{"id":2453,"date":"2013-02-09T22:25:06","date_gmt":"2013-02-09T22:25:06","guid":{"rendered":"http:\/\/www.artinbox.cz\/?p=2453"},"modified":"2018-02-23T22:43:15","modified_gmt":"2018-02-23T22:43:15","slug":"george-radojcic-georgovy-zahrady-a-jine%e2%80%a6-vyber-z-dila-mladeho-autora-outsider-art","status":"publish","type":"post","link":"https:\/\/www.artinbox.cz\/?p=2453","title":{"rendered":"George Radoj\u010di\u010d"},"content":{"rendered":"

GEORGE RADOJ\u010cI\u010c: Georgovy zahrady a jin\u00e9\u2026
\nV\u00fdb\u011br z d\u00edla mlad\u00e9ho autora outsider art.<\/strong><\/p>\n

\"George<\/a>

George Radoj\u010di\u010d: Rododendron v zahrad\u011b \/velk\u00fd p\u0159\u00edb\u011bh\/<\/p><\/div>\n

Dernis\u00e1\u017e\/ closing party: po.\/mon. 19. 2. 2013, 18 h. \/ 6 p.m.<\/p>\n

PROGRAM:
\nProm\u00edt\u00e1n\u00ed dokument\u00e1rn\u00edho filmu Moniky Kotov\u00e9 BON APARTE
\nJazz: Anne-Marie Almeida + co.<\/p>\n

Kur\u00e1torky:
\nTerezie Zem\u00e1nkov\u00e1
\nNadia Rovderov\u00e1
\nIvana Br\u00e1dkov\u00e1<\/p>\n

V\u00fdstava kreseb a maleb Georga Radoj\u010di\u0107e, sarajevsk\u00e9ho rod\u00e1ka \u017e\u00edj\u00edc\u00edho v Praze na Slivenci.
\nJeho d\u00edla jsou mimo jak\u00e9koliv kategorie, jednozna\u010dn\u011b autentick\u00e1, kompozi\u010dn\u011b p\u0159ekvapiv\u011b kultivovan\u00e1, obsahov\u011b zemit\u00e1, p\u0159\u00edli\u0161 solit\u00e9rn\u00ed pro jak\u00e9koliv hodnot\u00edc\u00ed soudy a p\u0159\u00edmo se dot\u00fdkaj\u00edc\u00ed na\u0161ich cit\u016f, my\u0161lenek a na\u0161eho sv\u011bdom\u00ed.<\/p>\n

Gergovy zahrady a jin\u00e9…
\nTerezie Zem\u00e1nkov\u00e1<\/p>\n

Kdy\u017e jsem se s obrazy George Radoj\u010di\u010de (*1987) setkala p\u0159ed lety poprv\u00e9, automaticky jsem jeho tvorbu za\u0159adila do art brut. Nyn\u00ed, s odstupem v\u00edce ne\u017e osmi let, m\u00e1m pocit, \u017ee George do t\u00e9to kategorie nespad\u00e1, \u017ee prost\u011b nepat\u0159\u00ed do \u017e\u00e1dn\u00e9 kategorie, a pokud bychom opravdu jeho tvorbu cht\u011bli n\u011bjak klasifikovat, m\u016f\u017eeme ji nejsp\u00ed\u0161 v\u010dlenit do \u0161irok\u00e9ho r\u00e1mce modern\u00edho um\u011bn\u00ed. Zat\u00edmco auto\u0159i art brut zobrazuj\u00ed sv\u00e9 vnit\u0159n\u00ed sv\u011bty a vize, George Radoj\u010di\u010d se vztahuje k vn\u011bj\u0161\u00edmu sv\u011btu, kter\u00fd jej bezprost\u0159edn\u011b obklopuje a kter\u00fd p\u0159ekl\u00e1d\u00e1 do sv\u00e9ho unik\u00e1tn\u00edho v\u00fdtvarn\u00e9ho jazyka. P\u0159esto\u017ee George m\u00e1 sv\u00e9 vlastn\u00ed, p\u0159ev\u00e1\u017en\u011b intuitivn\u00ed tv\u016fr\u010d\u00ed postupy, dosp\u00edv\u00e1 jimi k obdobn\u00fdm v\u00fdsledk\u016fm, jak\u00fdch se pou\u010deni z p\u0159edchoz\u00edho v\u00fdvoje mal\u00ed\u0159stv\u00ed mnohdy pracn\u011b dob\u00edrali velc\u00ed modern\u00ed um\u011blci. Nap\u0159\u00edklad dekompozice forem a jejich n\u00e1sledn\u00e9 p\u0159eskupen\u00ed, ke kter\u00e9mu se analytickou metodou dopracovali kubist\u00e9, jsou pro George Radoj\u010di\u010de p\u0159irozen\u00fdm tv\u016fr\u010d\u00edm procesem.
\nMaluje to co vid\u00ed a nebo co \u010dte a sly\u0161\u00ed \u2013 tak vznikla tak\u00e9 jeho pozoruhodn\u00e1 s\u00e9rie ilustrac\u00ed ke knih\u00e1m Karla \u010capka, na kterou na t\u00e9to v\u00fdstav\u011b ji\u017e bohu\u017eel nezbylo m\u00edsto. Jak napsal ve sv\u00e9m \u00favodn\u00edm textu k d\u0159\u00edv\u011bj\u0161\u00ed Radoj\u010di\u010dov\u011b v\u00fdstav\u011b \u010dapkovsk\u00e9ho cyklu Miroslav Pesch \u201eGeorge sv\u00fdmi expresivn\u011b narativn\u00ed kresbami vytv\u00e1\u0159\u00ed v\u00fdtvarn\u00e1 d\u00edla, kter\u00e1 ji\u017e nejsou pouh\u00fdmi ilustracemi. Naopak. Ve sv\u00fdch \u010dernob\u00edl\u00fdch a barevn\u00fdch kresb\u00e1ch vytv\u00e1\u0159\u00ed zcela specifick\u00fd a sv\u00e9bytn\u00fd paraleln\u00ed sv\u011bt k \u010capkovu d\u00edlu,\u201c a stejn\u011b tak pracuje i s dal\u0161\u00edmi liter\u00e1rn\u00edmi nebo i filmov\u00fdmi n\u00e1m\u011bty. Pr\u00e1v\u011b v nich p\u0159edvedl, \u017ee je jedine\u010dn\u00fdm figuralistou, kter\u00fd dok\u00e1\u017ee v minimalisticky nazna\u010den\u00fdch gestech z\u0159eteln\u011b vyj\u00e1d\u0159it emoce i d\u011bje s nimi spojen\u00e9. Jeho figury maj\u00ed podobu mohutn\u00fdch, monolitick\u00fdch siluet s objemy modelovan\u00fdmi barevn\u00fdmi plochami. Ve sv\u00e9 monumentalit\u011b p\u0159ipom\u00ednaj\u00ed staroz\u00e1konn\u00ed proroky, archetyp\u00e1ln\u00ed postavy z hlubok\u00e9 pam\u011bti lidstva. Ostatn\u011b i jejich poselstv\u00ed je fat\u00e1ln\u00ed. Siln\u011b v\u011b\u0159\u00edc\u00ed mal\u00ed\u0159 \u010dasto zpodobuje biblick\u00e9 v\u00fdjevy, and\u011bly a Madonu a Krista Spasitele.
\nT\u00e9ma dobra a zla je pro George Radoj\u010di\u010de kl\u00ed\u010dov\u00e9 a prosazuje se tak\u00e9 v s\u00e9rii abstraktn\u00edch bitev. Ty p\u016fvodn\u011b vznikaly jako grafick\u00e9 z\u00e1znamy hokejov\u00fdch z\u00e1pas\u016f, posl\u00e9ze dostaly obecn\u011bj\u0161\u00ed rozm\u011br. M\u016f\u017eeme zde sice spat\u0159ovat princip d\u011btsk\u00fdch \u201en\u00e1mo\u0159n\u00edch boj\u016f\u201c, kter\u00e9 se odehr\u00e1vaj\u00ed na pap\u00ed\u0159e, v Radoj\u010di\u010dov\u011b pojet\u00ed ale dost\u00e1vaj\u00ed jedine\u010dnou v\u00fdtvarnou podobu. P\u0159esto\u017ee mohou p\u016fsobit na prvn\u00ed pohled a\u017e dekorativn\u011b, \u017e\u00e1dn\u00fd tah v nich nen\u00ed samo\u00fa\u010deln\u00fd, ka\u017ed\u00e1 barva a ka\u017ed\u00e1 linie maj\u00ed sv\u00e9 opodstatn\u011bn\u00ed, symbolizuj\u00ed jednotliv\u00e9 bojovn\u00edky, nebo jsou z\u00e1znamem jejich akce. Jak p\u00ed\u0161e d\u00e1le Miroslav Pesch \u201ev\u00fdsledkem jsou p\u016fsobiv\u00e9 obrazce pln\u00e9 nap\u011bt\u00ed a pocit\u016f \u00fazkosti z neprostupn\u00e9ho oble\u017een\u00ed.\u201c
\nGeorge je ale p\u0159edev\u0161\u00edm v\u00fdjime\u010dn\u00fdm koloristou. Sv\u016fj cit pro barvy dokazuje p\u0159edev\u0161\u00edm v s\u00e9rii krajin, a\u0165 u\u017e vznikly d\u0159\u00edve v jeho rodn\u00e9m Chorvatsku, nebo v posledn\u00ed dob\u011b na zahrad\u011b rodinn\u00e9ho domu v Slivenci a jeho okol\u00ed. Barevnost spat\u0159en\u00e9ho rozkl\u00e1d\u00e1 na jednotliv\u00e9 komponenty, kter\u00e9 pak znovu \u2013 a\u0165 u\u017e \u010darami pastelkou nebo tahy \u0161t\u011btce seskl\u00e1d\u00e1v\u00e1 dohromady, sp\u0159\u00e1d\u00e1 je v hust\u00e9 pletivo, v n\u011bm\u017e ka\u017ed\u00e1 barva, by\u0165 \u010dasto p\u0159ekryt\u00e1 vrstvami jin\u00e9, st\u00e1le prokv\u00e9t\u00e1 ve spodn\u00edch t\u00f3nech podmaleb a pod\u00edl\u00ed se tak na jednot\u011b celku obrazu. Pracuje stejn\u011b bravurn\u011b s \u010dist\u00fdmi barvami, jako s jejich rafinovan\u00fdmi zemit\u00fdmi kombinacemi. Zvl\u00e1\u0161t\u011b v\u00fdznamn\u00e1 je pro n\u011bj b\u00edl\u00e1, kterou nepou\u017e\u00edv\u00e1 k vyj\u00e1d\u0159en\u00ed pr\u00e1zdnoty, ale jako samostatn\u00fd t\u00f3n \u010dasto p\u0159ekr\u00fdvaj\u00edc\u00ed a prol\u00ednaj\u00edc\u00ed se s val\u00e9ry podmaleb. Stejn\u011b podstatn\u00e1 je pro n\u011bj \u010dern\u00e1, kter\u00e1 se neobjevuje jev v kompaktn\u00edch obrysech a v hutn\u00fdch tvarech figur\u00e1ln\u00edch siluet, ale \u010dasto se uplat\u0148uje jako slo\u017eka m\u00edchan\u00fdch barevn\u00fdch t\u00f3n\u016f.
\nMalbu George Radoj\u010di\u010d zcela spont\u00e1nn\u011b kombinuje s kresbou a v jeho d\u00edle se tak snoub\u00ed mal\u00ed\u0159sk\u00e9 plochy s grafick\u00fdmi strukturami. P\u0159esto\u017ee George\u016fv naturel nedovoloval, aby podstoupil klasick\u00e9 vzd\u011bl\u00e1n\u00ed, byl jako v\u00fdjime\u010dn\u00fd talent neform\u00e1ln\u011b p\u0159ijat ke studiu na Akademii v\u00fdtvarn\u00fdch um\u011bn\u00ed v Praze. Zd\u00e1 se ale, \u017ee v\u016f\u010di vliv\u016fm okol\u00ed z\u016fst\u00e1v\u00e1 imunn\u00ed. Tvorba je jeho p\u0159irozen\u00fdm \u017eivotn\u00edm vyj\u00e1d\u0159en\u00edm, aktem, do kter\u00e9ho \u017eiveln\u011b vkl\u00e1d\u00e1 celou svoji osobnost a v takov\u00e9m procesu obvykle nezb\u00fdv\u00e1 prostor pro sledov\u00e1n\u00ed vzor\u016f, kter\u00e9 by ostatn\u011b mohly jeho intenzivn\u00ed, unik\u00e1tn\u00ed projev jen rozm\u011blnit.<\/p>\n

Praha, leden 2013<\/p>\n","protected":false},"excerpt":{"rendered":"

[…]<\/p>\n","protected":false},"author":3,"featured_media":2452,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1,3,10],"tags":[],"_links":{"self":[{"href":"https:\/\/www.artinbox.cz\/index.php?rest_route=\/wp\/v2\/posts\/2453"}],"collection":[{"href":"https:\/\/www.artinbox.cz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artinbox.cz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artinbox.cz\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artinbox.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2453"}],"version-history":[{"count":11,"href":"https:\/\/www.artinbox.cz\/index.php?rest_route=\/wp\/v2\/posts\/2453\/revisions"}],"predecessor-version":[{"id":4020,"href":"https:\/\/www.artinbox.cz\/index.php?rest_route=\/wp\/v2\/posts\/2453\/revisions\/4020"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artinbox.cz\/index.php?rest_route=\/wp\/v2\/media\/2452"}],"wp:attachment":[{"href":"https:\/\/www.artinbox.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2453"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artinbox.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2453"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artinbox.cz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2453"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}