{"id":3546,"date":"2016-02-27T13:48:38","date_gmt":"2016-02-27T13:48:38","guid":{"rendered":"http:\/\/www.artinbox.cz\/?p=3546"},"modified":"2016-03-19T22:40:40","modified_gmt":"2016-03-19T22:40:40","slug":"feminine-feminine-vintage","status":"publish","type":"post","link":"https:\/\/www.artinbox.cz\/?p=3546","title":{"rendered":"FEMININE! & FEMININE VINTAGE (26. 2. – 24. 3. 2016)"},"content":{"rendered":"

Srde\u010dn\u011b V\u00e1s zveme na v\u00fdstavy: \/\u00a0You are cordially invited to the exhibitions:<\/span><\/p>\n

<\/em><\/p>\n

velk\u00fd s\u00e1l galerie: \/ the big gallery hall:<\/em><\/p>\n

10. skupinov\u00e1 t\u00e9matick\u00e1 v\u00fdstava: <\/em>FEMININE!<\/em><\/span><\/strong> <\/em><\/p>\n

<\/em><\/p>\n

kur\u00e1torka: Nadia Rovderov\u00e1<\/em><\/p>\n

Ud\u00e1lost na Facebooku m\u016f\u017eete sledovat a \u00fa\u010dast potvrdit zde:\u00a0https:\/\/www.facebook.com\/events\/462236837320216\/<\/a><\/p>\n

Uk\u00e1zky vytaven\u00fdch d\u011bl a fotoreport\u00e1\u017ee ze zah\u00e1jen\u00ed a pr\u016fb\u011bhu v\u00fdstav ke shl\u00e9dnut\u00ed zde:\u00a0https:\/\/www.facebook.com\/media\/set\/?set=a.974117259327629.1073741878.100551130017584&type=3<\/a><\/p>\n

\"\"<\/a><\/em><\/p>\n

<\/em><\/p>\n

\u017eenstv\u00ed pohledem \u017een fotografek:<\/em><\/p>\n

Petra \u00c1\u010dov\u00e1<\/strong><\/em><\/p>\n

Michelle Adlerov\u00e1<\/strong><\/em><\/p>\n

Barbora B\u00e1lkov\u00e1<\/strong><\/em><\/p>\n

Veronika Bromov\u00e1<\/strong><\/em><\/p>\n

Jolana Havelkov\u00e1<\/strong><\/em><\/p>\n

Milota Havr\u00e1nkov\u00e1<\/strong><\/em><\/p>\n

Eva Heyd<\/strong><\/em><\/p>\n

Blanka Chocholov\u00e1<\/strong><\/em><\/p>\n

Meyling Ho<\/strong><\/em><\/p>\n

Libu\u0161e Jarcovjakov\u00e1<\/strong><\/em><\/p>\n

Loli Kantor<\/strong><\/em><\/p>\n

Dana Kyndrov\u00e1<\/strong><\/em><\/p>\n

Helena Lukas<\/strong><\/em><\/p>\n

Mark\u00e9ta Luska\u010dov\u00e1<\/strong><\/em><\/p>\n

Suzanne Pastor<\/strong><\/em><\/p>\n

Minna Pyyhkala<\/strong><\/em><\/p>\n

Nadia Rovderov\u00e1<\/strong><\/em><\/p>\n

Tereza z\u00a0Davle<\/strong><\/em><\/p>\n


\n<\/strong><\/em><\/p>\n

<\/em><\/p>\n

<\/em><\/p>\n

<\/em><\/p>\n

mal\u00fd s\u00e1l galerie: \/ the small gallery hall:<\/em><\/p>\n

t\u00e9matick\u00e1 v\u00fdstava <\/em>FEMININE VINTAGE<\/em><\/span><\/strong><\/p>\n

\"\"<\/a><\/em><\/span><\/strong><\/p>\n

<\/em><\/p>\n

\u017deny na vintage fotografi\u00edch autor\u016f, jak anonymn\u00edch, tak zn\u00e1m\u00fdch:<\/em><\/p>\n

Franti\u0161ek Drtikol<\/strong><\/em><\/p>\n

Zdenko Feyfar<\/strong><\/em><\/p>\n

Eva Fuka<\/strong><\/em><\/p>\n

Jarom\u00edr Funke<\/strong><\/em><\/p>\n

Alexander Hammid<\/strong><\/em><\/p>\n

Hella Hammid<\/strong><\/em><\/p>\n

V\u00e1clav Chochola<\/strong><\/em><\/p>\n

Jan Lukas<\/strong><\/em><\/p>\n

Jaroslav R\u00f6ssler<\/strong><\/em><\/p>\n

Jan Svoboda<\/strong><\/em><\/p>\n

Miroslav Tich\u00fd<\/strong><\/em><\/p>\n

Stanislav T\u016fma<\/strong><\/em><\/p>\n

Josef V\u011btrovsk\u00fd<\/strong><\/em><\/p>\n

a dal\u0161\u00ed.<\/strong><\/em><\/p>\n


\n\u017deny st\u00e1ly p\u0159ed objektivem fotoapar\u00e1tu od chv\u00edle, kdy byla fotografie vynalezena, v naprost\u00e9 v\u011bt\u0161in\u011b p\u0159\u00edpad\u016f v\u0161ak za objektivem st\u00e1l mu\u017e a \u017eena p\u0159ed n\u00edm, jak ilustruje na\u0161e expozice v mal\u00e9m s\u00e1lu galerie \u2013 Feminine Vintage, kde najdeme \u017eenu na slavn\u00fdch fotografi\u00edch mistr\u016f, jak\u00fdmi byli Franti\u0161ek Drtikol, Jan Lukas, V\u00e1clav Chochola, Miroslav Tich\u00fd \u010di Stanislav T\u016fma.<\/p>\n

N\u00e1s v\u0161ak tentokr\u00e1t bude zaj\u00edmat p\u0159edev\u0161\u00edm to, jak to vypad\u00e1, kdy\u017e \u017eena figuruje p\u0159ed i za objektivem fotoapar\u00e1tu. Jak vid\u00ed sebe a \u017eeny bl\u00edzk\u00e9 i nezn\u00e1m\u00e9 \u017eeny fotografky?
\nSchv\u00e1ln\u011b jsem hledala p\u0159\u00edstupy form\u00e1ln\u011b i obsahov\u011b odli\u0161n\u00e9, abychom alespo\u0148 \u010d\u00e1ste\u010dn\u011b obs\u00e1hli \u0161irok\u00e9 spektrum pohled\u016f na v\u011bc. Nad slunce jasn\u00e9 je jedno \u2013 \u017een\u00e1m fotografk\u00e1m v\u011bt\u0161inou nekonvenuje idealizuj\u00edc\u00ed p\u0159\u00edstup mu\u017e\u016f \u2013 fotograf\u016f, kte\u0159\u00ed v \u017een\u011b hledaj\u00ed ide\u00e1ln\u00ed objekt pro sv\u00e9 touhy a p\u0159edstavy\u2026 U \u017een zar\u00e1\u017e\u00ed m\u00edra up\u0159\u00edmnosti, \u010dasto humoru, ironie, sebeironie, kde \u2013 tu hrani\u010d\u00edc\u00ed s drsn\u00fdm \u010dern\u00fdm humorem, jak je vid\u011bt nap\u0159. na \u010dernob\u00edl\u00fdch dokument\u00e1rn\u00edch fotografi\u00edch Dany Kyndrov\u00e9 z 80. a 90. let, \u010di Libu\u0161e Jarcovjakov\u00e9 z let 70 a 80t\u00fdch. Ta se v\u00fdstavy \u00fa\u010dastn\u00ed rovn\u011b\u017e instagramov\u00fdm cyklem zachycuj\u00edc\u00edm posledn\u00ed m\u011bs\u00edce \u017eivota jej\u00ed m\u00e1my, kter\u00fd autorce slou\u017eil i jako psychoterapeutick\u00e1 arterapie p\u0159i vyrovn\u00e1n\u00ed se se ztr\u00e1tou bl\u00edzk\u00e9ho \u010dlov\u011bka, s kter\u00fdm m\u011bla komplikovan\u00fd vztah. Mark\u00e9ta Luska\u010dov\u00e1 ve sv\u00e9m soust\u0159ed\u011bn\u00ed na napohled nevinn\u00fd sv\u011bt d\u011btstv\u00ed zachyt\u00e1v\u00e1 i to n\u011bco t\u00ed\u017eiv\u00e9ho, kter\u00e9 \u010dek\u00e1 a pl\u00ed\u017e\u00ed se pomalu do hol\u010di\u010d\u00edho sv\u011bta\u2026Michelle Adlerov\u00e1 zachyt\u00e1v\u00e1 odli\u0161n\u00e1 gesta \u017een a mu\u017e\u016f v dopravn\u00fdch prost\u0159edc\u00edch, stylizuje sebe do podoby mu\u017ee a \u017eeny. Podobn\u00fd princip najdeme rovn\u011b\u017e u Barbory B\u00e1lkov\u00e9, kter\u00e1 v sob\u011b a dal\u0161\u00edch portr\u00e9tovan\u00fdch \u017een\u00e1ch hled\u00e1 podobu jejich ide\u00e1ln\u00edho mu\u017esk\u00e9ho alter ega. Hled\u00e1n\u00ed r\u016fzn\u00fdch podob sv\u00e9ho j\u00e1 skrz hru s autoportr\u00e9ty vid\u00edme i ve videu Veroniky Bromov\u00e9. Autoportr\u00e9t po\u0159\u00edzen\u00fd scannerem a podobn\u011b sn\u00edman\u00e9 fragmenty \u017eensk\u00fdch intimn\u00edch atribut\u016f najdeme u prac\u00ed Nadii Rovderov\u00e9 a Jolany Havelkov\u00e9. Pop-artov\u00fd n\u00e1dech maj\u00ed fotografie v USA \u017eij\u00edc\u00ed finsk\u00e9 fotografky Minny Pyyhkalla. Fotografick\u00e9 zachycen\u00ed energi\u00ed jing a jang najdeme u Mayling Ho, v Pa\u0159\u00ed\u017ei \u017eij\u00edc\u00ed \u010d\u00ednsk\u00e9 fotografky, kter\u00e1 se mimo v\u00fdtvarn\u00e9 fotografie v\u011bnuje rovn\u011b\u017e \u010d\u00ednsk\u00e9 medic\u00edn\u011b a l\u00e9\u010den\u00ed za pomoc\u00ed prvk\u016f \u0161amanismu. Americk\u00e1 autorka Loli Kantor ve sv\u00e9m souboru Beyond the Forest zkoum\u00e1 p\u0159e\u017eiv\u0161\u00ed \u017eidovsk\u00e9 komunity ve v\u00fdchodn\u00ed Evrop\u011b. Jako dcera rodi\u010d\u016f p\u0159e\u017eiv\u0161\u00edch \u0161oa tak nach\u00e1z\u00ed vlastn\u00ed ko\u0159eny a s\u00edlu \u017een v komunit\u00e1ch s t\u011b\u017ek\u00fdm b\u0159emenem minulosti za z\u00e1dy. Zkoum\u00e1ni vlastn\u00ed identity skrze fotografii, najdeme rovn\u011b\u017e u Heleny Lukas v souboru Chyb\u00edm si \/Missing in action a u Blanky Chocholov\u00e9 a jejich ritu\u00e1ln\u00edch autoportr\u00e9tech. Magic Boxes od nejmlad\u0161\u00ed autorky, slovenky Petry \u00c1\u010dov\u00e9 zpracov\u00e1v\u00e1 multiumedi\u00e1ln\u00edm zp\u016fsobem jej\u00ed \u010derstv\u00fd z\u00e1\u017eitek mate\u0159stv\u00ed formou pr\u016fhled\u016f pup\u00edkem t\u011bhotn\u00e9ho b\u0159\u00ed\u0161ka do tajemn\u00e9ho prostoru za n\u00edm. Petra \u00c1\u010dov\u00e1 je studentkou z bratislavsk\u00e9ho ateli\u00e9ru V\u0160UP Miloty Havr\u00e1nkov\u00e9, ta je na v\u00fdstav\u011b zastoupena uk\u00e1zkou ze souboru O\u017eiven\u00ed \/ Revival z roku 1979 a rovn\u011b\u017e portr\u00e9tem babi\u010dky z 60. let ze souboru Prom\u011bny \/ Transformations. N\u011b\u017en\u00e9, ironick\u00e9 i poetick\u00e9 jsou t\u0159\u00eddimenzion\u00e1ln\u00ed fotografick\u00e9 objekty od Suzanne Pastor. Podobn\u00fd p\u0159\u00edstup ve sv\u00e9 tvorb\u011b zvolila i Eva Heyd, kter\u00e1 pracuje s fotografi\u00ed jak \u010dernob\u00edlou, tak barevnou a rovn\u011b\u017e vytv\u00e1\u0159\u00ed 3D objekty, do kter\u00fdch sv\u00e9 fotografie zasazuje. Cel\u00fd klub galerie je v\u011bnov\u00e1n fotografi\u00edm Terezy Z Davle a jej\u00edmu souboru akt\u016f z cyklu Grand Hotel, kter\u00e9 zachycuj\u00ed za\u0161lou kr\u00e1su secesn\u00edho hotelu Evropa na V\u00e1clavsk\u00e9m n\u00e1m\u011bst\u00ed v kombinaci s eroticky jisk\u0159\u00edc\u00ed kr\u00e1sou t\u011bl modelek. Bohu\u017eel galerie nen\u00ed dostate\u010dn\u011b velk\u00e1, abychom expozici roz\u0161\u00ed\u0159ili o dal\u0161\u00ed a dal\u0161\u00ed polohy \u017eensk\u00e9ho vn\u00edm\u00e1n\u00ed \u017eenstv\u00ed, douf\u00e1m v\u0161ak, \u017ee jako \u00favod k t\u00e9matu budou tyto uk\u00e1zky dosta\u010duj\u00edc\u00ed. P\u0159edstavuj\u00ed \u017eeny takov\u00e9, jak\u00e9 jsou, se sv\u00fdmi kr\u00e1sami i depresemi, s probl\u00e9my i radostmi, \u017eeny se schopnost\u00ed nadhledu a se smyslem pro humor\u2026 Ukazuj\u00ed \u017eenu silnou, kter\u00e1 si i v temn\u00fdch str\u00e1nk\u00e1ch obdob\u00edch dok\u00e1\u017ee naj\u00edt s\u00edlu j\u00edt d\u00e1l, jak symbolicky zn\u00e1zor\u0148uje sn\u00edmek \u017eeny po mastektomii nazvan\u00fd Bojovnice \/ The Warior od Helly Hammid z roku 1979.<\/strong><\/em><\/p>\n

<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

[…]<\/p>\n","protected":false},"author":3,"featured_media":3547,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"_links":{"self":[{"href":"https:\/\/www.artinbox.cz\/index.php?rest_route=\/wp\/v2\/posts\/3546"}],"collection":[{"href":"https:\/\/www.artinbox.cz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artinbox.cz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artinbox.cz\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artinbox.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3546"}],"version-history":[{"count":11,"href":"https:\/\/www.artinbox.cz\/index.php?rest_route=\/wp\/v2\/posts\/3546\/revisions"}],"predecessor-version":[{"id":3549,"href":"https:\/\/www.artinbox.cz\/index.php?rest_route=\/wp\/v2\/posts\/3546\/revisions\/3549"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artinbox.cz\/index.php?rest_route=\/wp\/v2\/media\/3547"}],"wp:attachment":[{"href":"https:\/\/www.artinbox.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3546"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artinbox.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3546"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artinbox.cz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3546"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}