{"id":3022,"date":"2014-09-15T16:10:25","date_gmt":"2014-09-15T16:10:25","guid":{"rendered":"http:\/\/www.artinbox.cz\/?p=3022"},"modified":"2014-09-18T19:33:01","modified_gmt":"2014-09-18T19:33:01","slug":"3022","status":"publish","type":"post","link":"https:\/\/www.artinbox.cz\/?p=3022","title":{"rendered":"PEACE PLEASE! (19.9.. -. 14. 10. 2014) 9. t\u00e9matick\u00e1 v\u00fdstava \/ 9th theme exhibition."},"content":{"rendered":"

„PEACE, PLEASE!“<\/span>
(19.9. -. 14. 10. 2014)<\/span>
9. t\u00e9matick\u00e1 v\u00fdstava \/ 9th theme exhibition. <\/span><\/strong><\/h3>\n

<\/span>\"\"<\/a>

<\/strong>Skrz d\u00edla n\u011bkolika des\u00edtek autor\u016f reagujeme na d\u00e1vn\u00e9 i ned\u00e1vn\u00e9 ud\u00e1losti ve sv\u011bt\u011b i u n\u00e1s a p\u00e1tr\u00e1me po (ne)smyslu konflikt\u016f a jejich za\u017eehn\u00e1n\u00ed. <\/span>
Through the artworks of a couple of dozens artist, we react to the past and recent events and we strive to find (non)sense in the conflicts, <\/span>
seeking resolutions.<\/span><\/h3>\n
Vernis\u00e1\u017e \/ opening: p\u00e1tek \/ friday 19. 9. 2014, 18 h. \/ 6 p.m.<\/div>\n
Ud\u00e1lost na facebooku m\u016f\u017eete sledovat a \u00fa\u010dast potvrdit zde: https:\/\/www.facebook.com\/events\/369775649845126\/<\/div>\n
Fotografie z mal\u00e9 \u201eochutn\u00e1vky\u201c na\u0161\u00ed v\u00fdstavy, jen\u017e se konala v r\u00e1mci Art Prague 2014, jsou vid\u011bn\u00ed zde:<\/div>\n
https:\/\/www.facebook.com\/media\/set\/?set=a.610280379044654.1073741844.100551130017584&type=1<\/div>\n
\n
Kur\u00e1torka:<\/strong><\/div>\n
Nadia Rovderov\u00e1<\/div>\n
Auto\u0159i \/ Authors:<\/strong><\/div>\n
Alena Anderlov\u00e1<\/div>\n
David Cajthaml<\/div>\n
Veronika Drahotov\u00e1<\/div>\n
Dragan Dragin<\/div>\n
Peter Drml\u00edk<\/div>\n
Jan Gemrot<\/div>\n
Biljana Golubovi\u010d<\/div>\n
Patrik H\u00e1bl<\/div>\n
Kry\u0161tof Ho\u0161ek<\/div>\n
Martina Chloupa<\/div>\n
Ktaiwanita<\/div>\n
Petr Nikl<\/div>\n
Nikola Nov\u00e1kov\u00e1<\/div>\n
MICL \u2013 Michal Novotn\u00fd<\/div>\n
Suzanne Pastor<\/div>\n
Daniel Pe\u0161ta<\/div>\n
Lubo\u0161 Pln\u00fd<\/div>\n
Phila Primus<\/div>\n
Roman Pompe<\/div>\n
George Radoj\u010di\u010d<\/div>\n
Jan Ign\u00e1c \u0158\u00edha<\/div>\n
Nikola Semot\u00e1nov\u00e1<\/div>\n
Paul\u00edna Skavov\u00e1<\/div>\n
Ji\u0159\u00ed Sur\u016fvka<\/div>\n
Jan Vl\u010dek<\/div>\n
a dal\u0161\u00ed.<\/div>\n
<\/div>\n
\n

„PEACE, PLEASE!“<\/span><\/strong><\/p>\n

(19.9.. -. 14. 10. 2014)<\/span><\/strong><\/p>\n

9. t\u00e9matick\u00e1 v\u00fdstava \/ 9th theme exhibition.<\/span><\/strong><\/p>\n

<\/span><\/strong><\/p>\n<\/div>\n

\n

Prost\u0159ednictv\u00edm d\u011bl 25 autor\u016f reagujeme na d\u00e1vn\u00e9 i ned\u00e1vn\u00e9 ud\u00e1losti ve sv\u011bt\u011b i u n\u00e1s a p\u00e1tr\u00e1me po (ne)smyslu konflikt\u016f a mo\u017enost\u00ed jejich za\u017eehn\u00e1n\u00ed. \/ <\/span><\/strong><\/p>\n

Through the artworks of\u00a0 25 artists, we react to the past and recent events and we strive to find (non)sense in the conflicts and to seek resolutions.<\/span><\/strong><\/p>\n

\n

<\/span><\/strong><\/p>\n<\/div>\n

\u00ad\u00ad\u00ad\u00ad\u00ad\u00ad\u00ad\u00ad\u00ad\u00ad\u00ad\u00ad\u00ad\u00ad\u00ad\u00ad\u00ad\u00ad\u00ad\u00ad\u00ad\u00ad\u00ad\u00ad\u00adKur\u00e1torka: Nadia Rovderov\u00e1<\/span><\/strong><\/p>\n

Auto\u0159i \/ Authors: \u00a0Alena Anderlov\u00e1, David Cajthaml, Veronika Drahotov\u00e1, Dragan Dragin, Peter Drml\u00edk, Jan Gemrot, Biljana Golubovi\u010d, Patrik H\u00e1bl, Kry\u0161tof Ho\u0161ek, Martina Chloupa, Ktaiwanita, Petr Nikl, Nikola Nov\u00e1kov\u00e1, MICL \u2013 Michal Novotn\u00fd, Suzanne Pastor, Daniel Pe\u0161ta, Lubo\u0161 Pln\u00fd, Phila Primus, Roman Pompe, George Radoj\u010di\u010d, Jan Ign\u00e1c \u0158\u00edha, Nikola Semot\u00e1nov\u00e1, Paul\u00edna Skavov\u00e1, Ji\u0159\u00ed Sur\u016fvka, Jan Vl\u010dek a dal\u0161\u00ed. <\/span><\/strong><\/p>\n

\n

<\/span><\/strong><\/p>\n<\/div>\n

<\/span><\/strong><\/p>\n

Den 21. z\u00e1\u0159\u00ed byl ozna\u010den jako Sv\u011btov\u00fd den m\u00edru. <\/span><\/p>\n

Galerie Artinbox chce p\u0159isp\u011bt k diskusi o tomto \u017ehav\u00e9m t\u00e9matu skupinovou v\u00fdstavou s n\u00e1zvem: Peace please!\u00a0 Prost\u0159ednictv\u00edm d\u011bl 25 autor\u016f reagujeme na d\u00e1vn\u00e9 i ned\u00e1vn\u00e9 ud\u00e1losti ve sv\u011bt\u011b i u n\u00e1s a p\u00e1tr\u00e1me po (ne)smyslu konflikt\u016f a jejich mo\u017enost\u00ed jejich za\u017eehn\u00e1n\u00ed. <\/span><\/p>\n

Uplynulo 100 let od rozpout\u00e1n\u00ed 1. sv\u011btov\u00e9 v\u00e1lky, kter\u00e1 zm\u011bnila nad\u0161en\u00ed a d\u016fv\u011bru v technick\u00fd a civiliza\u010dn\u00ed pokrok lidstva v zoufalstv\u00ed nad nepou\u010ditelnost\u00ed a hr\u016fzou z mo\u017enost\u00ed vzniku dal\u0161\u00edch a dal\u0161\u00edch trag\u00e9di\u00ed, kter\u00fdm pr\u00e1v\u011b onen technologick\u00fd pokrok dod\u00e1v\u00e1 hroziv\u00e9 rozm\u011bry.<\/span><\/p>\n

Zaj\u00edmav\u00fdm paradoxem sv\u011btov\u00fdch d\u011bjin je, \u017ee i kdy\u017e p\u0159ev\u00e1\u017en\u00e1 v\u011bt\u0161ina lid\u00ed si p\u0159eje klid a m\u00edr, p\u00e1r jedinc\u016f, \u010di skupin \u010dasto dok\u00e1\u017ee toto jejich \u00fasil\u00ed znemo\u017enit.<\/span><\/p>\n

Posledn\u00edch p\u00e1r des\u00edtek let jsme se nechali ukol\u00e9bat klidn\u011bj\u0161\u00ed atmosf\u00e9rou na map\u011b sv\u011bta, kdy se zd\u00e1lo, \u017ee hrozba studen\u00e9 v\u00e1lky mezi USA a Sov\u011btsk\u00fdm svazem \u2013 pozd\u011bji Ruskem \u2013 je za\u017eehn\u00e1na. Ud\u00e1losti posledn\u00edch m\u011bs\u00edc\u016f v\u0161ak ukazuj\u00ed, \u017ee nen\u00ed radno se spol\u00e9hat na trval\u00fd klid a m\u00edr. <\/span><\/p>\n

Jeliko\u017e t\u00e9ma je t\u00ed\u017eiv\u00e9 a pl\u00ed\u017eiv\u011b zasunut\u00e9 do podv\u011bdom\u00ed a DNA ka\u017ed\u00e9ho z n\u00e1s, rozhodli jsme se na n\u011bj upozornit pon\u011bkud odleh\u010denou formou. Humor byl a z\u016fst\u00e1v\u00e1 jednou z nejsiln\u011bj\u0161\u00edch zbran\u00ed lidstva, proto dostal hlavn\u00ed s\u00f3lo i na na\u0161\u00ed skupinov\u00e9 v\u00fdstav\u011b. <\/span><\/p>\n

\u201eMake love \u2013 not war!\u201c zd\u011bluj\u00ed erotick\u00e9 objekty Lubo\u0161e Pln\u00e9ho: \u201eSamopal\u201c, \u201ePistole\u201c, \u201eMen\u0161\u00ed pu\u0161ka\u201c a Los\u00ed\/?Sob\u00ed\/?\u010di Da\u0148\u010d\u00ed paroh\u201c (v\u00fdtvarn\u00edk si nebyl jist). Velk\u00fd bojovn\u00edk za m\u00edr John Lennon rozj\u00edm\u00e1 nad t\u00e9matem v dobr\u00e9 spole\u010dnosti Alberta Einsteina a Napoleona Bonaparteho, kte\u0159\u00ed k tomu dozajist\u00e9 maj\u00ed tak\u00e9 co \u0159\u00edct, zat\u00edmco V\u00e1clav Havel se jenom potuteln\u011b usm\u00edv\u00e1 z vedlej\u0161\u00edho obrazu (autor: Jan Ign\u00e1c \u0158\u00edha)\u2026 Jen o p\u00e1r krok\u016f d\u00e1l vysm\u00e1t\u00fd Ji\u0159\u00ed Sur\u016fvka telefonicky promlouv\u00e1 s\u00a0velk\u00fdm f\u00fchrerem Velk\u00e9 n\u011bmeck\u00e9 \u0159\u00ed\u0161e panem Hitlerem, a dal\u0161\u00ed obr\u00e1zky symbolicky nazna\u010duj\u00ed, jak d\u011bsiv\u00fd orchestr se t\u00e9to ikon\u011b v\u00e1lky povedlo rozehr\u00e1t\u2026 A p\u0159esto\u017ee z dal\u0161\u00ed zdi na div\u00e1ky hled\u00ed obrovsk\u00e1 podobizna sou\u010dasn\u00e9ho v\u00e1lky-tv\u016frce Vladim\u00edra Putina (autor Kry\u0161tof Ho\u0161ek), na na\u0161\u00ed v\u00fdstav\u011b nechyb\u00ed Superman (Ji\u0159\u00ed Sur\u016fvka) a hned n\u011bkolik Posl\u016f m\u00edru (Roman Pompe), aby op\u011bt nastolili rovnov\u00e1hu. A maj\u00ed co d\u011blat s nekone\u010dnou n\u00e1lo\u017e\u00ed smutku a tragedie, jak sv\u011bd\u010d\u00ed d\u00edla Suzanne Pastor, Dragana Dragina, Biljany Golubovi\u010d, George Radoj\u010di\u010de \u010di Nikoly Semot\u00e1nov\u00e9\u2026 A nesta\u010d\u00ed\u00a0 jen \u0159\u00edct:\u00a0 \u201eSorry\u201c, jak vid\u00edme na obraze Daniela Pe\u0161ty, kdy\u017e \u010dlov\u011bk hned pot\u00e9 ubl\u00ed\u017e\u00ed zas a znovu\u2026<\/span><\/p>\n

<\/span><\/p>\n

Je na m\u00edst\u011b se zamyslet, co vedlo um\u011blce, aby se ve sv\u00e9 tvorb\u011b zab\u00fdvali zrovna t\u00edmto t\u00ed\u017eiv\u00fdm t\u00e9matem \u2013 v\u00e1lka, konflikt, agrese\u2026\u00a0 Nepot\u0159ebujeme v\u0161ak hlub\u0161\u00edho ohled\u00e1n\u00ed. Je jasn\u00e9, \u017ee ni\u0165 traumatick\u00fdch z\u00e1\u017eitk\u016f se vine skrz generace. <\/span><\/p>\n

P\u00e1r p\u0159\u00edklad\u016f: Suzanne Pastor se narodila v Chicagu n\u011bmeck\u00fdm rodi\u010d\u016fm, jen\u017e uprchli do USA p\u0159ed nacizmem\u2026 Suzanne to t\u00e1hlo zp\u011bt do Evropy, \u017eila n\u011bjakou dobu v N\u011bmecku, ne\u017e ji osud zav\u00e1l do \u010cesk\u00e9 republiky, kde u\u017e \u010dtvrt stolet\u00ed \u017eije\u2026 <\/span><\/p>\n

Dragan Dragin\u00a0 na posledn\u00ed chv\u00edli s notnou d\u00e1vkou \u0161t\u011bst\u00ed unikl n\u00e1siln\u00e9 mobilizaci ve sv\u00e9m rodn\u00e9m Srbsku, kde po noc\u00edch n\u00e1siln\u011b odv\u00e1\u017eeli mu\u017ee a chlapce do v\u00e1lky. <\/span><\/p>\n

George Radoj\u010di\u010d se narodil \u010desk\u00e9 m\u00e1m\u011b a chorvatsk\u00e9mu otci v Dubrovn\u00edku za v\u00e1lky v roce 1987.<\/span><\/p>\n

\u2026a spousta dal\u0161\u00edch zn\u00e1m\u00fdch \u010di nezn\u00e1m\u00fdch osud\u016f, kde \u0161t\u011bst\u00ed \/ne\u0161t\u011bst\u00ed, n\u00e1hody a nenad\u00e1l\u00e9 zvraty rozhodovaly o osudech dal\u0161\u00edch a dal\u0161\u00edch generac\u00ed\u2026 a taky zanechaly stopy n\u011bkdy hluboko v\u00a0podv\u011bdom\u00ed.<\/span><\/p>\n

Na konec si dovol\u00edm b\u00fdt trochu osobn\u00ed\u2026 Psal se rok 1916, moje prababi\u010dka \u010dekala sv\u00e9 \u0161est\u00e9 d\u00edt\u011b. Mu\u017ee j\u00ed odvedli na frontu 1. sv\u011btov\u00e9 v\u00e1lky. Bojoval mimo jin\u00e9 v krvav\u00fdch boj\u00edch v It\u00e1lii, kde z\u016fstaly tis\u00edce ob\u011bt\u00ed. Prababi\u010dka pr\u00fd byla nezdoln\u00e1 a energick\u00e1 \u017eena a rozhodla se, \u017ee mus\u00ed n\u011bco podniknout. Vydala se v tomto po\u017eehnan\u00e9m stavu p\u011b\u0161ky do 130 km vzd\u00e1len\u00fdch Ko\u0161ic, aby tam na vojensk\u00e9m velitelstv\u00ed \u017e\u00e1dala o n\u00e1vrat sv\u00e9ho mu\u017ee z fronty s t\u00edm, \u017ee pokud on zahyne, nebude kdo by se o ni a jejich brzy u\u017e \u0161est d\u011bt\u00ed postaral. V ten letn\u00ed den, kdy prababi\u010dka porodila moj\u00ed babi\u010dku, se prad\u011bda d\u00edky jej\u00ed p\u0159\u00edmluv\u011b \u017eiv\u00fd a zdrav\u00fd vr\u00e1til z fronty dom\u016f. Oba se do\u017eili po\u017eehnan\u00e9ho v\u011bku a vychovali spolu nakonec osm d\u011bt\u00ed.\u00a0 Tento p\u0159\u00edb\u011bh jsem se d\u00edky n\u00e1hod\u011b dozv\u011bd\u011bla od m\u00e9 m\u00e1my teprve ned\u00e1vno a r\u00e1da bych ho pou\u017eila jako ilustraci tvrzen\u00ed, \u017ee l\u00e1ska dok\u00e1\u017ee nejen vytv\u00e1\u0159et, ale i zachra\u0148ovat \u017eivoty, a spolu s\u00a0 odhodl\u00e1n\u00edm je to ta prav\u00e1 zbra\u0148 proti zlu a agresi. Mo\u017en\u00e1 to je ten slavn\u00fd efekt m\u00e1vnut\u00ed mot\u00fdl\u00edch k\u0159\u00eddel, kter\u00fd m\u016f\u017ee n\u011bkde spustit lavinu? <\/span><\/p>\n

<\/span><\/p>\n

Nadia Rovderov\u00e1, Praha, z\u00e1\u0159\u00ed 2014<\/span><\/p>\n

<\/span><\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

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