pro kter\u00fd vytvo\u0159ila mj. report\u00e1\u017e z domova pro posti\u017een\u00e9 d\u011bti Rainbow House nebo z progresivn\u00ed \u0161koly New Lincoln. Sn\u00edmky vyjad\u0159uj\u00ed hlubok\u00e9 porozum\u011bn\u00ed sv\u011btu nejmen\u0161\u00edch a l\u00e1sku k nim. Hella Hammid je s \u010desk\u00fdm prost\u0159ed\u00edm spjat\u00e1 d\u00edky s\u0148atku s Alexandrem Hammidem.<\/span><\/span><\/strong><\/p>\nHella Hammid (roz. Heyman) pro\u017eila nelehk\u00fd, o to v\u0161ak zaj\u00edmav\u011bj\u0161\u00ed \u017eivot. Narodila se 15. 7.1921 do \u017eidovsk\u00e9 rodiny v\u00a0n\u011bmeck\u00e9m Frankfurtu n. Mohanem. S\u00edl\u00edc\u00ed nevra\u017eivost v\u016f\u010di \u017eidovsk\u00e9 men\u0161in\u011b p\u0159inutila rodinu prodat prosperuj\u00edc\u00ed podnik a p\u0159est\u011bhovat se do Francie, pozd\u011bji do Anglie. Kdy\u017e bylo Helle 16 let, rodina definitivn\u011b zakotvila v\u00a0U.S.A., v\u00a0Los Angeles. Hellina m\u00e1ma Lette Valeska se stala fotografkou hollywoodsk\u00fdch hv\u011bzd v\u00a0Los Angeles. (V\u00fdstavu Souhv\u011bzd\u00ed Hollywoodu – fotografie L. Valesky z\u00a0let 30. \u2013 60., bylo mo\u017en\u00e9 shl\u00e9dnout p\u0159ed dv\u011bma roky na v\u00fdstav\u011b v\u00a0Americk\u00e9m centru v\u00a0Praze, pot\u00e9 se v\u00fdstava p\u0159est\u011bhovala do galerie Louvre na N\u00e1rodn\u00ed t\u0159\u00edd\u011b v\u00a0Praze. Mezi fotografovan\u00fdmi byly portr\u00e9ty filmov\u00fdch hv\u011bzd jako: Gregory Peck, Ingrid Bergman, \u010di Elizabeth Taylor.) <\/span><\/p>\nZa\u010d\u00e1tkem 40. let se i Hella se stala fotoreport\u00e9rkou a fotografkou. Pracovala pro mnoh\u00e9 americk\u00e9 i jin\u00e9 zahrani\u010dn\u00ed magaz\u00edny (Life, Ebony, New York Times, atd.), publikovala d\u011btsk\u00e9 knihy\u2026 <\/span><\/span>V\u00a0roce 1948 se provdala za Alexandra Hammida, s\u00a0kter\u00fdm m\u011bli dceru Julii (*1950) a syna Tina (*1952). A. Hammid, p\u0159edn\u00ed meziv\u00e1le\u010dn\u00fd \u010deskoslovensk\u00fd avantgardn\u00ed fotograf a filma\u0159, se stal v\u00fdznamnou osobnost\u00ed americk\u00e9 filmov\u00e9 avantgardy a produkce, stejn\u011b jako jeho prvn\u00ed \u017eena Maya Deren. Hella s\u00a0Mayou spolupracovala na prvn\u00edch t\u0159ech filmech jako kameramanka, tak se tak\u00e9 sezn\u00e1mila s Hammidem. <\/span><\/span><\/span><\/p>\nVe sv\u00e9 fotografick\u00e9 profesi si Hella postupn\u011b vypracovala styl pln\u00fd exprese a empatie. A\u0165 u\u017e fotografovala ud\u00e1losti a prost\u0159ed\u00ed radostn\u00e9 a p\u0159\u00edjemn\u00e9 (svatby, porody, k\u0159ty, rodinn\u00fd \u017eivot, sv\u011bt d\u011bt\u00ed\u2026), nebo zachycovala stinn\u00e9 str\u00e1nky \u017eivota (sn\u00edmky z\u00a0\u017eensk\u00e9 v\u011bznice, z \u00fastavu pro posti\u017een\u00e9 d\u011bti\u2026), poka\u017ed\u00e9 u n\u00ed fascinuje hlubok\u00e1 radost ze \u017eivota a pochopen\u00ed pro v\u0161echny jeho str\u00e1nky \u2013 slunn\u00e9 i stinn\u00e9. Z\u00a0jej\u00edch fotografi\u00ed z\u00e1\u0159\u00ed lidskost a radost ze \u017eivota se v\u0161\u00edm, co p\u0159in\u00e1\u0161\u00ed. Netaj\u00ed se porozum\u011bn\u00edm pro jinakost \u2013 jinou barvu k\u016f\u017ee, jinou sexu\u00e1ln\u00ed orientaci, \u010di zdravotn\u00ed handicap. Vid\u00ed a zachycuje kr\u00e1su u posti\u017een\u00fdch d\u011bt\u00ed, kr\u00e1su \u017een po mastektomii prsu, i kr\u00e1su \u017een na sklonku \u017eivota. Jej\u00ed sn\u00edmky d\u00e1vaj\u00ed div\u00e1kovi nad\u011bji na porozum\u011bn\u00ed a p\u0159ijet\u00ed \u017eivota se v\u0161\u00edm, co p\u0159in\u00e1\u0161\u00ed. <\/span><\/p>\nFotografie Helly Hammid byly sou\u010d\u00e1st\u00ed dvou v\u00fdznamn\u00fdch fotografick\u00fdch v\u00fdstav: \u201eThe Family of Man\u201c (1955) \u00a0a \u201eThe Camera as Witness\u201c, na sv\u011btov\u00e9 v\u00fdstav\u011b Expo 67. Hella Hammid zem\u0159ela ve v\u011bku 71 let v Los Angeles na rakovinu prsu.<\/span><\/span><\/p>\n <\/span><\/span>Nadia Rovderov\u00e1, 2015<\/span><\/p>\n\n
FOTOGRAFKA \u017dEN A D\u011aT\u00cd<\/span><\/span><\/strong><\/p>\n Americk\u00e1 fotografka Hella Heyman se narodila roku 1921 ve Franfurktu nad Mohanem do rodiny, kter\u00e1 vlastnila chemickou tov\u00e1rnu. Jako patn\u00e1ctilet\u00e1 opustila se sv\u00fdmi rodi\u010di, matkou Lette Valeskou a otcem Ernestem, nacistick\u00e9 N\u011bmecko. \u017dila pak n\u011bkolik let ve Francii a Anglii, kde nav\u0161t\u011bvovala intern\u00e1tn\u00ed \u0161koly ne\u017e v roce 1937 odcestovala s rodinou d\u00e1le do USA. Po kr\u00e1tk\u00e9m pobytu na v\u00fdchodn\u00edm pob\u0159e\u017e\u00ed Spojen\u00fdch st\u00e1t\u016f se jej\u00ed rodi\u010de roze\u0161li a matka s Hellou odcestovaly do Los Angeles za n\u011bmeckou galeristkou Galkou Scheyer \u2013 v t\u00e9 dob\u011b ji\u017e uzn\u00e1vanou galeristkou zastupuj\u00edc\u00ed v USA um\u011bleckou skupinu Die Blaue Vier. Galka pomohla sv\u00e9 nejlep\u0161\u00ed p\u0159\u00edtelkyn\u00ed z\u00a0d\u011btstv\u00ed a jej\u00ed dce\u0159i Helle zajistit \u017eivobyt\u00ed a rozjet v Hollywoodu fotografickou kari\u00e9ru. Po studi\u00edch na Barnet College, kde Hella rozv\u00edjela sv\u016fj v\u00fdtvarn\u00fd talent , za\u010dala pracovat jako mat\u010dina foto asistentka a sekret\u00e1\u0159ka v\u00a0Gal\u010din\u011b galerii. Charismatick\u00e1 Galka sezn\u00e1mila Hellu s modern\u00edm um\u011bn\u00edm a jeho p\u0159edstaviteli. Tehdy za\u010dalo tak\u00e9 celo\u017eivotn\u00ed p\u0159\u00e1telstv\u00ed Helly s fotografy Edwardem Westonem a Imogen Cunningham. Obzvl\u00e1\u0161\u0165 tyto osobnosti ovlivnili jej\u00ed rozhodnut\u00ed v\u011bnovat se v\u00e1\u017en\u011b fotografii. Po kr\u00e1tk\u00fdch studi\u00edch na Black Moutain College v Severn\u00ed Karol\u00edn\u011b se Hella v\u00a0r. 1940 p\u0159est\u011bhovala do newyorsk\u00e9 Greenwich Village. Stala se avantgardn\u00ed fotografkou a kameramankou a pohybovala se v komunit\u011b um\u011blc\u016f jako Mark Rothko, Anais Nin,Henry Miller, Isamu Noguchi, Consuelo Conaga. Zde se p\u0159\u00e1telila tak\u00e9 s dvojic\u00ed filma\u0159\u016f Mayou Deren a Alexandrem Hammidem (Hackenschmiedem, filma\u0159em a fotografem \u010desk\u00e9ho p\u016fvodu ). Jako kameramanka s nimi spolupracovala na experiment\u00e1ln\u00edch filmech \u201cAt Land\u201d (1944) a \u201cRitual in Transfigured Time\u201d(1945). Tyto filmy jsou v dne\u0161n\u00ed dob\u011b pova\u017eov\u00e1ny za p\u0159edn\u00ed d\u00edla americk\u00e9 nez\u00e1visl\u00e9 kinematografie. V roce 1948 se Hella provdala za Alexandra Hammida a p\u0159est\u011bhovala se s n\u00edm do bytu na Central Park West. V roce 1950 se jim narodila dcera Julia a v roce 1952 syn Tino. I p\u0159i sv\u00fdch mate\u0159sk\u00fdch povinnostech se d\u00e1le v\u011bnovala fotografick\u00e9 tvorb\u011b. Jej\u00edm p\u0159edn\u00edm t\u00e9matem se stala dokument\u00e1rn\u00ed fotografie d\u011bt\u00ed. Byla d\u011btem dokonal\u00fdm partnerem, mohly j\u00ed d\u016fv\u011b\u0159ovat a uk\u00e1zat sv\u00e9 emoce. Ovlivn\u011bna report\u00e1\u017en\u00edm stylem fotoagentury Magnum vytvo\u0159ila v roce 1950 s\u00e9rii \u201c\u0158\u00edmsk\u00e9 d\u011bti\u201d. Sn\u00edmek z tohoto cyklu byl vystaven v roce 1955 na legend\u00e1rn\u00ed v\u00fdstav\u011b \u201cFamily of man\u201d. Ve fotografov\u00e1n\u00ed d\u011bt\u00ed pokra\u010dovala pro americk\u00fd obrazov\u00fd \u010dasopis Life, pro kter\u00fd vytvo\u0159ila nap\u0159\u00edklad report\u00e1\u017e z domova pro posti\u017een\u00e9 d\u011bti Rainbow House nebo z progresivn\u00ed \u0161koly New Lincoln. Sn\u00edmky ukazuj\u00ed jej\u00ed hlubok\u00e9 porozum\u011bn\u00ed sv\u011bta nejmen\u0161\u00edch a l\u00e1sku k nim.V letech 1960 \u2013 70 se z Helly Hammid stala \u00fasp\u011b\u0161n\u00e1 a respektovan\u00e1 newyorsk\u00e1 um\u011blkyn\u011b. Byla fotografkou zn\u00e1m\u00fdch manhattansk\u00fdch rodin, \u017e\u00e1danou fotografkou d\u011bt\u00ed a r\u016fzn\u00fdch ud\u00e1lost\u00ed, spolupracovala s v\u00fdznamn\u00fdmi obrazov\u00fdmi agenturami a \u010dasopisy (\u201cEbony magazine\u201d, \u201cThe New York Times\u201d, \u201cThe Los Angeles Times\u201d), pod\u00edlela se na mnoha obrazov\u00fdch publikac\u00edch (\u201cThe sensible book 1975,\u201dA teachers guide to dance for children\u201d, 1977\u2026) Jej\u00edm dal\u0161\u00edm objektem z\u00e1jmu se stal \u017eensk\u00fd sv\u011bt a jeho r\u016fzn\u00e1 t\u00e9mata: mate\u0159stv\u00ed, emancipace, nemoc a st\u00e1\u0159\u00ed. V\u011bnovala se tak\u00e9 portr\u00e9tn\u00ed fotografii osobnost\u00ed z oblasti um\u011bn\u00ed a v\u011bdy. Koncem 70. let se Hella odst\u011bhovala zp\u00e1tky do Los Angeles, kde st\u00e1le \u017eila a tvo\u0159ila jej\u00ed matka. Zde pokra\u010dovala ve fotografov\u00e1n\u00ed d\u011bt\u00ed a zam\u011b\u0159ila se i na v\u00fdtvarnou fotografii r\u016fzn\u00fdch objekt\u016f a sv\u011bteln\u00fdch n\u00e1lad. Vytvo\u0159ila nap\u0159\u00edklad zaj\u00edmav\u00fd cyklus deformovan\u00fdch plechovek \u201cMetamorf\u00f3zy\u201d(1979) a intimn\u00ed \u201cInteri\u00e9rov\u00e9 krajiny \u201c(1985). Tato nadan\u00e1 um\u011blkyn\u011b se krom\u011b fotografov\u00e1n\u00ed a pr\u00e1ce s filmovou kamerou tak\u00e9 intenz\u00edvn\u011b v\u011bnovala keramice a byla skv\u011blou kucha\u0159kou. Pro ucelen\u00fd obraz jej\u00ed osobnosti nem\u016f\u017eeme nezm\u00ednit, \u017ee byla kv\u016fli sv\u00fdm jasnovidn\u00fdm schopnostem p\u0159izv\u00e1na k n\u011bkolika experiment\u00e1ln\u00edm v\u011bdeck\u00fdm projekt\u016fm. Jej\u00ed aktivn\u00ed tv\u016fr\u010d\u00ed \u017eivot p\u0159eru\u0161ila na n\u011bkolik let t\u011b\u017ek\u00e1 nemoc. Hella Hammid zem\u0159ela obklopena p\u0159\u00e1teli a rodinou v roce 1992 ve sv\u00e9m dom\u011b v Los Angeles. Jako sv\u016fj epitaf p\u0159ipravila fotografick\u00fd portr\u00e9t desetilet\u00e9 d\u00edvky a recept na obl\u00edben\u00fd puding.<\/span><\/span><\/p>\nPetra Koskov\u00e1 Hammid, 2015<\/span> <\/span><\/p>\n <\/span><\/p>\npsychologick\u00fd pohled do tajemn\u00e9ho sv\u011bta \u017eenstv\u00ed<\/span><\/strong><\/div>\n","protected":false},"excerpt":{"rendered":" […]<\/p>\n","protected":false},"author":3,"featured_media":3421,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1,3,10],"tags":[],"_links":{"self":[{"href":"https:\/\/www.artinbox.cz\/index.php?rest_route=\/wp\/v2\/posts\/3420"}],"collection":[{"href":"https:\/\/www.artinbox.cz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artinbox.cz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artinbox.cz\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artinbox.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3420"}],"version-history":[{"count":35,"href":"https:\/\/www.artinbox.cz\/index.php?rest_route=\/wp\/v2\/posts\/3420\/revisions"}],"predecessor-version":[{"id":3964,"href":"https:\/\/www.artinbox.cz\/index.php?rest_route=\/wp\/v2\/posts\/3420\/revisions\/3964"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artinbox.cz\/index.php?rest_route=\/wp\/v2\/media\/3421"}],"wp:attachment":[{"href":"https:\/\/www.artinbox.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3420"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artinbox.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3420"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artinbox.cz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3420"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
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