{"id":3342,"date":"2015-10-08T08:56:46","date_gmt":"2015-10-08T08:56:46","guid":{"rendered":"http:\/\/www.artinbox.cz\/?p=3342"},"modified":"2018-02-23T22:27:00","modified_gmt":"2018-02-23T22:27:00","slug":"stanislav-tuma-jiny-pohled-a-different-view-9-10-17-11-2015","status":"publish","type":"post","link":"https:\/\/www.artinbox.cz\/?p=3342","title":{"rendered":"Stanislav T\u016fma"},"content":{"rendered":"

STANISLAV T\u016eMA: JIN\u00dd POHLED & PRAHA REVOLU\u010cN\u00cd a PRA\u017dSK\u00c9 FIGURKY A OSOBNOSTI (9.10. – 30.11.2015)<\/strong><\/p>\n

v\u00fdstava k nedo\u017eit\u00fdm 65. narozenin\u00e1m autora<\/strong><\/strong><\/p>\n


\n<\/strong><\/p>\n

Pozor \/ attention! <\/strong><\/p>\n

<\/strong><\/p>\n

!!POZOR! VZHLEDEM K NEUTUCHAJ\u00cdC\u00cdMU Z\u00c1JMU BUDE V\u00ddSTAVA PODRUH\u00c9 A NAPOSLED PRODLOU\u017dENA, A TO DO 30. 11. 2015!!<\/strong><\/p>\n

!! DUE TO THE UNCEASING INTEREST WILL BE THE EXHIBITION FOR THE SECOND AND LAST TIME PROLONGED TILL 30 NOVEMBER 2015!!<\/strong><\/p>\n

<\/strong><\/p>\n

Otev\u0159eno: st\u0159eda \u2013 sobota 14 \u2013 18h. \/ Open wed \u2013 sat: 2 \u2013 6 p.m.<\/strong><\/p>\n

Pond\u011bl\u00ed \/ Monday 30. 11. 2015 15 – 18 h.<\/strong><\/p>\n


\n<\/strong><\/p>\n

kur\u00e1torka: Nadia Rovderov\u00e1 ve spolupr\u00e1ci s Ji\u0159inou Borkovcovou – T\u016fmovou<\/p>\n

technick\u00e1 a produk\u010dn\u00ed spolupr\u00e1ce: Lucie \u010cern\u00e1, Anton\u00edn Vr\u0148\u00e1k, Dana Michlov\u00e1, Suzanne Pastor<\/p>\n

Ud\u00e1lost na Facebooku m\u016f\u017eete sledovat a \u00fa\u010dast potvrdit zde:\u00a0https:\/\/www.facebook.com\/events\/918082184906845\/<\/a><\/p>\n

Fotografie z p\u0159\u00edprav a vernis\u00e1\u017ee v\u00fdstavy jsou ke shl\u00e9dnut\u00e9 zde:\u00a0https:\/\/www.facebook.com\/media\/set\/?set=a.903694559703233.1073741872.100551130017584&type=3<\/a><\/p>\n

Karel Oujezdsk\u00fd a Nadia Rovderov\u00e1 v rozhovoru pro \u010cesk\u00fd rozhlas k poslechu zde od 9.25 minuty:\u00a0http:\/\/prehravac.rozhlas.cz\/audio\/3489504<\/a><\/p>\n

DERNISAGE<\/strong>: <\/em><\/strong>pond\u011bl\u00ed \/ monday<\/em><\/em>: 30 . 11. 2015, od 18 h.\u00a0\/ 6 p.m.<\/em><\/strong><\/p>\n

V mal\u00e9m s\u00e1lu galerie Artinbox je k vid\u011bn\u00ed dal\u0161\u00ed z mnoha poklad\u016f, kter\u00e9 vyd\u00e1v\u00e1 archiv Stanislava T\u016fmy: PRAHA REVOLU\u010cN\u00cd a PRA\u017dSK\u00c9 FIGURKY A OSOBNOSTI.<\/strong><\/p>\n

Ta zde bude k vid\u011bn\u00ed do 25. listopadu 2015.<\/p>\n

Pot\u00e9 ji vyst\u0159\u00edd\u00e1 v\u00fdstava JAN \u0160VANKMAJER: DREAM ON! ( objekty, kol\u00e1\u017ee, grafiky a kresby)<\/span><\/strong> – v\u00fdstava k 5. v\u00fdro\u010d\u00ed zalo\u017een\u00ed Artinbox Gallery. V\u00fdstavou kol\u00e1\u017e\u00ed J. \u0160vankmajera P\u0159e\u017e\u00edt sv\u016fj \u017eivot jsme 30. 11. 2010 provoz galerie zahajovali.<\/p>\n

Z\u00e1rove\u0148 zveme do ARS Pragensis, Malostransk\u00e9 n\u00e1m\u011bst\u00ed 27, kde je k vid\u011bn\u00ed dal\u0161\u00ed dvac\u00edtka fotografi\u00ed z cyklu Malostransk\u00fdch figurek a osobnost\u00ed.<\/p>\n

\"\"<\/a><\/p>\n

Foto: Stanislav T\u016fma: Ps\u00ed voj\u00e1ci v roce 1983\/4. Krom\u011b z\u00e1kladu Topol, Hazuka, Sk\u00e1la, byli \u010dleny je\u0161t\u011b Pavel Cig\u00e1nek (housle) a Jaroslav Fensterer (kytara).<\/em><\/p>\n

…..<\/p>\n

V z\u00e1\u0159\u00ed 2015 uplynulo deset let od p\u0159ed\u010dasn\u00e9 smrti zn\u00e1m\u00e9ho \u010desk\u00e9ho fotografa Stanislava T\u016fmy (1950 – 2005), jeho rozs\u00e1hl\u00fd archiv v\u0161ak z\u016fstal a odhaluje mnoh\u00e9 zn\u00e1m\u00e9 i nezn\u00e1m\u00e9 polohy citliv\u00e9ho pozorovatele sv\u011bta kolem. V\u00fdstava „JIN\u00dd POHLED“ mapuje dosud m\u00e1lo zn\u00e1mou polohu tvorby Stanislava T\u016fmy – z\u00e1ti\u0161\u00ed m\u011bsta, z\u00e1kout\u00ed interi\u00e9r\u016f i exteri\u00e9r\u016f, stejn\u011b tak z\u00e1ti\u0161\u00ed t\u011bla, citliv\u011b minimalisticky komponovan\u00e9, svou tichou filosofi\u00ed bl\u00edzk\u00e9 filosofii klasik\u016f \u010desk\u00e9 fotografie, kter\u00fdch si T\u016fma v\u00e1\u017eil a sna\u017eil se sp\u00ed\u0161 nav\u00e1zat na jejich odkaz, ne\u017e se v\u016f\u010di nim vyhra\u0148ovat.<\/p>\n

Ve spolupr\u00e1ci s nakladatelstv\u00edm KANT k v\u00fdstav\u011b p\u0159ipravujeme stejnojmenn\u00fd katalog, kter\u00fd bude uveden v pr\u016fb\u011bhu v\u00fdstavy.<\/p>\n

V\u00fdstavu podpo\u0159ili \/ exhibition was supported by: \u00a0M\u011bstsk\u00e1 \u010d\u00e1st Praha 1, St\u00e1tn\u00ed fond kultury.<\/p>\n

ENGL:……………………………………………………………………<\/p>\n

STANISLAV TUMA – A DIFFERENT VIEW
\n(9 October – 30 November 2015)<\/p>\n

This exhibition marks what would have been the 65th birthday of the author.<\/p>\n

The exhibition complements the exhibition of photographs by Stanislav Tuma\u2019s sons, Ji\u0159\u00ed Makovec and Stanislav Tuma, Jr.<\/p>\n

Curator: Nadia Rovderova in collaboration with Jirina Borkovcova-Tumova<\/p>\n

September 2015 has marked ten years since the untimely death of the famous Czech photographer Stanislav Tuma (1950-2005), whose extensive archive has remained, revealing many known and unknown positions of this sensitve observer of the world around him. The exhibition \u201cA Different View presents a multitude of lesser known works created by Stanisav Tuma – urban still-lifes, corners encountered in interior and exterior spaces, as well as minimalist body still-lifes, sensitively composed – their quiet philosophy close to the that of the classics of Czech photography, whom Tuma respected, and sought to build upon rather than to oppose.<\/p>\n

In cooperation with Kant publishing house a catalogue is in preparation, to be presented during the exhibition.<\/p>\n

\"\"<\/a><\/p>\n

O Stanislavu T\u016fmovi pro aktu\u00e1ln\u00ed Revue Art:<\/em><\/span><\/p>\n

Fotograf Stanislav T\u016fma: <\/span><\/strong>Svobodn\u00fd duch v\u00a0nesvobodn\u00e9 dob\u011b<\/span><\/span><\/p>\n

<\/span><\/strong><\/p>\n

Deset let uplynulo v z\u00e1\u0159\u00ed 2015 od smrti zn\u00e1m\u00e9ho \u010desk\u00e9ho fotografa Stanislava T\u016fmy. Byl to jeden z\u00a0m\u00e1la t\u011bch, kte\u0159\u00ed na z\u00e1klad\u011b vynal\u00e9zavosti, odvahy a notn\u00e9 d\u00e1vky \u0161t\u011bst\u00ed dok\u00e1zali obej\u00edt i obstrukce komunistick\u00e9ho re\u017eimu a pro\u017e\u00edt \u017eivot relativn\u011b svobodn\u011b v\u00a0dob\u011b, kter\u00e1 tomu ani trochu nep\u0159\u00e1la. Stanislavu T\u016fmovi bylo 39 let, kdy\u017e padla \u017eelezn\u00e1 opona – ve svobodn\u00e9 dob\u011b v\u0161ak nakonec pro\u017eil jen patn\u00e1ct let \u017eivota. Zradilo ho t\u011blo. Nemoc, kter\u00e1 byla rodinnou z\u00e1t\u011b\u017e\u00ed, zp\u016fsobila, \u017ee mnoh\u00e9 pl\u00e1ny u\u017e nestihl uskute\u010dnit, jeho rozs\u00e1hl\u00fd archiv v\u0161ak z\u016fstal a odhaluje mnoh\u00e9 zn\u00e1m\u00e9 i nezn\u00e1m\u00e9 polohy citliv\u00e9ho pozorovatele sv\u011bta kolem.<\/strong><\/p>\n

<\/strong><\/p>\n

Cel\u00fd \u017eivot se Stanislavu T\u016fmovi pomoc\u00ed umu, talentu, komunikativnosti, charismatu a \u017eelezn\u00fdch nerv\u016f da\u0159ilo p\u0159ekra\u010dovat hranice zd\u00e1nliv\u011b nep\u0159ekonateln\u00e9. Neexistovala bari\u00e9ra, kter\u00e1 by zastavila jeho svobodn\u00e9ho ducha. Odkud se v\u00a0mlad\u00e9m mu\u017ei vzala tahle umanutost?<\/p>\n

Slo\u017eit\u00e9 p\u0159ekra\u010dov\u00e1n\u00ed hranic<\/strong> prov\u00e1zelo Stanislava T\u016fmu u\u017e od \u00fapln\u011b prvn\u00edch vte\u0159in jeho pozemsk\u00e9ho byt\u00ed. Narodil se p\u011bt let od konce 2. sv\u011btov\u00e9 v\u00e1lky jako druh\u00e9 d\u00edt\u011b v\u00a0rodin\u011b jiho\u010desk\u00e9ho \u0161\u00e9fkucha\u0159e Stanislava T\u016fmy a Arno\u0161tky, dcery slavn\u00e9 um\u011bleck\u00e9 cirkusov\u00e9 rodiny Berousk\u016f. Rodina se v\u00a0roce 1950 rozhodla v\u00a0o\u010dek\u00e1v\u00e1n\u00ed dal\u0161\u00edho potomka vyu\u017e\u00edt p\u0159\u00edle\u017eitosti a s\u00a0dal\u0161\u00edmi odv\u00e1\u017elivci ut\u00e9ct v\u00a0mal\u00e9m n\u00e1kla\u010f\u00e1\u010dku p\u0159es hranice do N\u011bmecka. V\u00a0Chebu v\u0161ak Arno\u0161tka za\u010dala rodit. Cesta za svobodou tud\u00ed\u017e pro n\u011b skon\u010dila a Cheb se tak stal rodi\u0161t\u011bm budouc\u00edho fotografa Stanislava T\u016fmy. Uk\u00e1zalo se, \u017ee \u0161t\u011bst\u00ed, kter\u00e9 ho po v\u011bt\u0161inu \u017eivota prov\u00e1zelo, m\u011blo prsty i v\u00a0t\u011bchto ud\u00e1lostech. Ostatn\u00ed \u010dlenov\u00e9 pos\u00e1dky n\u00e1kla\u010f\u00e1\u010dku byli na hranic\u00edch zastaveni a skon\u010dili ve v\u011bzen\u00ed. Rodina se vr\u00e1tila do vesni\u010dky Bedn\u00e1\u0159e\u010dek u Jind\u0159ichova Hradce. Kdy\u017e bylo mal\u00e9mu Standovi 9 let, um\u0159el mu otec na rakovinu v\u00a0mlad\u00e9m v\u011bku 39 let. Nedlouho na to se rodina p\u0159est\u011bhovala do Prahy.<\/p>\n

Stanislava od mala l\u00e1kalo fotografov\u00e1n\u00ed<\/strong> a tou\u017eil fotografii studovat. P\u0159\u00edsn\u00e1 maminka v\u0161ak trvala na poctiv\u011bj\u0161\u00ed profesi, syn m\u011bl pokra\u010dovat v\u00a0otcov\u00fdch \u0161l\u00e9p\u011bj\u00edch a vyu\u010dit se v\u00a0pohostinstv\u00ed. Na hotelov\u00e9 \u0161kole v\u0161ak vydr\u017eel sotva dva roky. P\u0159itahov\u00e1n boh\u00e9msk\u00fdm sv\u011btem se rozhodl j\u00edt vlastn\u00ed cestou. Odst\u011bhoval se od m\u00e1my a za\u010dal se \u017eivit jako disk\u017eokej, z\u00e1rove\u0148 fotografoval prost\u0159ed\u00ed tehdej\u0161\u00ed \u010deskoslovensk\u00e9 hudebn\u00ed sc\u00e9ny.<\/p>\n

Kdy\u017e bylo Stanislavovi 25 let, povedlo se mu vym\u011bnit byt 1. kategorie ve Stra\u0161nic\u00edch za byt 4. kategorie v\u00a0malostransk\u00e9 barokn\u00ed vile se zahradou, kterou rodina Lobkowitz\u016f postavila na \u00fapat\u00ed Pet\u0159\u00edna pro svou problematickou p\u0159\u00edbuznou.\u00a0Mal\u00e1 Strana se mu stala osudem.<\/strong> Pro mlad\u00e9ho romantika to byl r\u00e1j\u2026\u00a0 V\u00a0t\u00e9 dob\u011b se zde sch\u00e1zela boh\u00e9ma, sezn\u00e1mil se s\u00a0\u0159adou podobn\u011b sm\u00fd\u0161lej\u00edc\u00edch mlad\u00fdch lid\u00ed, um\u011blc\u016f, student\u016f i malostransk\u00fdch patriot\u016f\u2026 V\u00a0druh\u00e9 polovin\u011b\u00a060. let se v Praze p\u0159\u00e1telil se studenty ze Skandin\u00e1vie, kte\u0159\u00ed tu studovali tehdy skv\u011ble vedenou a za hranicemi uzn\u00e1vanou FAMU. Sezn\u00e1mil se zde i s\u00a0mladou \u0160v\u00e9dkou Annou. Form\u00e1ln\u00ed s\u0148atek s\u00a0n\u00ed se mu pak na p\u0159elomu 70. a 80. let stal kl\u00ed\u010dem ke svobodn\u00e9mu sv\u011btu za hranicemi.<\/p>\n

Mimo fotografie a hudby ho za\u010dal l\u00e1kat i film. V\u00a0roce 1970 se mu povedlo slo\u017eit zkou\u0161ky na presti\u017en\u00ed lond\u00fdnskou soukromou filmovou \u0161kolu. Na studia v\u0161ak nakonec nesehnal pen\u00edze.<\/p>\n

V\u00a0roce 1981 se ofici\u00e1ln\u011b vyst\u011bhoval do \u0160v\u00e9dska<\/strong> a pozd\u011bji p\u0159echodn\u011b do Amsterdamu. Zde se mimo jin\u00e9 d\u00e1l v\u011bnoval sv\u00e9 fotografick\u00e9 v\u00e1\u0161ni, nejinak tomu bylo i v D\u00e1nsku, v Anglii a v\u0161ude jinde, kam ho zanesly toulav\u00e9 boty. V\u00a080. letech procestoval cel\u00e9 Spojen\u00e9 st\u00e1ty, pot\u00e9 str\u00e1vil p\u016fl roku v\u00a0Africe. St\u0159\u00eddal r\u016fzn\u00e9 p\u0159\u00edle\u017eitostn\u00e9 profese a po\u0159\u00e1d fotografoval. M\u011bl ambici za\u010d\u00edt se svou volnou fotografickou tvorbou \u017eivit a tato nelehk\u00e1 meta se mu za\u010dala postupn\u011b napl\u0148ovat. Da\u0159ilo se mu. Vystavoval v\u00a0evropsk\u00fdch muze\u00edch a galeri\u00edch (Canon Photo Gallery v\u00a0Amsterodamu 1981, Kunstindustrimuseum v\u00a0Kodani 1983, NY Carlsberg Glypotek v\u00a0Kodani 1984, Henie-Onstad Kunstsentret v\u00a0Oslu 1984). Publikoval v\u00a0evropsk\u00fdch fotografick\u00fdch \u010dasopisech. V\u00a0roce 1982 z\u00edskal ve Stockholmu \u201eKulturn\u00ed cenu\u201c St\u00e1tn\u00ed kulturn\u00ed rady \u0160v\u00e9dska. V\u00a0Holandsku vy\u0161la jeho prvn\u00ed fotografick\u00e1 kniha \u201eWomen\u201c s\u00a0b\u00e1sn\u011bmi Jaroslava Seiferta. O jeho fotografie za\u010dali projevovat z\u00e1jem sb\u011bratel\u00e9.<\/p>\n

Jako \u201edevizov\u00fd tuzemec\u201c m\u011bl v\u00a0t\u00e9 dob\u011b vz\u00e1cnou mo\u017enost \u017e\u00edt v\u00a0zahrani\u010d\u00ed a z\u00e1rove\u0148 se mohl vracet dom\u016f do Prahy, na Malou Stranu. Ta ho neust\u00e1le l\u00e1kala a inspirovala. Stala se jakousi jeho \u201en\u00e1lepkou\u201c, kter\u00e1 dodnes jakoby p\u0159ekr\u00fdvala v\u00fdznam a hodnotu jeho dal\u0161\u00edch, nem\u00e9n\u011b zaj\u00edmav\u00fdch fotografick\u00fdch cykl\u016f:\u00a0 Z\u00e1ti\u0161\u00ed, Akty, Portr\u00e9ty…<\/p>\n

Vedle vlastn\u00edch autorsk\u00fdch v\u00fdstav Stanislav T\u016fma dlouh\u00e1 l\u00e9ta organizoval skupinov\u00e9 v\u00fdstavy fotograf\u016f a v\u00fdtvarn\u00edk\u016f v\u00a0\u010cech\u00e1ch i v\u00a0zahrani\u010d\u00ed a sv\u00e9 kontakty venku pou\u017e\u00edval i k\u00a0tomu, aby pom\u00e1hal sv\u00fdm koleg\u016fm a kamar\u00e1d\u016fm v\u00a0Praze.\u00a0 Kr\u00e1lovsk\u00e1 knihovna v\u00a0Kodani tak t\u0159eba d\u00edky jeho sna\u017een\u00ed dodnes vlastn\u00ed kolekci origin\u00e1ln\u00edch fotografi\u00ed Jana Svobody, kter\u00e9mu prost\u0159edky takto z\u00edskan\u00e9 byly velkou pomoc\u00ed pot\u00e9, co opustil st\u00e1l\u00e9 placen\u00e9 m\u00edsto fotografa v\u00a0Um\u011bleckopr\u016fmyslov\u00e9m muzeu a dal se na dr\u00e1hu voln\u00e9 tvorby.<\/p>\n

Koncem 70. let se zhor\u0161oval zdravotn\u00ed stav Stanislavovy matky. Podobn\u011b jako n\u011bkte\u0159\u00ed dal\u0161\u00ed p\u0159\u00edbuzn\u00ed ze slavn\u00e9ho rodu Berousk\u016f trp\u011bla vrozenou polycyst\u00f3zou ledvin. To bylimpulz k\u00a0postupn\u00fdm n\u00e1vrat\u016fm z\u00a0ciziny do Prahy<\/strong>. Dal\u0161\u00edm impulzem bylo sezn\u00e1men\u00ed s\u00a0Ji\u0159inou Borkovcovou v\u00a0roce 1980, se\u00a0kterou se v\u00a0roce 1985 vzali a 17.11.1988 se jim narodil syn Stanislav T\u016fma nejmlad\u0161\u00ed. P\u0159esn\u011b rok nato p\u0159i\u0161la revoluce a ta byla posledn\u00edm impulzem k\u00a0trval\u00e9mu a definitivn\u00edmu n\u00e1vratu Stanislava T\u016fmy do Prahy na ja\u0159e 1990.<\/p>\n

S\u00a0vervou se pustil do organizace v\u00fdstav a vyd\u00e1v\u00e1n\u00ed fotografick\u00fdch knih. Prvn\u00ed velk\u00e1 souhrnn\u00e1 v\u00fdstava v\u00a0\u010cesk\u00e9 republice se konala ve v\u00fdstavn\u00ed s\u00edni M\u00e1nes na ja\u0159e 1994.\u00a0 Kniha \u201eSuburbium Pragense\u201c byla ocen\u011bn\u00e1 jako \u201eFotografick\u00e1 publikace roku 1997\u201c. Kniha \u201ePrager Motive\u201c z\u00edskala ocen\u011bn\u00ed \u201eNejlep\u0161\u00ed fotografick\u00e1 publikace s\u00a0textem\u201c za rok 2004. Posledn\u00ed d\u016fle\u017eit\u00e9 v\u00fdstavy T\u016fmov\u00fdch prac\u00ed prob\u011bhly v\u00a0roce 2000 v\u00a0r\u00e1mci projektu \u201ePraha evropsk\u00e9 m\u011bsto kultury\u201c na Starom\u011bstsk\u00e9 radnici v\u00a0K\u0159\u00ed\u017eov\u00e9 chodb\u011b a Ryt\u00ed\u0159sk\u00e9m s\u00e1le. T\u016fmovy fotografie vystavovalo Ministerstvo zahrani\u010dn\u00edch v\u011bc\u00ed \u010cR prost\u0159ednictv\u00edm \u010cesk\u00fdch center po Evrop\u011b (Stockholm, Berl\u00edn, Budape\u0161\u0165, Moskva, Var\u0161ava, Sofie), a v Kuala Lumpur.<\/p>\n

Stanislav T\u016fma se hodn\u011b a r\u00e1d anga\u017eoval ve\u00a0spole\u010densk\u00e9m \u017eivot\u011b v\u00a0r\u00e1mci malostransk\u00fdch spolk\u016f. Mal\u00e1 Strana v\u0161ak za\u010dala p\u0159\u00edlivem turist\u016f rychle m\u011bnit sv\u016fj charakter, kter\u00fd se T\u016fmovi povedlo tak bravurn\u011b zachytit v\u00a0\u010dernob\u00edl\u00fdch sn\u00edmc\u00edch pln\u00fdch st\u00edn\u016f a nostalgie. Josef Topol to v\u00fdsti\u017en\u011b popsal v\u00a0\u00favodn\u00edm textu k\u00a0T\u016fmov\u011b monografii Pra\u017esk\u00e9 podhrad\u00ed z\u00a0r. 2003:\u00a0\u00a0\u201eJeho (T\u016fmovy) fotografie jsou pob\u00eddkou k\u00a0zastaven\u00ed, zamy\u0161len\u00ed, pohrou\u017een\u00ed, n\u011bkdy a\u017e stroh\u00e9, pln\u00e9 ticha, vhodn\u00e9 pro osam\u011bl\u00e9 chodce, kter\u00fdmi jsme kdysi b\u00fdvali, kdy i sv\u011bt Mal\u00e9 Strany byl jinak uspo\u0159\u00e1dan\u00fd, p\u0159ehledn\u011bj\u0161\u00ed, snad i laskav\u011bj\u0161\u00ed a vl\u00eddn\u011bj\u0161\u00ed\u2026\u201c<\/em><\/p>\n

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Snad i to byl d\u016fvod, pro\u010d s rodinou za\u010dal tr\u00e1vit nem\u00e1lo \u010dasu i na chalup\u011b v\u00a0Dalek\u00fdch Du\u0161n\u00edk\u00e1ch u P\u0159\u00edbrami. Z\u00e1rove\u0148 zintenziv\u0148oval pr\u00e1ci na dal\u0161\u00edch fotografick\u00fdch publikac\u00edch. U nakladatelstv\u00ed Kant vydal v\u00a0roce 2003 publikace: Pra\u017esk\u00e9 podhrad\u00ed, Malostransk\u00e9 hospody, Lampades Pragae Magicae, v\u00a0r. 2004 soubor Akty, rok na to v\u00fdb\u011br malostransk\u00fdch t\u00e9mat pod n\u00e1zvem Lidsk\u00e1 krajina. Pl\u00e1novan\u00e9 vyd\u00e1n\u00ed souboru Z\u00e1ti\u0161\u00ed u\u017e se neuskute\u010dnilo.<\/p>\n

V\u00a0roce 2004 se man\u017eel\u00e9 T\u016fmovi za\u0159adili do programu \u201eL\u00e1ska proch\u00e1z\u00ed ledvinou\u201c. Stanislav stejn\u011b jako jeho m\u00e1ma a dal\u0161\u00ed p\u0159\u00edbuzn\u00ed trp\u011bl polycyst\u00f3zou ledvin. Rok na to m\u011bla za\u010d\u00edt s\u00e9rie vy\u0161et\u0159en\u00ed a n\u00e1sledn\u00e1 transplantace ledviny darovan\u00e9 man\u017eelkou. L\u00e9to 2005 bylo ve znamen\u00ed p\u0159\u00edprav v\u00fdstavy fotografi\u00ed Stanislava T\u016fmy v\u00a0Berl\u00edn\u011b. V\u00fdstava u\u017e byla odeslan\u00e1, autor m\u011bl jet za n\u00ed, aby byl u instalace a vernis\u00e1\u017ee. N\u00e1hl\u00fd z\u00e1chvat nemoci v\u0161ak zhatil v\u0161echny pl\u00e1ny. Vernis\u00e1\u017ee berl\u00ednsk\u00e9 v\u00fdstavy ani transplantace ledviny se u\u017e Stanislav T\u016fma nedo\u017eil.\u00a0Zem\u0159el dva m\u011bs\u00edce po sv\u00fdch 55. narozenin\u00e1ch.<\/strong><\/p>\n

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V\u00a0r. 2006 jeho soubor \u201ePra\u017esk\u00e9 fragmenty\u201c vystavilo\u00a0Muzeum hlavn\u00edho m\u011bsta Prahy. V\u00a0roce 2010 se konala v\u00a0Ryt\u00ed\u0159sk\u00e9m s\u00e1le a k\u0159\u00ed\u017eov\u00e9 chodb\u011b Starom\u011bstsk\u00e9 radnice v\u00a0Praze v\u00fdstava k\u00a0nedo\u017eit\u00fdm 60. narozenin\u00e1m a p\u00e1t\u00e9mu v\u00fdro\u010d\u00ed autorovy smrti p\u0159\u00edzna\u010dn\u011b nazvan\u00e1 \u201eVe st\u00ednu\u201c. N\u00e1zev m\u011bl jednak p\u0159ipom\u00ednat symbolickou \u00falohu \u010dasto zachycovan\u00e9ho st\u00ednu ve fotografi\u00edch Stanislava T\u016fmy, ale tak\u00e9 nazna\u010doval, \u017ee autorovi se v\u00a0jeho rodn\u00e9 zemi st\u00e1le nedostalo pln\u00e9ho uzn\u00e1n\u00ed, st\u00e1le \u201enevystoupil ze st\u00ednu\u201c.<\/p>\n

V\u00a0l\u00e9t\u011b 2015 byly T\u016fmovy fotografie za\u0159azeny do fotografick\u00e9ho projektu Czech Fundamental (1920 \u2013 1999), kter\u00fd p\u0159edstavil \u010deskou fotografii od slavn\u00fdch za\u010d\u00e1tk\u016f avantgardy a\u017e po posledn\u00ed \u010dist\u011b analogovou tvorbu autor\u016f konce minul\u00e9ho stolet\u00ed. V\u00fdstavu v\u00a0Museo di Roma Trastevere v\u00a0\u0158\u00edme rovn\u011b\u017e prov\u00e1zel \u010dernob\u00edl\u00fd film d\u00e1nsk\u00e9ho studenta Hanse Kragha-Jacobsena o osmn\u00e1ctilet\u00e9m Stanislavu T\u016fmovi, kter\u00fd v\u00a0r. 1968 nato\u010dil jako\u00a0<\/a><\/p>\n

K\u00a0nedo\u017eit\u00fdm 65. narozenin\u00e1m a k\u00a010. v\u00fdro\u010d\u00ed \u00famrt\u00ed p\u0159ipravila pra\u017esk\u00e1 galerie Artinbox v\u00fdstavu Jin\u00fd pohled, kter\u00e1 mapuje dosud m\u00e1lo zn\u00e1mou polohu tvorby Stanislava T\u016fmy –\u00a0 z\u00e1ti\u0161\u00ed m\u011bsta, z\u00e1kout\u00ed interi\u00e9r\u016f i exteri\u00e9r\u016f, stejn\u011b tak z\u00e1ti\u0161\u00ed t\u011bla, citliv\u011b minimalisticky komponovan\u00e9, svou tichou filosofi\u00ed bl\u00edzk\u00e9 filosofii klasik\u016f \u010desk\u00e9 fotografie, kter\u00fdch si T\u016fma v\u00e1\u017eil a sna\u017eil se sp\u00ed\u0161 nav\u00e1zat na jejich odkaz, ne\u017e se v\u016f\u010di nim vyhra\u0148ovat.<\/p>\n

Jak napsal v\u00a0roce 1996 Reinhold Misselbeck, \u0159editel fotografick\u00e9 sb\u00edrky Muzea Ludwig v\u00a0Kol\u00edn\u011b n. R\u00fdnem:\u00a0\u00a0\u201e(T\u016fma) m\u00e1 m\u00edsto v\u00a0tradici \u010desk\u00e9 fotografie a nezap\u00edr\u00e1 to. Pt\u00e1 se, pro\u010d by nemohl d\u00e1le sledovat ur\u010dit\u00fd tradovan\u00fd n\u00e1zor na v\u011bci? Mnoho experiment\u00e1ln\u00edch nov\u00fdch sm\u011br\u016f podle jeho m\u00edn\u011bn\u00ed vzbuzuje nakonec z\u00e1jem pouze jako novinka a nen\u00ed br\u00e1no skute\u010dn\u011b v\u00e1\u017en\u011b. \u2026 Je to sv\u011btlo, co p\u016fsob\u00ed z\u00e1zraky, co v\u011bci a lidi okouzluje a udivuje. Vytv\u00e1\u0159\u00ed st\u00ednov\u00e9 vzorky a tkaniva, plochy a hloubky, modeluje a vymaz\u00e1v\u00e1. (\u2026) Zde je prostor pro z\u00e1zraky a fantazii. (\u2026) Tento sv\u011bt je z\u00e1rove\u0148 sv\u011btem ticha, citliv\u00fdm sv\u011btem, kter\u00fd se mus\u00ed chr\u00e1nit p\u0159ed skute\u010dnost\u00ed, aby p\u0159e\u017eil. Je poezi\u00ed a jako takov\u00fd je zraniteln\u00fd.\u201c<\/em><\/p>\n

Tento popis T\u016fmovy tvorby jako by byl v\u00a0n\u011b\u010dem i popisem autora samotn\u00e9ho. Na venek \u010dlov\u011bk komunikativn\u00ed, charismatick\u00fd, \u017eiv\u00fd\u2026 uvnit\u0159 citliv\u00fd a zraniteln\u00fd, mo\u017en\u00e1 v\u00edc, ne\u017e si s\u00e1m byl ochoten p\u0159ipustit. Dokonal\u00e1 kombinace pro mistra fotografick\u00e9ho sv\u011btla a st\u00edn\u016f.<\/p>\n

Nadia Rovderov\u00e1, srpen 2015<\/p>\n","protected":false},"excerpt":{"rendered":"

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