{"id":2132,"date":"2012-08-10T17:00:22","date_gmt":"2012-08-10T17:00:22","guid":{"rendered":"http:\/\/www.artinbox.cz\/?p=2132"},"modified":"2013-01-13T16:43:20","modified_gmt":"2013-01-13T16:43:20","slug":"pripravujeme-next-in-the-gallery-remember-the-unforgettable-11-zari-2001-september-11th-2001","status":"publish","type":"post","link":"https:\/\/www.artinbox.cz\/?p=2132","title":{"rendered":"REMEMBER THE UNFORGETTABLE: 11. 9. 2001 Prodlou\u017eeno do: \/ Exhibition prolonged till: 25. 10. 2012"},"content":{"rendered":"
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\"Karel<\/a>

Karel Adam\u010d\u00edk, New York, z\u00e1\u0159\u00ed \/ september 2001<\/p><\/div>\n

REMEMBER THE UNFORGETTABLE<\/p>\n

11. z\u00e1\u0159\u00ed 2001 \/ September 11th 2001<\/p>\n

V\u00fdstava fotografi\u00ed t\u0159\u00ed autor\u016f z New Yorku p\u0159ed 11 lety.\u00a0 \/\u00a0Exhibition of photographs from New York 11 years ago.
\n11. 9 . – 11. 10. 2012<\/p>\n

Auto\u0159i \/ authors:
\nKarel Adam\u010d\u00edk
\nPhilippe Dollo
\nEugenio Percossi<\/p>\n

Kur\u00e1torka \/ curator:
\nNadia Rovderov\u00e1<\/p>\n


\nArtinbox Gallery, Prague<\/a><\/p>\n

V\u00fdstava se kon\u00e1 pod z\u00e1\u0161titou Americk\u00e9ho velvyslanectv\u00ed v Praze. \/ The exhibition is held under the patronage of \u00a0American Embassy in Prague.Remember the Unforgettable: 11. z\u00e1\u0159\u00ed \/ September 11 th 2001<\/div>\n
Ka\u017ed\u00fd \u010dlov\u011bk star\u0161\u00ed 18 let p\u0159i ot\u00e1zce, co d\u011blal 11. z\u00e1\u0159\u00ed 2001 um\u00ed se stoprocentn\u00ed jistotou \u0159\u00edct, co to bylo… I kdy\u017e se n\u00e1m m\u016f\u017eou tyto ud\u00e1losti zd\u00e1t \u010dasov\u011b \u010di geograficky vzd\u00e1len\u00e9, zas\u00e1hly ka\u017ed\u00e9ho z n\u00e1s a bez nads\u00e1zky zm\u011bnili sv\u011bt. Nechceme, aby v\u00fdstava jen vzbuzovala pochmurn\u00e9 my\u0161lenky \u010di vize, chceme p\u0159ipomenout nezapomenuteln\u00e9 a d\u00e1t prostor k p\u0159em\u00fd\u0161len\u00ed nad v\u00fdznamem a smyslem t\u011bchto ud\u00e1lost\u00ed nejen pro USA ale i pro ka\u017ed\u00e9ho z n\u00e1s. Proto dnes, jeden\u00e1ct let po ud\u00e1lostech 11. z\u00e1\u0159\u00ed, p\u0159edstavujeme pr\u00e1ci t\u0159\u00ed autor\u016f, jen\u017e v t\u00e9 dob\u011b, \u010di kr\u00e1tce po n\u00ed v New Yorku pob\u00fdvali a reflektovali tehdej\u0161\u00ed d\u011bn\u00ed. Ka\u017ed\u00fd z nich zpracov\u00e1v\u00e1 t\u00e9ma jin\u00fdm zp\u016fsobem \u2013 Karel Adam\u010d\u00edk report\u00e1\u017en\u00ed barevnou fotografi\u00ed, Philippe Dollo siln\u011b emotivn\u011b – \u010dernob\u00edlou, \u010dasto symbolickou formou, ale i formou a\u017e den\u00edkov\u00e9ho z\u00e1znamu. Dechberouc\u00ed jsou Dollovy kontakty \u010dernob\u00edl\u00fdch film\u016f, jen\u017e obr\u00e1zek po obr\u00e1zku ukazuj\u00ed pr\u016fb\u011bh t\u011bchto dn\u016f \u2013 od sn\u00edmk\u016f man\u017eelky koj\u00edc\u00ed t\u0159\u00edt\u00fddenn\u00ed dceru, p\u0159es lidi d\u00edvaj\u00edc\u00ed se z Brooklynu na d\u00fdm\u00edc\u00ed v\u011b\u017ee WTC, po detaily m\u011bsta a lid\u00ed… Eugenio Percossi je v\u00fdtvarn\u00edk, jen\u017e se l\u00e9ta ve sv\u00e9 tvorb\u011b zab\u00fdv\u00e1 t\u00e9matem smrti. Do New Yorku p\u0159ijel p\u016fl roku po ud\u00e1lostech a atmosf\u00e9ra ve m\u011bst\u011b na n\u011bho siln\u011b zap\u016fsobila. Svou prac\u00ed s n\u00e1zvem Escape \/\u00dat\u011bk\/ popisuje pocity v momentu nenad\u00e1l\u00e9, ne\u010dekan\u00e9 smrti… Pohledy do ru\u0161n\u00fdch barevn\u00fdch newyorsk\u00fdch ulic, kde se postavy m\u011bn\u00ed na \u0161ed\u00e9 st\u00edny, n\u00e1s konfrontuj\u00ed s ot\u00e1zkami pom\u00edjivosti. 11. z\u00e1\u0159\u00edm za\u010dala s\u00e9rie politick\u00fdch ud\u00e1lost\u00ed, jen\u017e sn\u00edmky Philippa Dolla a Karla Adam\u010d\u00edka rovn\u011b\u017e popisuj\u00ed. Sv\u011bt se zm\u011bnil… Jak? Je mo\u017en\u00e9 nahl\u00ed\u017eet na to, co se stalo prizmatem r\u010den\u00ed: Co t\u011b nezabije, to t\u011b pos\u00edl\u00ed?<\/em><\/div>\n
<\/em><\/div>\n
Nadia Rovderov\u00e1, Praha, z\u00e1\u0159\u00ed 2012<\/em><\/div>\n

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Karel Adam\u010d\u00edk \u00a0\/*1972, Fren\u0161t\u00e1t pod Radho\u0161t\u011bm\/.<\/strong><\/div>\n
Fotograf (svobodn\u00e9 povol\u00e1n\u00ed). V letech 2001 \u2013 2010 pob\u00fdval v USA, v dob\u011b p\u0159ed a po 9. 11. 2001 zil a pracoval \u00a0v New Yorku.<\/div>\n
\u201cSlun\u00ed\u010dko sv\u00edtilo jasn\u011b, ulice pln\u00e9 lid\u00ed , v\u016fn\u011b k\u00e1vy z m\u00edstn\u00edch kav\u00e1ren se vinula ulicemi Manhattannu… Prvn\u00ed n\u00e1raz do jednoho z dvoj\u010dat… .V \u00a0ten okam\u017eik jsme nikdo nem\u011bli ani zd\u00e1n\u00ed co se vlastn\u011b odehr\u00e1v\u00e1 a jak se za p\u00e1r minut zm\u011bn\u00ed \u017eivoty n\u00e1s v\u0161ech. Druh\u00fd n\u00e1raz. Jako by se \u010das na chvilku zastavil a pot\u00e9 nastal tich\u00fd chaos. V\u0161ichni ut\u00edkali vyd\u011b\u0161en\u011b, nech\u00e1paj\u00edc\u00ed prz\u010d od m\u00edsta \u00fatoku a j\u00e1 s fotoapar\u00e1tem opa\u010dn\u00fdm sm\u011brem. Ani nev\u00edm, co se mi hnalo v ten moment hlavou, ale na co si vzpom\u00edn\u00e1m \u00a0je, \u017ee se to v\u0161echno \u00a0odehr\u00e1valo tak n\u011bjak zpomalen\u011b. Momenty po \u00fatoku se spodn\u00ed \u010d\u00e1st Manhattannu za\u010dala evakuovat a na 3000 000 lidi se p\u0159esunulo p\u0159es most do sousedn\u00edho Brooklynu odkud vyd\u011b\u0161en\u011b pozorovali hr\u016fzy, kter\u00e9 se odehr\u00e1valy na opa\u010dn\u00e9m b\u0159ehu \u0159eky. P\u0159ihl\u00e1sil jsem se jako jeden z dobrovoln\u00edk\u016f a nastoupil jsem jako kucha\u0159 v \u00a0poln\u00ed kuchyni n\u011bkolik blok\u016f od GROUND ZERO. \u00a0V n\u00e1sleduj\u00edc\u00edch t\u00fddnech jsem tam tr\u00e1vil v\u0161echen sv\u016fj voln\u00fd \u010das. Staral jsem se o vy\u010derpan\u00e9 a hladov\u00e9 voj\u00e1ky, po\u017e\u00e1rn\u00edky, policii a z\u00e1chran\u00e1\u0159e, jen\u017e riskovali \u017eivoty p\u0159i hled\u00e1n\u00ed \u017eiv\u00fdch v trosk\u00e1ch. V tu dobu je\u0161t\u011b nikdo netu\u0161il, ze \u017e\u00e1dni nebudou.\u201c<\/div>\n
Philippe Dollo \/*1965, Pa\u0159\u00ed\u017e\/<\/strong><\/div>\n
Fotograf (svobodn\u00e9 povol\u00e1n\u00ed). V letech 1997 \u2013 2009 \u017eil v New Yorku. V rpce 2009 se p\u0159est\u011bhoval do Prahy. U\u010d\u00ed fotografii ve Francouzsk\u00e9m Institutu.<\/div>\n
\u201cTrvalo mi chv\u00edli se dostat do oblasti ve m\u011bst\u011b, kde bylo vid\u011bt ho\u0159\u00edc\u00ed v\u011b\u017ee.<\/div>\n
Ohlu\u0161uj\u00edc\u00ed zvuk… P\u0159ijel jsem tam v okam\u017eiku, kdy se zhroutila \u00a0prvn\u00ed v\u011b\u017e. \u00a0Lid\u00e9 kolem se d\u00edvali, ochrnut\u011b a nev\u011b\u0159\u00edcn\u011b. Nedalo se nic d\u011blat. Pak klesla I druh\u00e1. Teprve tehdy jsem pochopil rozsah katastrofy. Kolik lid\u00ed u\u017e zem\u0159elo?<\/div>\n
Jako automat, jsem se proch\u00e1zel po zn\u00e1m\u00fdch ulic\u00edch. P\u0159ipadal jsem si jako v zl\u00e9m snu, ov\u0161em \u00a0tahle no\u010dn\u00ed m\u016fra byla skute\u010dn\u00e1.<\/div>\n
Pod mostem a po cel\u00e9 d\u00e9lce \u0159eky st\u00e1li zkamen\u011bl\u00ed lidi, jako sochy\u2026 Realita byla surre\u00e1ln\u00ed. Brooklyn byl pono\u0159en v klidu, opu\u0161t\u011bn\u00fd, tich\u00fd (bylo sly\u0161et pl\u00e1\u010d) a naproti: chaos, horor, kou\u0159, sir\u00e9ny a mrtv\u00ed\u2026 Pro\u010d po\u0159izovat fotografie?<\/div>\n
\u0160ok, neuv\u011b\u0159iteln\u00fd smutek, hn\u011bv, rozru\u0161en\u00ed, bezmocnost\u2026<\/div>\n
Nadalo se ud\u011blat nic, nic co by zabr\u00e1nilo masakru, nemohl jsem nijak pomoci a nemohl jsem zastavit nadch\u00e1zej\u00edc\u00ed v\u00e1lku. V\u0161e, co mi zbylo, byl fotoapar\u00e1t.\u201d<\/div>\n
Eugenio Percossi \/*1974, Avezzano, It\u00e1lie\/<\/strong><\/div>\n
V\u00fdtvarn\u00edk (svobodn\u00e9 povol\u00e1n\u00ed). \u017dije a pracuje v Praze .<\/div>\n
Moje pr\u00e1ce, vych\u00e1z\u00ed z \u00fatoku na Newyorsk\u00e9 World Trade Centre, a zkoum\u00e1 podobu \u00fat\u011bku. Lid\u00e9 ut\u00edkaj\u00ed, nev\u011b\u0159\u00ed v absurdn\u00ed, nep\u0159edv\u00eddatelnou smrt. Je mo\u017en\u00e9 takto um\u0159\u00edt? V\u011bt\u0161inou se domn\u00edv\u00e1me, \u017ee smrt m\u00e1 sv\u00e1 pravidla: st\u00e1\u0159\u00ed, nemoc, nehoda. Postaveni p\u0159ed nep\u0159edv\u00eddateln\u00e9 \u010di absurdn\u00ed, se ale c\u00edt\u00edme ztracen\u00ed a zraniteln\u00ed. Tak, v m\u00fdch obrazech \u017eiv\u00ed a mrtv\u00ed ut\u00edkaj\u00ed z m\u00edsta nehody, j\u00e1 naopak m\u00ed\u0159\u00edm opa\u010dn\u00fdm sm\u011brem se svou touhou, asi sebevra\u017eednou, vid\u011bt a porozum\u011bt.<\/div>\n","protected":false},"excerpt":{"rendered":"

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