re\u017eim, u\u010ditel\u00e9, kter\u00e9 jsme si nevybrali, p\u0159esto n\u00e1s (tu v\u00edce, tu m\u00e9n\u011b) formovali. \u00a0Zareagovalo v\u00a0na\u0161em d\u011btstv\u00ed okol\u00ed na na\u0161e talenty, z\u00e1jmy, touhy, nebo n\u00e1m ur\u010dili \u0161katulku, kam m\u00e1me pat\u0159it a na v\u00edc se n\u00e1s nikdo neptal? Obraz B\u00edl\u00e9 l\u00edme\u010dky prezentuje jednu z \u010dast\u00fdch alternativ. Objekt \u201eNev\u011bsty\u201c zas jinou\u2026 Kon\u010d\u00ed d\u011btstv\u00ed, kon\u010d\u00ed radost, sl\u00fdch\u00e1vali jsme v\u00a0d\u011btstv\u00ed. Mus\u00ed tomu tak b\u00fdt? Jsme na spr\u00e1vn\u00e9 cest\u011b, nebo na scest\u00ed? N\u00e1sledky b\u00fdvaj\u00ed fat\u00e1ln\u00ed, \u010dasto rozhoduj\u00ed o na\u0161em celo\u017eivotn\u00edm \u0161t\u011bst\u00ed a spokojenosti\u2026<\/p>\n

Nadia Rovderov\u00e1, Praha, \u00fanor 2017<\/p>\n

(Expozici dopl\u0148uje spole\u010dn\u00fd obraz Daniela Pe\u0161ty a Lubo\u0161e Pln\u00e9ho. Autorskou v\u00fdstavu Lubo\u0161e Pln\u00e9ho<\/strong> p\u0159ipravujeme v Artinbox Gallery na duben a kv\u011bten 2017. V\u00a0mal\u00e9m s\u00e1le galerie je k\u00a0vid\u011bn\u00ed v\u00fdb\u011br z\u00a0d\u00edla Kurta Gebauera<\/strong>, kter\u00e9ho v\u00fdstava Sametov\u00e9 podzem\u00ed byla v\u00a0galerii k\u00a0vid\u011bn\u00ed do konce ledna 2017. Knihu Kurtura, kterou s\u00a0autorem p\u0159ipravujeme, uvedeme v\u00a0pr\u016fb\u011bhu b\u0159ezna 2017.<\/em><\/p>\n

<\/em><\/p>\n

<\/em> <\/strong><\/p>\n

Daniel Pe\u0161ta<\/strong> se narodil v roce 1959 v Praze, je absolventem V\u00fdtvarn\u00e9 \u0161koly V\u00e1clava Hollara. B\u011bhem totalitn\u00edho re\u017eimu se pohyboval mimo ofici\u00e1ln\u00ed kulturu. V\u011bnoval se p\u0159edev\u0161\u00edm kresb\u011b a pracoval v oblasti u\u017eit\u00e9 grafiky. Po roce 1989 navrhoval grafick\u00e9 cykly pro vydavatelstv\u00ed klasick\u00e9 hudby, za kni\u017en\u00ed a plak\u00e1tovou tvorbu z\u00edskal ocen\u011bn\u00ed.<\/p>\n

Postupy p\u0159i navrhov\u00e1n\u00ed plak\u00e1t\u016f, kter\u00e9 u Pe\u0161ty v\u017edy balancovaly na hranici malby, vy\u00fastily na p\u0159elomu osmdes\u00e1t\u00fdch a devades\u00e1t\u00fdch let do oblasti voln\u00e9 tvorby. Nejprve studuje figuru, ztv\u00e1r\u0148uje jej\u00ed zranitelnost, pozd\u011bji se v\u011bnuje portr\u00e9tu, ve kter\u00e9m se soust\u0159ed\u00ed p\u0159edev\u0161\u00edm na jeho expresi. Postupn\u011b se jeho pr\u00e1ce abstrahuj\u00ed, redukuje barevnost a za\u010d\u00edn\u00e1 se p\u0159ibli\u017eovat k podstat\u011b sv\u00e9ho v\u00fdrazu, pro n\u011bj typick\u00e9ho, kter\u00fd je zcela mimo tenden\u010dn\u00ed vlivy.<\/p>\n

Po roce 1998, kdy se vrac\u00ed z prvn\u00edho studijn\u00edho pobytu v New Yorku, za\u010d\u00edn\u00e1 experimentovat s r\u016fznorod\u00fdmi materi\u00e1ly, jako je pap\u00edr, vosk, k\u016f\u017ee nebo transparentn\u00ed prysky\u0159ice. Pr\u00e1v\u011b haptick\u00e9 materi\u00e1ly umo\u017enily autorovi je\u0161t\u011b v\u00edce proniknout do slo\u017eitosti lidsk\u00e9ho nitra. Tyto pr\u00e1ce balancuj\u00ed na hranici naturalistick\u00e9 syrovosti, dot\u00fdkaj\u00ed se nejcitliv\u011bj\u0161\u00edch t\u00e9mat, jako je zrod \u017eivota a jeho zmar, jdou na d\u0159e\u0148 lidsk\u00e9 podstaty. Zm\u00edn\u011bn\u00e9 atributy se prol\u00ednaj\u00ed jeho tvorbou dodnes a staly se pro autora signifikantn\u00ed.<\/p>\n

Typick\u00fd se pro Pe\u0161tu st\u00e1v\u00e1 symbol \u010derven\u00e9ho prov\u00e1zku \u2013 \u010derven\u00e9 nit\u011b v barv\u011b krve, kter\u00e1 prostupuje celou jeho tvorbou a kter\u00e1 symbolizuje nejen nevyhnutelnost osudu, ale i nekone\u010dn\u00fd p\u0159\u00edb\u011bh lidsk\u00e9ho rodu. Zamot\u00e1v\u00e1, pro\u0161\u00edv\u00e1 a perforuje k\u0159ehkou existenci jedince. Do transparentn\u00ed prysky\u0159ice zatavuje p\u0159\u00edb\u011bhy cel\u00fdch generac\u00ed, kter\u00e9 vyhled\u00e1v\u00e1 na dobov\u00fdch fotografi\u00edch. Vznikaj\u00ed rozm\u011brn\u00e9 \u201eGenetick\u00e9 k\u00f3dy\u201c a cykly \u201etemn\u00fdch asambl\u00e1\u017e\u00ed\u201c s tematikou bezpr\u00e1v\u00ed a ztr\u00e1ty d\u016fstojnosti. Do prysky\u0159ice nekompromisn\u011b zatavuje sv\u00e9 star\u0161\u00ed obrazy \u010di objekty do p\u0159\u00edsn\u00fdch blok\u016f a sloup\u016f, \u010d\u00edm\u017e relativizuje smysl tvorby samotn\u00e9, ale z\u00e1rove\u0148 t\u00edm paradoxn\u011b otev\u00edr\u00e1 dal\u0161\u00ed v\u00fdrazov\u00e9 mo\u017enosti. T\u00e9ma portr\u00e9tu Pe\u0161ta postupn\u011b transformuje do v\u00fdrazu masky, kterou vn\u00edm\u00e1 jako symbol p\u0159etv\u00e1\u0159ky a anonymity. Maska se pro n\u011bj st\u00e1v\u00e1 \u00fast\u0159edn\u00edm motivem jak v jeho konceptu\u00e1ln\u00edch projektech, tak v autorsk\u00fdch videoartech. Jeho videa hovo\u0159\u00ed jasn\u00fdm jazykem, bez pomocn\u00fdch d\u011bjov\u00fdch informac\u00ed. Obsahov\u011b se Pe\u0161tova tvorba \u010dasto dot\u00fdk\u00e1 politick\u00e9 \u010di soci\u00e1ln\u00ed tematiky, zab\u00fdv\u00e1 se t\u00e9\u017e anal\u00fdzou vlastn\u00edch sn\u016f, kter\u00e9 si systematicky zaznamen\u00e1v\u00e1, z\u016fst\u00e1v\u00e1 v\u0161ak v\u017edy v\u00fdtvarn\u011b konkr\u00e9tn\u00ed. Geneze jeho d\u011bl podl\u00e9h\u00e1 precizn\u00edm p\u0159\u00edprav\u00e1m, na jejich\u017e kone\u010dn\u00e9 podob\u011b pracuje i n\u011bkolik let.<\/p>\n

Daniel Pe\u0161ta se \u0159ad\u00ed mezi tzv. multimedi\u00e1ln\u00ed um\u011blce. Nenechav\u00e1 se omezovat jedn\u00edm m\u00e9diem, ale vytrvale experimentuje v cel\u00e9m spektru v\u00fdrazov\u00fdch prost\u0159edk\u016f, v nich\u017e se potk\u00e1vaj\u00ed v\u0161echny na\u0161e smysly.<\/p>\n

\"\"<\/a>
\n <\/strong><\/p>\n

SAMOSTATN\u00c9 V\u00ddSTAVY (V\u00ddB\u011aR)<\/strong><\/p>\n

2016 Z\u00e1znamy no\u010dn\u00ed hlavy, White Gallery, Litomy\u0161l<\/p>\n

2015 Skv\u011bl\u00fd nov\u00fd sv\u011bt, DOX<\/p>\n

2015 Art Biennale, Palazzo Bembo, (Personal Structures), Venice<\/p>\n

2014 I was born in your bed, J\u00edzd\u00e1rna Z\u00e1meck\u00e9ho n\u00e1vr\u0161\u00ed, Litomy\u0161l<\/p>\n

2013 I was born in your bed, Sala del Camino, Ben\u00e1tky, It\u00e1lie<\/p>\n

2013 Um\u011bn\u00ed uprost\u0159ed katastrofy, Deutscher Bundestag, Berl\u00edn, N\u011bmecko<\/p>\n

2012 Na jin\u00e9 planet\u011b (Ve jm\u00e9nu l\u00e1sky\u2026), Artinbox, Praha (se Suzanne Pastor)<\/p>\n

2012 Gravitation Zero, Um\u011bleck\u00e9 muzeum, Solingen, N\u011bmecko<\/p>\n

2011 Levitation, Kulturn\u011bhistorick\u00e9 muzeum-D\u016fm Felixe Nussbauma, Osnabr\u00fcck, N\u011bmecko<\/p>\n

2010 Levitace, Muzeum Montanelli, Praha<\/p>\n

2010 Galerie Maier-Hahn, D\u00fcsseldorf, N\u011bmecko<\/p>\n

2007 Sweet Home, Akropolis, Praha<\/p>\n

2005 Hot Doks2, Galerie Palais am Festungsgraben, Berl\u00edn, N\u011bmecko (s V\u00e1clavem Bl\u00e1hou)<\/p>\n

2005 Hot Doks1, Kunsthalle, Frankfurt nad Mohanem, N\u011bmecko (s V\u00e1clavem Bl\u00e1hou)<\/p>\n

2002 B\u00edl\u00e1 z\u00f3na, Galerie Kritik\u016f, Praha<\/p>\n

2000 Montserrat Gallery, New York, USA<\/p>\n

1998 Montserrat Gallery, New York, USA<\/p>\n

1993 Karolinum, Praha<\/p>\n

SKUPINOV\u00c9 V\u00ddSTAVY (V\u00ddB\u011aR)<\/strong><\/p>\n

2016 It\u2019s Liquid Experimental Art Architecture and Design Festival, BAU International Academy, \u0158\u00edm<\/p>\n

2016 Eurasian Film Festival, Czech Center New York<\/p>\n

2016 Self Identities, Laura Haber Gallery, Buenos Aires<\/p>\n

2015 Liquid Cities, New York<\/p>\n

2015 Hybrid Effects, Palazzo Radetzky, Milan<\/p>\n

2015 London Biennale 2015<\/p>\n

2014 Venice, Morphos, Sustainable Empire, Puzzels, Palazzo Albrizzi<\/p>\n

2014 Now & After, videoart festival, Alexandrinsky Theater in St.Petersburg<\/p>\n

2014 Regensburg, Gegen\u00fcberstellung (with Markus L\u00fcpertz, Dorota Nieznalska, etc.)<\/p>\n

2014 Buenos Aires, Pixels of Identities, Galeria de Arte Laura Haber<\/p>\n

2014 Now&After Video Art Festival, Moskva<\/p>\n

2014 Geny a Generace, Galerie Artinbox , Praha<\/p>\n

2013 Liquid Borders | Bari 2013, It\u00e1lie<\/p>\n

2013 Kde domov m\u016fj?, DOX, Praha<\/p>\n

2013 Kdo l\u017ee, ten krade, Artinbox, Praha<\/p>\n

2013 London Art Biennale, Lond\u00fdn, UK<\/p>\n

2013 blinkvideo.de<\/p>\n

2012 It\u2019s Liquid Identities. Videoart Festival, Ben\u00e1tky, It\u00e1lie<\/p>\n

2012 Factory Art Gallery,\u201cTurn On, Tune In\u201c, Berl\u00edn, N\u011bmecko<\/p>\n

2011 Um\u011bn\u00ed porodit, Artinbox, Praha<\/p>\n

2010 Francisco de Goya \u2013 Vize p\u0159\u00edznak\u016f a nad\u011bje, Solingen Muzeum, N\u011bmecko<\/p>\n

2009 Prague Biennale 4, Praha<\/p>\n

2007 Prague Biennale 3, Praha<\/p>\n

OCEN\u011aN\u00cd<\/strong><\/p>\n

2014 Now & After, Gulag Muzeum, Moscow (I was born in your bed), \u010destn\u00e9 uzn\u00e1n\u00ed<\/p>\n

2009 Nejkr\u00e1sn\u011bj\u0161\u00ed kniha roku, nominace v kategorii katalog\u016f, Praha<\/p>\n

2002 Nejkr\u00e1sn\u011bj\u0161\u00ed kniha roku, ud\u011blena cena v kategorii bibliofili\u00ed, Praha<\/p>\n

2001 Florence Biennale 3., ud\u011blena cena v kategorii nov\u00fdch medi\u00ed<\/p>\n

1990 Mexico City Biennale 1., ud\u011blena cena v kategorii Politick\u00fd plak\u00e1t<\/p>\n

ZASTOUPEN\u00cd VE SB\u00cdRK\u00c1CH (V\u00ddB\u011aR)<\/strong><\/p>\n

Kulturn\u011bhistorick\u00e9 muzeum\/D\u016fm Felixe Nussbauma, Osnabr\u00fcck, N\u011bmecko<\/p>\n

Um\u011bleck\u00e9 muzeum Solingen, Sb\u00edrka pron\u00e1sledovan\u00e9ho um\u011bn\u00ed, Solingen, N\u011bmecko<\/p>\n

MuMo, Muzeum Montanelli, Praha, \u010cR<\/p>\n

Sb\u00edrka Michaela Haydena, Geelong, Austr\u00e1lie<\/p>\n

Muzeum F. (Sochy pro barokn\u00ed niku), Klatovy, \u010cR<\/p>\n

N\u00e1rodn\u00ed muzeum plak\u00e1tu, Mexico City<\/p>\n

Muzeum romsk\u00e9 kultury, Brno<\/p>\n

PUBLIKACE<\/strong><\/p>\n

2010 Daniel Pe\u0161ta \/ Levitace<\/p>\n

2006 Daniel Pe\u0161ta \/ Sweet Home<\/p>\n

…………………………………………………………………………………………….
\nARTINBOX GALLERY
\nPerlov\u00e1 370\/3, D\u016fm v Kisn\u011b, 11000 Praha – Star\u00e9 m\u011bsto
\ntel.: +420 777 748\u00a0433, nadia@artinbox.cz<\/a>, <\/span>www.artinbox.cz<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

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