{"id":2005,"date":"2012-03-20T15:15:29","date_gmt":"2012-03-20T15:15:29","guid":{"rendered":"http:\/\/www.artinbox.cz\/?p=2005"},"modified":"2013-01-05T11:36:43","modified_gmt":"2013-01-05T11:36:43","slug":"2005","status":"publish","type":"post","link":"https:\/\/www.artinbox.cz\/?p=2005","title":{"rendered":"N\u011a\u017dN\u00dd FOTOEROTIKON \/ TENDER PHOTOEROTICON"},"content":{"rendered":"<p><strong><div class=\"photogalleria\"><ul class=\"gallery_list\">\n\t\t<li><img src=\"https:\/\/www.artinbox.cz\/wp-content\/uploads\/2012\/03\/ww-obr1.jpg\" alt=\"Peter \u017dupn\u00edk: V\u011b\u010dn\u00e1 l\u00e1ska, 2012\" title=\"Peter \u017dupn\u00edk: V\u011b\u010dn\u00e1 l\u00e1ska, 2012\" \/><\/li>\n\t\t<li><img src=\"https:\/\/www.artinbox.cz\/wp-content\/uploads\/2012\/03\/ww-obr.jpg\" alt=\"ww obr\" title=\"ww obr\" \/><\/li>\n\t\t<li><img src=\"https:\/\/www.artinbox.cz\/wp-content\/uploads\/2012\/03\/DSCN4946.jpg\" alt=\"DSCN4946\" title=\"DSCN4946\" \/><\/li>\n\t\t<li><img src=\"https:\/\/www.artinbox.cz\/wp-content\/uploads\/2012\/03\/DSC_7757.jpg\" alt=\"DSC_7757\" title=\"DSC_7757\" \/><\/li>\n\t<\/ul>\n<\/div><\/p>\n<p><\/strong><\/p>\n<p><strong> <\/strong><\/p>\n<p><strong> <\/strong><\/p>\n<p><strong> <\/strong><\/p>\n<p><strong> <\/strong><\/p>\n<p><strong><strong> <\/strong><\/strong><\/p>\n<p><strong>Touha, n\u011bha, nevinnost a jemn\u00e1 erotika ve fotografi\u00edch 20. a 21. stolet\u00ed. \/ Desire, tenderness, innocence and soft eroticism i photography\u00a0of 20 and 21. century.<\/strong><\/p>\n<p><span style=\"font-weight: bold;\"><strong>Artinbox gallery 28.3. \u2013 10.5.2012<\/strong><\/span><\/p>\n<p><strong>Prague Photo 2012, DOX, 24 \u2013 29.4.2012<\/strong><\/p>\n<p><strong>Auto\u0159i\/authors: <\/strong>Petra \u00c1\u010dov\u00e1, Pavel Ba\u0148ka, Vladim\u00edr Birgus, Franti\u0161ek Drtikol, Gertruda Fischerov\u00e1, Jaroslav Fi\u0161er, Roman Franta, Eva Fuka, Jolana Havelkov\u00e1, Milota Havr\u00e1nkov\u00e1, Blanka Chocholov\u00e1, V\u00e1clav Chochola, V\u00e1clav J\u00edr\u016f, Dana Kyndrov\u00e1, Jan Lauschmann, Zden\u011bk Lhot\u00e1k, Pavel M\u00e1ra, Suzanne Pastor, Jaroslav R\u00f6ssler, Nadia Rovderov\u00e1, Jind\u0159ich \u0160treit, Jindra Vikov\u00e1, Peter \u017dupn\u00edk a dal\u0161\u00ed\u2026, <strong>kur\u00e1torka \/ curated by: <\/strong>Nadia Rovderov\u00e1<\/p>\n<p>Ve 20. stolet\u00ed postupn\u011b p\u0159est\u00e1val sex platit za spole\u010densk\u00e9 tabu. V t\u00e9 dob\u011b relativn\u011b nov\u00fd objev m\u00e9dia fotografie za\u010dal \u00fasp\u011b\u0161n\u011b sekundovat klasick\u00e9mu mal\u00ed\u0159stv\u00ed mj. i ve zpodoben\u00ed toho, co lidstvo odjak\u017eiva l\u00e1kalo jako p\u0159ita\u017eliv\u00e9 tabu. Minul\u00e9 stolet\u00ed je mo\u017en\u00e9 ozna\u010dit za \u201estolet\u00ed sexu\u201c, kdy lid\u00e9 za\u010dali odhazovat stud a p\u0159edsudky. Zpo\u010d\u00e1tku to byla \u010dist\u011b dom\u00e9na mu\u017e\u016f fotograf\u016f, kte\u0159\u00ed fotografovali nah\u00e9 \u017eensk\u00e9 t\u011blo. \u017deny fotografky byly raritou, a pokud v\u016fbec nahotu zpodobovaly, zam\u011b\u0159ily se tak\u00e9 na \u017eensk\u00e9 t\u011blo. Mu\u017esk\u00fd akt z roku 1922, portr\u00e9tovan\u00fd model \u2013 Jaroslav R\u00f6ssler, autorka \u2013 jeho man\u017eelka Gertruda Steiner, je d\u016fkazem s\u00edl\u00edc\u00ed \u017eensk\u00e9 emancipace. P\u0159\u00edklady ze sou\u010dasnosti je mo\u017en\u00e9 vid\u011bt na v\u00fdstav\u011b N\u011b\u017en\u00fd fotoerotikon ve fotografi\u00edch Jindry Vikov\u00e9, \u010di Suzanne Pastor. Podobn\u011b men\u0161inov\u00fd je v\u00fdskyt \u017een \u2013 foto-dokumentaristek, kter\u00e9 maj\u00ed odvahu lovit projevy l\u00e1sky a n\u011bhy v b\u011b\u017en\u00e9m \u017eivot\u011b \u2013 na na\u0161\u00ed v\u00fdstav\u011b jsou zastoupeny fotografiemi Dany Kyndrov\u00e9. Za mu\u017ee jsme vybrali klasika \u010desk\u00e9 soci\u00e1ln\u00ed \u010dernob\u00edl\u00e9 fotografie Jind\u0159icha \u0160treita a za barevn\u00fd fotodokument Vladim\u00edra Birguse. Jednodu\u0161\u0161\u00ed ne\u017e dokumentovat ciz\u00ed lidi u projev\u016f l\u00e1sky a n\u00e1klonnosti, je dokumentovat sv\u016fj \u017eivot formou subjektivn\u00edho dokumentu, pou\u017e\u00edt jako model sebe, svou partnerku (a), kdy kouzlo okam\u017eiku p\u0159irozenost a up\u0159\u00edmnost zachycen\u00ed je na div\u00e1ka snadno p\u0159enosn\u00e9 (Zden\u011bk Lhot\u00e1k, Peter \u017dupn\u00edk, Nadia Rovderov\u00e1\u2026). Svoboda a volnost milenc\u016f v kontrastu s represivn\u00ed dobou 50-t\u00fdch let je magicky spojeno v dnes u\u017e slavn\u00e9 fotografii Evy Fuka \u201eA\u0165 \u017eij\u00ed milenci\u201c z roku 1956, jen\u017e s humorem parafr\u00e1zuje tehdy v\u0161ude p\u0159\u00edtomn\u00e9 n\u00e1pisy: A\u0165 \u017eije\u2026! Kouzeln\u00e1 jsou rovn\u011b\u017e dal\u0161\u00ed dv\u011b fotografick\u00e1 d\u00edla autorky z \u0161edes\u00e1t\u00fdch let: Vidina a V\u00e1zanka. Fotografick\u00fd experiment v\u00fdjime\u010dn\u00e9 doby 60-t\u00fdch let je na v\u00fdstav\u011b reprezentov\u00e1n rol\u00e1\u017eemi V\u00e1clava Chocholy, kouzlo klasick\u00e9 modern\u00ed pr\u016fkopnick\u00e9 um\u011bleck\u00e9 fotografie 30t\u00fdch let zastupuj\u00ed klasikov\u00e9: Franti\u0161ek Drtikol a jeho \u017e\u00e1k Jaroslav R\u00f6ssler, jeho\u017e prezentovan\u00e1 d\u00edla z let 1930 \u2013 60 se dr\u017e\u00ed co do t\u00e9matu erotiky v symbolick\u00e9 rovin\u011b a v expozici tak kontruj\u00ed n\u011b\u017en\u00fdm detail\u016fm na fotografi\u00edch Petra \u017dupn\u00edka z let 1990 \u2013 2012. Polohu inscenovan\u00e9 fotografie \u2013 nakolik lze model inscenovat hluboko pod vodou \u2013 zastupuj\u00ed fotografie Petry \u00c1\u010dov\u00e9. \u00a0N\u011bhu n\u00e1ctilet\u00e9 d\u00edvky v pohledu p\u0159\u00edm\u00e9m, v podhledu i nadhledu p\u0159i v\u0161\u00ed symboli\u010dnosti zobrazuje zn\u00e1m\u00fd tryptich Pavla M\u00e1ry ze za\u010d\u00e1tku 90 t\u00fdch let. Humornou nostalgii dod\u00e1v\u00e1 expozici fotografie Jaroslava Fi\u0161era, n\u011b\u017en\u00fd humor do n\u00ed vn\u00e1\u0161\u00ed fotogramy kalhotek od Jolany Havelkov\u00e9 a rovn\u011b\u017e p\u0159\u00edsp\u011bvek \u201cbrou\u010d\u00edho mal\u00ed\u0159e\u201c a zde autora fotografick\u00fdch diptych\u016f Romana Franty.<\/p>\n<p><iframe loading=\"lazy\" class=\"vtour\" type=\"text\/html\" width=\"638\" height=\"365\" frameborder=\"0\" src=\"http:\/\/tinyurl.com\/coyc53y\" ><\/iframe><\/p>\n<p>V\u00fdstava se sna\u017e\u00ed v\u00fdb\u011brem d\u011bl navodit pocity lib\u00e9, mil\u00e9 a n\u011b\u017en\u00e9, proto byly z\u00e1m\u011brn\u011b vypu\u0161t\u011bny polohy siln\u011bj\u0161\u00edho kalibru. Dekadenci sexu a erotiky si ponech\u00e1me na jindy, nebo ji mo\u017en\u00e1 rad\u011bji p\u0159enech\u00e1me jin\u00fdm, jeliko\u017e pr\u00e1v\u011b prizmatem nevinnosti a okouzlen\u00ed m\u00e1 erotika kouzlo nejv\u011bt\u0161\u00ed, jak symbolicky vypov\u00edd\u00e1 fotografie Pavla Ba\u0148ky s aktem nah\u00e9 kr\u00e1sky z psac\u00edho stolu jeho otce, na kterou se se zal\u00edben\u00edm v d\u011btstv\u00ed d\u00edval.<\/p>\n<p>Nadia Rovderov\u00e1, Praha b\u0159ezen 2012<\/p>\n<p><strong> <\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Artinbox gallery 28.3. &#8211; 10.5.2012<br \/>\nPrague Photo 2012, DOX, 24 &#8211; 29.4.2012<\/p>\n","protected":false},"author":4,"featured_media":2062,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[10],"tags":[],"_links":{"self":[{"href":"https:\/\/www.artinbox.cz\/index.php?rest_route=\/wp\/v2\/posts\/2005"}],"collection":[{"href":"https:\/\/www.artinbox.cz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artinbox.cz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artinbox.cz\/index.php?rest_route=\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artinbox.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2005"}],"version-history":[{"count":14,"href":"https:\/\/www.artinbox.cz\/index.php?rest_route=\/wp\/v2\/posts\/2005\/revisions"}],"predecessor-version":[{"id":2411,"href":"https:\/\/www.artinbox.cz\/index.php?rest_route=\/wp\/v2\/posts\/2005\/revisions\/2411"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artinbox.cz\/index.php?rest_route=\/wp\/v2\/media\/2062"}],"wp:attachment":[{"href":"https:\/\/www.artinbox.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2005"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artinbox.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2005"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artinbox.cz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2005"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}